In 1872, Ismail Pasha, the khedive of Egypt, was the first to adopt the European custom of positioning heroic statues on public display as a symbolic message of the continuing authority of the ruling Muhammad Ali dynasty to which he belonged, but it was not until the early twentieth century and the determination of sculptor Mahmoud Mukhtar that such public art gained general acceptance, and today statues stand, ride, or sit in the streets, squares, and gardens of Cairo. Each sculpture adds a piece to the jigsaw of history spanning personalities and events that shaped the city and wider Egypt from 1805 to 1970, and here Cairo-based author Lesley Lababidi provides a unique perspective on Egyptian history through looking at more than thirty statues and monumental sculptures and the stories behind them. Between statues, she explores Cairo’s growth and its multidimensional identity, as manifested in the development and changing use of city space over the centuries, and examines the relationship of Cairo’s modern denizens with the landscapes, districts, palaces, archaeological sites, cafés, bridges, and gardens of their great and maddening city, the Mother of the World. Illustrated throughout with color photographs and archival pictures, Cairo’s Street Stories presents a unique and lively view of the history that fashioned the city’s streets and open spaces, and of the many and often unexpected uses to which its inventive inhabitants put them.

Beirut has seen many armies and empires come and go, but the legacy of this long history is not so much in surviving monuments as in the quintessential Levantine spirit of the people. A commercial hub since the days of the Phoenicians, it was a center of learning under the Romans, its law school pre-eminent in the Empire. Both currents are discernible today, with vibrant Arab, French, and American universities and more publishing houses than the rest of the Arab world coexisting with the most dynamic financial center in the Middle East. Beirut was the point of entry to the Levant for many Europeans and Americans undertaking a Grand Tour or a pilgrimage to the Holy Land, and visitors (whether their focus was piously Biblical or more prosaic) recorded their impressions of this effervescent port city where East rubs against West. A Beirut Anthology gathers the choicest of these, from writers as diverse as Alphonse de Lamartine and Mark Twain, providing a surprising and vivid glimpse behind the veil of this elusive and alluring city.