Since it was first published in 1998, Viola Shafik’s Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history—economic, ideological, and aesthetic—with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry’s development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of “cultural repackaging.” Now updated to reflect cultural shifts in the last two decades, this revised edition contains a new afterword highlighting the latest developments in popular and in art-house filmmaking, with a special focus on Iraq, Lebanon, Palestine, and the Gulf States. While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decades.
History and Cultural Identity: Revised and Updated Edition
5 January 2017
50 b/w illus.
For sale worldwide
Architecture for the Dead
Cairo’s Medieval Necropolis
Galila El Kadi Alain Bonnamy
Cairo’s Medieval NecropolisGalila El Kadi
The great medieval necropolis of Cairo, comprising two main areas that together stretch twelve kilometers from north to south, constitutes a major feature of the city’s urban landscape. With monumental and smaller-scale mausolea dating from all eras since early medieval times, and boasting some of the finest examples of Mamluk architecture not just in the city but in the region, the necropolis is an unparalleled—and until now largely undocumented—architectural treasure trove. In Architecture for the Dead, architect Galila El Kadi and photographer Alain Bonnamy have produced a comprehensive and visually stunning survey of all areas of the necropolis. Through detailed and painstaking research and remarkable photography, in text, maps, plans, and pictures, they describe and illustrate the astonishing variety of architectural styles in the necropolis: from Mamluk to neo-Mamluk via baroque and neo-pharaonic, from the grandest stone buildings with their decorative domes and minarets to the humblest—but elaborately decorated—wooden structures. The book also documents the modern settlement of the necropolis by families creating a space for the living in and among the tombs and architecture for the dead....read more
7 September 2007
320 b/w illus., 105 maps and plans
Messages of Love and Politics
Messages of Love and PoliticsMia Gröndahl
Graffiti began in Gaza in 1987, during the first Intifada, when there was no Palestinian television or radio in the Gaza Strip, and no newspapers: the messages that spread along the walls became an important means of communication. Over the years, all political groups have had their own graffiti artists. Scrawl is not tolerated—it has to look good. Hamas even offers evening classes in graffiti. Documenting the writings on the walls of Gaza over a period of seven years, celebrated Swedish photojournalist Mia Gröndahl lays before us the many roles that they perform, the colorful and surprising range of their artistic expression, and their reflection of the changing political situation. And apart from political slogans, the walls bear witness too to joy and sadness: the wedding celebrations, the many victims of the conflict, and the ever present hope of peace and freedom. For us on the outside, Mia Gröndahl’s photographs offer an exciting and unexpected view of life in Gaza....read more
15 March 2010
150 color illus.
Art and Architecture
Edited by Markus Hattstein Peter Delius
Art and ArchitectureEdited by Markus Hattstein
The rapid expansion of Islam in its early days encouraged a unique absorption and integration of disparate cultural forms and traditions. This book follows the historical development of the Islamic regions and their ruling dynasties, and illustrates their greatly varied forms of artistic expression from the birth of the religion to the present day. Basic architectural elements demonstrate, in their diverse modes of execution, the independence of regional building traditions. In the restrained yet inventive brick and tile ornamentation of Uzbekistan, just as in the bright, naturalistic arabesque of India or Iran, and in the ubiquitous geometrical ornamentation of Spain and the Maghreb, clear forms of expression are manifest, celebrating the riches and beauty of God’s creation. This impulse also inspires the colorful and fantastical book illustrations and calligraphy, sumptuous tapestries, extravagant metalwork, ceramics, and jewelry produced by all Islamic cultures. Contributors: Mukaddima Aschrafi, Marianne Barrucand, Sheila Blair, Jonathan Bloom, Sergej Chmelnizkij, Volkmar Enderlein, Joachim Gierlichs, Almut von Gladiss, Julia Gonnella, Oleg Grabar, Annette Hagedorn, Markus Hattstein, Wolfgang Holzwarth, Natascha Kubisch, Jesús Bermúdez López, Sibylle Mazot, Viktoria Meinecke-Berg, Elke Niewöhner-Ederhard, Peter W. Schienerl, Philippa Vaughan....read more
Over 900 color illus.
Film in the Middle East and North Africa
Edited by Josef Gugler
Creative DissidenceEdited by Josef Gugler
Nine essays presenting the major national cinemas, from Iran to Morocco, are complemented by in-depth discussions of eighteen films that have been selected for both their excellence and their critical engagement with pressing current issues. The introduction provides a comprehensive overview of filmmaking throughout the region, including important films produced outside the national cinemas. The long history of Iranian cinema, its international renown, and the politics of directors confronting the state, earns it a special place in this volume. The other major emphasis is on the Israel/Palestine conflict, featuring films by Palestinian directors, Israelis, and an Egyptian working in Syria. Twenty contributors, from film and literary scholars to film directors and a novelist, bring to this unique volume differences in disciplinary orientation and variation in the perspectives that inform their writing. Together they offer an illuminating range of approaches to the cinemas of the region....read more
55 b/w illus.