Effendi Masculinity and Subject Formation in Colonial Modernity, 1870-1940
Wilson Chacko Jacob
This rich cultural history of the formation of an Egyptian national subject in the late nineteenth century and early twentieth is also a compelling critique of modern Middle Eastern historiography. Wilson Jacob argues that during British colonial rule (1882–1936), attempts to create a distinctively modern and Egyptian self free from the colonial gaze led to the formation of an ambivalent, performative subjectivity that he calls “effendi masculinity.” He traces effendi masculinity as it took hold during the interwar years, in realms from scouting and competitive sports to sex talk and fashion, considering its gendered performativity in relation to a late-nineteenth- century British discourse on masculinity and empire and an explicitly nationalist discourse on Egyptian masculinity. He contends that as an assemblage of colonial modernity, effendi masculinity was simultaneously local and global, national and international, and particular and universal.
Zar is both a possessing spirit and a set of reconciliation rites between the spirits and their human hosts: living in a parallel yet invisible world, the capricious spirits manifest their anger by causing ailments for their hosts, which require ritual reconciliation, a private sacrificial rite practiced routinely by the afflicted devotees. Originally spread from Ethiopia to the Red Sea and the Arabian Gulf through the nineteenth-century slave trade, in Egypt zar has incorporated elements from popular Islamic Sufi practices, including devotion to Christian and Muslim saints. The ceremonies initiate devotees—the majority of whom are Muslim women—into a community centered on a cult leader, a membership that provides them with moral orientation, social support, and a sense of belonging. Practicing zar rituals, dancing to zar songs, and experiencing trance restore their well-being, which had been compromised by gender asymmetry and globalization. This new ethnographic study of zar in Egypt is based on the author’s two years of multi-sited fieldwork and firsthand knowledge as a participant, and her collection and analysis of more than three hundred zar songs, allowing her to access levels of meaning that had previously been overlooked. The result is a comprehensive and accessible exposition of the history, culture, and waning practice of zar in a modernizing world.
Egypt has placed its hopes on developing its vast and empty deserts as the ultimate solution to the country’s problems. New cities, new farms, new industrial zones, new tourism resorts, and new development corridors, all have been promoted for over half a century to create a modern Egypt and to pull tens of millions of people away from the increasingly crowded Nile Valley into the desert hinterland. The results, in spite of colossal expenditures and ever-grander government pronouncements, have been meager at best, and today Egypt’s desert is littered with stalled schemes, abandoned projects, and forlorn dreams. It also remains stubbornly uninhabited.
Egypt’s Desert Dreams is the first attempt of its kind to look at Egypt’s desert development in its entirety. It recounts the failures of governmental schemes, analyzes why they have failed, and exposes the main winners of Egypt’s desert projects, as well as the underlying narratives and political necessities behind it, even in the post-revolutionary era.
This fully updated paperback edition addresses the latest projects as well as the discourses relating to Egypt’s desert development since the publication of the hardcover edition nearly four years ago, particularly the scheme to built a gigantic new capital east of Cairo.
The son of a fighter pilot, raised in an air force barracks, Ahmed Aboul Gheit was privy to the confidential meetings, undisclosed memoranda, and battle secrets of Egyptian diplomacy for many decades. After a stint at military college, he began his career at the Egyptian embassy in Cyprus before later going on to become permanent representative to the United Nations and eventually, Egypt’s minister of foreign affairs under Hosni Mubarak. In this fascinating memoir, Aboul Gheit looks back on the 1973 October War and the diplomatic efforts that followed it, revealing the secrets of his long career for the first time.
In vivid detail he describes the deliberations of Egypt’s political leadership in the run-up to the war, including the process of articulating Egypt’s war aims, the secret communications between President Sadat and U.S. Secretary of State Henry Kissinger, the role of the Soviet Union during the war, and the unfolding of events on the battlefront in Sinai. He then gives a detailed and deeply personal account of the arduous process of peacemaking that followed, covering the 1973 Geneva Conference, the 1977 Mena House Conference, Sadat’s visit to Israel, the 1978 Camp David Accords, and the subsequent 1979 Egyptian–Israeli Peace Treaty.
From Sadat’s impassioned address to his cabinet on the eve of the war to delegations ripping out the wiring at their respective hotels, from Jimmy Carter cycling through the bungalows at Camp David to Yitzhak Shamir’s blunt admissions to his Arab counterparts in the 1991 Madrid conference, Aboul Gheit offers an information-packed, first-person account of a turbulent time in Middle Eastern history.
Oral history archives have always been at the forefront of liberatory social movements in general, and of feminist movement in particular. Until the end of the twentieth century in the Arab world, archives of women’s oral narratives were almost non-existent with the exception of small documentation efforts tied to individual research. However, since 2011, there has been a marked increase in the documentation of projects.
In this context, the Women and Memory Forum organized a conference in 2015 about the challenges of creating gender sensitive oral history archives in times of change. The papers in this collection shed light on documentation initiatives in Arab countries in transitional and conflict situations, in addition to international experiences. They engage with questions around archives and power, the challenges and opportunities presented by new technologies to the making and preserving of archives, ethical concerns in the construction of archives, women’s archives and the production of alternative knowledge, as well as conceptual and methodological issues in oral history.