“Alexandria is still alive and alters even when one tries to sum her up . . . . Only the climate, only the north wind and the sea remain as pure as when Menelaus, the first visitor, landed three thousand years ago.” In the autumn of 1915, in a “slightly heroic mood”, E.M. Forster arrived in Alexandria, full of lofty ideals as a volunteer for the Red Cross. Yet most of his time was spent exploring “the magic, antiquity and complexity” of the place in order to cope with living in what he saw as a “funk-hole.” With a novelist’s pen, he brings to life the fabled, romantic city of Alexander the Great, capital of Greco-Roman Egypt, beacon of light and culture symbolized by the Pharos, where the doomed love affair of Antony and Cleopatra was played out and the greatest library the world has ever known was built. Threading three thousand years of history with vibrant strands of literature and punctuating the narrative with his own experiences, Forster immortalized Alexandria, painting an incomparable portrait of the great city and, inadvertently, himself.
A History and a Guide
Introduction byLawrence Durrell
For sale only in the Middle East
Egypt as a Woman
Nationalism, Gender, and Politics
Nationalism, Gender, and PoliticsBeth Baron
This original and historically rich book examines the influence of gender in shaping the Egyptian nation from the nineteenth century through the revolution of 1919 and into the 1940s. In Egypt as a Woman, Beth Baron divides her narrative into two strands: the first analyzes the gendered language and images of the nation, and the second considers the political activities of women nationalists. She shows that even though women were largely excluded from participation in the state, the visual imagery of nationalism was replete with female figures. Baron juxtaposes the idealization of the family and the feminine in nationalist rhetoric with transformations in elite households and the work of women activists striving for national independence. ‘’With evenhandedness and generosity, Baron shows how vital women were to mobilizing opposition to British authority and modernizing Egypt.’’—Robert L. Tignor, author of Capitalism and Nationalism at the End of Empire ‘’A wonderful contribution to understanding Egyptian national and gender politics between the two world wars.’’—Donald Malcolm Reid, author of Whose Pharaohs? Archaeology, Museums, and Egyptian National Identity from Napoleon to World War I...read more
30 b/w photographs
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.
City of Memory
City of MemoryMichael Haag
In the decades before Nasser’s seizure of power and the Suez crisis, Alexandria was a magnet for the wealthy, the gifted, and the glamorous from around the world. The whole city looked seaward, its port one of the busiest in the Mediterranean, its spirit ecumenical, its life luxuriant and sensual. Alexandria was barely an Egyptian city, and the Egyptians who live there now inhabit the gently crumbling remains of a foreign world, whose palatial villas, Venetian apartments, art-nouveau cafes, Moorish hotels, and cinemas conceived in thirties deco, are haunted by a departed cast. “I lived a great, extravagant, and colorful life in wartime Alexandria,” recalled Lawrence Durrell, whose Alexandria Quartet is one of the greatest protraits of a city in modern literature. Michael Haag, who has lived in Alexandria, and has known Durrell and others who lived there during its cosmopolitan heyday, has retraced their footsteps to present an absorbing account of the places and the people of this most remarkable of cities. ‘’Michael Haag mixes memory and biography, politics and cultural studies in clear and seamless prose.’’—The New York Review of Books...read more
80 b/w illus.
Doria Shafik, Egyptian Feminist
A Woman Apart
A Woman ApartCynthia Nelson
Cynthia Nelson brings to life a bold and gifted Egyptian of the mid-twentieth century who helped define what it means to be a modern Arab woman. Doria Shafik (1908-1975), an Egyptian feminist, poet, publisher, and political activist, participated in one of her country’s most explosive periods of social and political transformation. During the ’40s she burst onto the public stage in Egypt, openly challenging every social, cultural, and legal barrier that she viewed as oppressive to the full equality of women. As the founder of the Daughters of the Nile Union in 1948, she catalyzed a movement that fought for suffrage and set up programs to combat illiteracy, provide economic opportunities for lower-class urban women, and raise the consciousness of middle-class university students. She also founded and edited two prominent women’s journals, wrote books in both French and Arabic, lectured throughout the world, married, and raised two children. For a decade, she ignited the imagination of the press, where she was variously described as the “perfumed leader,” a “danger to the Muslim nation,” a “traitor to the revolution,” and the “only man in Egypt.” Then, in 1957, following her hunger strike in protest against the populist regime of Gamal Abdul Nasser, she was placed under house arrest. Within months her magazines folded, her name was officially banned from the press, and she entered a long period of seclusion that ended with her suicide in 1975. With the cooperation of Shafik’s daughters, who made available her three impressionistic, unpublished, and sometimes contradictory memoirs, Nelson has uncovered Shafik’s story and brings the life and achievements of this remarkable woman to a Western audience....read more
14 b/w illus.
This book is only available for purchase from Egypt