This issue of Alif is devoted to travel and travel-writing in the broadest cross-cultural sense and focuses on what Mahmoud Manzalauoui has termed indigenes, visitants, sojourners, and habitants or metics, particularly in Egypt and the Middle East. It is a tribute to Middle East scholar and acclaimed travel writer John Rodenbeck. Essays in this issue take a variety of approaches, ranging from the historical to the analytical and philosophical. Contributors include Sahar Sobhi Abdel-Hakim, Fadwa Adbel Rahman, Michael Haag, JDF Jones, Ceza Kassem, Nabil Matar, Malise Ruthven, Sarah Searight, and Terry Walz.
Alif 26
Wanderlust: Travel Literature of Egypt and the Middle East
Edited by
Ferial Ghazoul
528 pp.
17X24cm
ISBN 9789774160110
For sale worldwide
75
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Nocturnal Poetics
The Arabian Nights in Comparative Context
Ferial J. GhazoulThe Book of a Thousand and One Nights, better known as The Arabian Nights, is a classic of world literature and the most universally known work of Arabic narrative. Although much has been written about it, Professor Ghazoul’s analysis is the first to apply modern critical methodology to the study of this intricate and much-admired literary masterpiece. The author draws on a wealth of critical tools — medieval Arabic aesthetics and poetics, mythology and folklore, allegory and comedy, postmodern literary criticism, and formal and structural analysis — to explain the specific genius of the The Arabian Nights. The author describes and examines the internal cohesion of the book, establishing its morphology and revealing the dialectics of the frame-story and enframed cycles of narrative. She discusses various forms of narrative — folk epics, animal fables, Sindbad voyages, and demon stories — and analyzes them in relation to narrative works from India, Europe, and the Americas. Covering an impressive range of writings, from ancient Indian classics to the works of Shakespeare and the modern writers Jorge Luis Borges and John Barth, she places The Arabian Nights in the context of an ongoing storytelling tradition and reveals its influence on world literature.
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e-book
206 pp.8.99
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Edited by Ferial GhazoulThis issue of Alif: Journal of Comparative Poetics is devoted to the intersection of the imaginary and the documentary, the fictional and the cultural in the three genres of literature (poetry, fiction, and drama), in history, in film (feature and documentary), in photography, in plastic arts, and in architecture. Collage in art, portrait paintings, political poetry, archival footage in films, the historical novel, and the metaphors of historiography are some of the examples that demonstrate the interfacing between the imaginary and the documentary. Subjectivity and ideology of the artist and scholar might be couched in a flight of fantasy or in a rational argument, but in both cases they are joined to a specific worldview that is analyzed and discussed. Contributors: Abdel Rahman El Abnoudy, Emad Abdel Latif, Saeed Alwakil, Tamim El Barghouti, Judith Butler, Safaa Fathy, Tahany El Gebaly, Ahmed Haddad, Sabry Hafez, Chouaib Halifi, Stuart Hall, Barbara Harlow, Ahmed Heakl, Jeffrey Herlihy, Ahmed Abdel Mo‘ty Higazi, Abdullah Ibrahim, Walid El Khachab, Jalal Uddin Khan, Hasna Lebbady, Iman Mersal, Helmi Salem, Stephanie Schwerter, Basheer El Sibaei, Larbi Touaf, John Carlos Rowe, Angela Vaupel, Elizabeth Wickett, Shaaban Yusuf.
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Alif 36
Friendship: Representations and Cultural Variations
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Alif 37
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Edited byHala HalimThe articles in Alif 37 address the intersection of literature and journalism, in a wide variety of Arabophone, Francophone, Anglophone, and Latin American contexts, analyzing the literary in relation to an array of journalistic genres and forums, including the interview, investigative journalism, the questionnaire, the blogosphere, creative non-fiction and reportage, literary websites, cultural periodicals, the autobiographical essay, and writers’ opinion articles. Complemented by the testimonies of two journalist–littérateurs and an interview with an artist–poet–art critic, the studies present fresh aspects of Arab literary modernity, littérature engagée, the politics of reception and translation in cultural journalism, canon-formation in relation to journalism, the journalistic delineation of a literary generation’s profile, gender and censorship of creative writers, and revolution and civil strife.
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15 November 2017
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500 pp.16.5X24cm
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