“An essential new textbook”—Steven Heller
A History of Arab Graphic Design by Bahia Shehab and Haytham Nawar (AUC Press 2020) has won the Art History & Criticism category in the 2021 PROSE Awards organized by the Association of American Publishers (AAP).
A panel of 23 judges selected A History of Arab Graphic Design and other 44 winning books from a total of 130 Finalists from an overall pool of 595 entries for this year’s PROSE Awards competition.
“These 45 works all represent exceptional scholarship, and significant contributions to their various fields,” commented Syreeta Swann, vice president of programs and administration, AAP. “We are delighted to announce this year’s Subject Category Winners and look forward to announcing the next round of PROSE honors – the Excellence Award Winners – next month.”
This is the first-ever book-length history of Arab graphic design, which traces the people and events that were integral to the shaping of the field in the Arab world. Examining the work of over eighty key designers from Morocco to Iraq, and covering the period from pre-1900 to the end of the twentieth century, Shehab and Nawar chart the development of design in the region, beginning with Islamic art and Arabic calligraphy, and their impact on Arab visual culture, through to the digital revolution and the arrival of the Internet.
Bahia Shehab is professor and founder of the graphic design program at the American University in Cairo. An artist, designer, and art historian, her work has received a number of international awards, including a TED Senior Fellowship, a Prince Claus Award, and the UNESCO-Sharjah Prize for Arab Culture. Her other publications include A Thousand Times NO: The Visual History of Lam-Alif (2010).
Haytham Nawar is chair of the department of the arts at the American University in Cairo and the founder and artistic director of Cairotronica, a festival of electronic and new media arts in Cairo. An artist, designer, and Fulbright scholar, his work has been shown at many local and international exhibitions. His research interests include design history and practices with a focus on the Arab world and Africa.
On February 2, Journal Safar, a graphic design and visual culture publication based in Beirut, held a live conversation on Instagram with Haytham Nawar. Watch the recording.
On Saturday 28 November, AUC Press celebrated the launch of A History of Arab Graphic Design, with the authors. The event was held in Ewart Hall, on Cairo’s AUC Tahrir Campus, and in the presence of almost a hundred attendees, from graphic design students and professors, to journalists and friends of AUC Press.
The authors dedicated their hour-long presentation “to all the forgotten Arab designers,” noting that their book is “only the beginning,” since many more designers from the Arab world still merit wider recognition.
A History of Arab Graphic Design traces the people and events that were integral to the shaping of a field of graphic design in the Arab world. Examining the work of over eighty key designers from Morocco to Iraq, and covering the period from pre-1900 to the end of the twentieth century, Bahia Shehab and Haytham Nawar chart the development of design in the region, beginning with Islamic art and Arabic calligraphy, and their impact on Arab visual culture, through to the digital revolution and the arrival of the Internet. They look at how cinema, economic prosperity, and political and cultural events gave birth to and shaped the founders of Arab graphic design. Read an extract.
From left to right: folio from Qur’an, early Kufic style, Abbasid dynastiy; newspaper gift insert, calligraphy by Yusuf Ahmad and Sayed Ibrahim, year unknown; advertisement for Waked’s al-Hilal Arabic typewriter, early XX century.
From left to right: poster designed by Dia al-Azzawi, 1976; poster designed by Mohammed Melehi, 1966;
book cover and illustrations designed by Hassan Musa, 1981.
Various posters for the Palestinian cause. From left to right: Burhan Karkutli, 1978; Youssef Abdelké, 1981;
Mona Saudi, 1975, Mohammed Melehi, 1985; Hilmi al-Touni, 1985
From left to right: Al-Musawwar cover, 1956; Ghazal al-banat press book cover, 1949; Sindibad children’s magazine, designed by Hussein Bicar, year unknown.
Designs by Rana Salam Studio. Left: Harvey Nichols store window, 1995; right: design for Bassam Fattouh Cosmetics, 2013.
“An overdue Arab design history book . . . an essential new textbook for students and graphic designers from East and West.”—Steven Heller, Print magazine
“[O]ffers a thus far missing genealogy of Arab graphic design . . . a major feat.”—Nourhan Tewfik, The National
“A landmark . . . recommended . . . This book gives a much-needed visual overview of several generations of Arab graphic designers working in Arab countries and in different diasporas and exiles. It builds a history of Arab graphic design from the origins of printing through the 21st century, bringing the work of graphic designers across the region into conversation.” ―Marcia Lynx Qualey, Al-Fanar Media
“Closing the gap on the history of Arab graphic design . . . with over 370 pages and 600 color illustrations, A History of Arab Graphic Design is an invaluable resource.”―Ghalia Elsrakbi, Futuress magazine
‘Release Radar: The First Ever Book on Arab Graphic Design History’ Noran Alaa Morsi, Egyptian Streets