A series of gruesome murders shakes the city of Casablanca. The killer knows exactly how the police will pursue him and how to obliterate evidence that could lead them to identify his victims.
Fear spreads throughout the city as rumors abound that a serial killer is on the loose. Detective Hanash, despite his reputation, has hit a dead end. But he knows the killer will make a mistake, and it is up to him and his team to hunt down and capture this brutal criminal.
Then comes the most audacious homicide: the victim is found on the first day of the Eid holiday, directly outside the police headquarters in the center of town.
Is the killer taunting the police and its famous detective? And could this be the crime that contains the clue that Hanash has been waiting for?
Based on historical events, the lives of two women living centuries apart are bound together by an enigmatic painting in this mesmerizing debut.
Art historian Yasmine has been working on restoring an unsigned portrait of a strikingly beautiful girl from the Napoleonic Era, when she discovers that the artist has embedded a lock of hair into the painting, something highly unusual. The mysterious painting came into the museum’s possession without record, and Yasmine sets out to uncover the secret concealed within this captivating work.
Meanwhile, at the close of the French Campaign in Egypt, sixteen-year-old Zeinab, the daughter of a prominent sheikh, is drawn into French high society when Napoleon himself requests her presence. Enamored by the foreign customs of the Europeans, she finds herself on a dangerous path, one that may ostracize her from her family and culture.
Seamlessly merging fiction with history, art and politics, modern day Cairo with its opulent past, this compelling story of two women caught between worlds and entangled in matters of the heart launches an entrancing new literary voice.
The latest novel from renowned Palestinian writer Sahar Khalifeh, a deeply poetic account of love and resistance through a young girl’s eyes.
Nidal, after many decades of restless exile, returns to her family home in Nablus, where she had lived with her grandmother before the 1948 Nakba that scattered her family across the globe. She was a young girl when the popular resistance began and, through the bloodshed and bitter struggle, Nidal fell in love with freedom fighter Rabie. He was her first and only real love—him and all that he represented: Palestine in its youth and spring, the resistance fighters in the hills, the nation as embodied in her family home and in the land.
Many years later, Nidal and Rabie meet, and he encourages her to read her uncle Amin’s memoirs. She immerses herself in the details of her family and national past and discovers that her absent mother had been nurse and lover to Palestinian leader Abdel-Qader al-Husseini.
Set in the final days of the British Mandate, Sahar Khalifeh’s spins an epic tale filled with emotional urgency and political immediacy.
An American-born traveler to one of Istanbul’s oldest communities receives an unexpected welcome in this heart-warming and romantic debut. Fanis is at the center of a dwindling yet stubbornly proud community of Rum, Greek Orthodox Christians, who have lived in Istanbul for centuries. When Daphne, the American-born niece of an old friend, arrives in the city in search of her roots, she is met with a hearty welcome. Fanis is smitten by the beautiful and aloof outsider, who, despite the age difference, reminds him of the fiancée he lost in the 1955 pogrom. Kosmas, a master pastry chef on the lookout for a good Rum wife, also falls instantly for Daphne. She is intrigued by him, but can she love him in return? Or will a family secret, deeply rooted in the painful history of the city itself, threaten their chances?
This story of love, hopeful beginnings, and ancient traditions introduces a sparkling new literary voice sure to transport and entertain.
After reading Kafka, K decides to write his own diary, but he is constantly frustrated by his lack of experiences: he is worn down by the drudgery of his corporate job for a faceless corporation and by his incessant family obligations.
When he receives the news that he has leukemia, he finds himself torn between a sense of devastation and a revelation that he has finally found a way out of his writing predicament. Through Mohammed’s measured but forceful writing, this compelling debut has a universality that reaches across time, place, and culture.
Shortlisted for the International Prize for Arabic Fiction
Spanning twentieth-century Egyptian history and opening with the true story of a prominent Cairo businessman’s murder, this rags-to-riches story wondrously combines real-life events with fiction, told by a “magical storyteller”
It was in the spring of 1927 that Cairo’s attention was captured by the shocking murder of prominent businessman Solomon Cicurel in his Nile-side villa in the upscale Zamalek district. It was a burglary that went wrong, and four culprits were soon arrested. Their trial was concluded swiftly, their punishments were decisive, and society breathed a sigh of relief.
In Ashraf El-Ashmawi’s telling, there was a fifth accomplice, Abbas, who fled to his home in the countryside to lay low until the murder trial blew over. However, he did not escape empty-handed and kept stolen documents from Cicurel’s villa, ones that he imagined would lead him to a hidden safe. Abbas hatched a plan to return to the capital, find the safe, and make his fortune. The first step was to place his sister Zeinab with Cicurel’s widow, Paula.
Abbas’s rags-to-riches story unfolds as a tale of modern Egypt, taking in the Second World War, the 1952 revolution and rise of Nasser, the 1967 war, and the Sadat and Mubarak eras. Spanning the 1920s to the 1990s, El-Ashmawi deftly weaves together history with fiction in this intriguing English-language debut.
In this follow-up to her PEN Award-winning novel, The Queue, an electrifying new voice in Arab women’s fiction passionately brings to life the machinations of state oppression
Mysterious men are rounding up street children and enrolling them in a so-called “rehabilitation program,” designed to indoctrinate them for the military-backed regime’s imminent crackdown on its opponents. Across town, thousands of protesters encamp in a city square demanding the return of the recently deposed president.
Reminiscent of recent clashes in Egypt and reflective of political movements worldwide where civilians face off against state power, Abdel Aziz deftly illustrates the universal human struggles between resisting and succumbing to an oppressive regime.
Here Is A Body is a courageous and powerful depiction of the state cooptation of human bodies, the dehumanization of marginalized groups, and the use of inflammatory religious rhetoric to manipulate a narrative.