Few works about the Middle East have exerted such wide and long-lasting influence as Edward William Lane’s An Account of the Manners and Customs of the Modern Egyptians. First published in 1836, this classic book has never gone out of print, continuously providing material and inspiration for generations of scholars, writers, and travelers, who have praised its comprehensiveness, detail, and perception. Yet the editions in print during most of the twentieth century would not have met Lane’s approval. Lacking parts of Lane’s text and many of his original illustrations (while adding many that were not his), they were based on what should have been ephemeral editions, published long after the author’s death. Meanwhile, the definitive fifth edition of 1860, the result of a quarter century of Lane’s corrections, reconsiderations, and additions, long ago disappeared from bookstore shelves. Now the 1860 edition of Manners and Customs of the Modern Egyptians is available again, with a useful general introduction by Jason Thompson. Lane’s greatest work enters the twenty-first century in precisely the form that he wanted.
An Account of the Manners and Customs of the Modern Egyptians
Edward William Lane
15 December 2012
131 line drawings
For sale worldwide
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.
Contesting Antiquity in Egypt
Archaeologies, Museums, and the Struggle for Identities from World War I to Nasser
Donald Malcolm Reid
Archaeologies, Museums, and the Struggle for Identities from World War I to NasserDonald Malcolm Reid
The sensational discovery in 1922 of Tutankhamun’s tomb, close on the heels of Britain’s declaration of Egyptian independence, accelerated the growth in Egypt of both Egyptology as a formal discipline and of ‘pharaonism’—popular interest in ancient Egypt—as an inspiration in the struggle for full independence. Emphasizing the three decades from 1922 until Nasser’s revolution in 1952, this compelling follow-up to Whose Pharaohs? looks at the ways in which Egypt developed its own archaeologies—Islamic, Coptic, and Greco-Roman, as well as the more dominant ancient Egyptian. Each of these four archaeologies had given birth to, and grown up around, a major antiquities museum in Egypt. Later, Cairo, Alexandria, and Ain Shams universities joined in shaping these fields. Contesting Antiquity in Egypt brings all four disciplines, as well as the closely related history of tourism, together in a single engaging framework.
Throughout this semi-colonial era, the British fought a prolonged rearguard action to retain control of the country while the French continued to dominate the Antiquities Service, as they had since 1858. Traditional accounts highlight the role of European and American archaeologists in discovering and interpreting Egypt’s long past. Donald Reid redresses the balance by also paying close attention to the lives and careers of often-neglected Egyptian specialists. He draws attention not only to the contests between westerners and Egyptians over the control of antiquities, but also to passionate debates among Egyptians themselves over pharaonism in relation to Islam and Arabism during a critical period of nascent nationalism.
Drawing on rich archival and published sources, extensive interviews, and material objects ranging from statues and murals to photographs and postage stamps, this comprehensive study by one of the leading scholars in the field will make fascinating reading for scholars and students of Middle East history, archaeology, politics, and museum and heritage studies, as well as for the interested lay reader....read more
3 September 2019
92 integrated b/w illus., 1 map, 7 tables
Artisan Entrepreneurs in Cairo and Early Modern Capitalism 1600–1800
While historians have mined archives and court documents to create a picture of the commercial activities, networks, and infrastructure of merchants in Egypt prior to its incorporation into the European capitalist economy, few have documented a similar picture of the artisans and craftspeople. Artisans outnumbered merchants and their economic weight was considerable, yet details about their lives, the way they carried out their work, and their role or position in the economy is largely unknown. Nelly Hanna seeks to redress this gap by locating and exploring the role of artisans in the historical process. These artisans developed a variety of capitalist practices, both as individuals and collectively in their guilds. Hanna details how they defied the constraints of the guilds and actively engaged in the markets of Europe, demonstrating how Egyptian artisan production was able to compete and survive in a landscape of growing European trade. Deftly synthesizing a wide range of economic and historical theory, Hanna reinvigorates the current scholarship on early Ottoman history and provides a persuasive challenge to the largely shallow perception of artisans’ role in Egypt’s economy....read more
El Alamein and the Struggle for North Africa
International Perspectives from the Twenty-first Century
Edited by Jill Edwards
International Perspectives from the Twenty-first CenturyEdited by Jill Edwards
This new collection of studies presents fresh insights into a war fought over unusually difficult terrain and with exceptional supply demands. From the ongoing Italian geomorphic study of the Alamein arena to individual memories of non-combatant Alexandrians, from the Free French to the seasoned colonial forces of Australia, India, New Zealand, and South Africa, and from vital naval engagements and the siege of Malta to the study of Rommel’s leadership and the Churchill–Montgomery duo, this book presents the reader with a detailed yet broad reassessment of the complexities of the war in North Africa between 1941 and 1943, its technology, philosophy, military doctrine, strategy, tactics, logistics, and the associated local and international politics. Writing from the perspectives of some of the many nations whose armies were involved in the conflict, fifteen historians bring to their work the precision of their national historical archival sources in clear and spritely narratives....read more
15 March 2013
55 b/w illus.