Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history.
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis
Introduction by
Nelly Hanna
15 April 2008
144 pp.
28 color illus.
15X23cm
ISBN 9789774161520
For sale worldwide
$27.95
Nelly Hanna
Also available by this author
The Emergence of the Modern Coptic Papacy
The Popes of Egypt, Volume 3
Magdi GuirguisNelly van Doorn-Harder
Associate Editor byMichael Shelley
This third and final volume of The Popes of Egypt spans the five centuries from the arrival of the Ottomans in 1517 to the present era. Hardly any scholarly work has been written about the Copts during the Ottoman period. Using court, financial, and building records, as well as archives from the Coptic Orthodox Patriarchate and monasteries, Magdi Guirguis has reconstructed the authority of the popes and the organization of the Coptic community during this time. He reveals that the popes held complete authority over their flock at the beginning of the Ottoman rule, deciding over questions ranging from marriage and concubines to civil disputes. As the fortunes of Coptic notables rose, they gradually took over the pope’s role and it was not until the time of Muhammad Ali that the popes regained their former authority. In the second part of the book, Nelly van Doorn-Harder analyzes how with the dawning of the modern era in the nineteenth century, the leadership style of the Coptic popes necessarily changed drastically. As Egypt’s social, political, and religious landscape underwent dramatic changes, the Coptic Church experienced a virtual renaissance, and expanded from a local to a global institution. Furthermore she addresses the political, religious, and cultural issues faced by the patriarchs while leading the Coptic community into the twenty-first century.
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15 December 2011
Hardbound
256 pp.15X23cm
$29.95
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