Since it was first published in 1998, Viola Shafik’s Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history—economic, ideological, and aesthetic—with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry’s development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of “cultural repackaging.” Now updated to reflect cultural shifts in the last two decades, this revised edition contains a new afterword highlighting the latest developments in popular and in art-house filmmaking, with a special focus on Iraq, Lebanon, Palestine, and the Gulf States. While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decades.
History and Cultural Identity: Revised and Updated Edition
5 January 2017
50 b/w illus.
For sale worldwide
An Artist’s Journey
An Artist’s JourneyAnna Boghiguian
Anna Boghiguian, one of Egypt’s foremost contemporary artists, has traveled the globe and recorded her artistic reaction to each new place in drawings and paintings in the notebooks she carries everywhere. But her roads through India or Cambodia, Canada or France always come back to the land of her birth, Egypt. Her drawings of Egypt reflect her instinctive and emotional responses to the country’s many layers of history and myth, and to the people, ancient and modern, grand and everyday, who populate those histories and myths with such entrancing spirit. In this very personal presentation of Egypt, Anna Boghiguian shares both her visual and her verbal thoughts, as she leads us on a tour of this incredible land of fact and fiction, across space and in and out of time, through her words that paint pictures and her drawings that tell stories. This truly unique book is as much about the artist as it is about the land, and a treasure on both counts....read more
Egypt and Nubia / The Holy Land
Deluxe Gift edition
Drawings by David Roberts, R.A. With historical descriptions by William Brockedon Lithographed by Louis Haghe
Deluxe Gift editionDrawings byDavid Roberts, R.A.
With historical descriptions byWilliam Brockedon
Lithographed byLouis Haghe
The genius and sensitivity of the justly celebrated nineteenth-century Scottish artist David Roberts are fully revealed in this outstanding new two-volume edition that reproduces for the first time since the original editions of the 1840s all 247 of Roberts’ published drawings of Egypt and the Holy Land. In 1838 and 1839, Roberts spent eleven months traveling and sketching throughout Egypt from Alexandria to Abu Simbel and through Sinai to Petra, Jerusalem, Palestine, and Lebanon. The 247 lithographs that Belgian engraver Louis Haghe then produced at the rate of one a month from the drawings executed during Roberts’ extraordinary trip were published in six volumes by Francis Graham Moon, as The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia (1842–46) and Egypt and Nubia (1846–49). This monumental work assured the artist of a fame that has lasted until the modern day. Once again in this new edition, the wonders that Roberts saw on his trip and the style of life in the Middle East in the middle of the nineteenth century are brought vividly to life by the pictures and the original accompanying texts by the Reverend George Croly and William Brockedon. All admirers of David Roberts will want to own this very special boxed edition....read more
3 volume boxed set320 + 288 + 32 pp.
247 color plates
His Lost City and Great Mosque
His Lost City and Great MosqueTarek Swelim
Ahmad Ibn Tulun (835–84), the son of a Turkic slave in the Abbasid court of Baghdad, became the founder of the first independent state in Egypt since antiquity, and builder of Egypt’s short-lived third capital of the Islamic era, al-Qata’i‘ and its great congregational mosque. After recounting the story of Ibn Tulun and his successors, architectural historian Tarek Swelim presents a topographic survey of al-Qata’i‘, a city lost since its complete destruction in 905. He then provides a detailed architectural analysis of the Mosque of Ibn Tulun, which was spared the destruction and is now the oldest surviving mosque in Egypt and Africa, from the time of its completion until today. Rare archival illustrations and early photographs document the changing appearance and uses of the mosque in modern times, while extraordinary 3D computer renderings take us back in time to recreate its architectural development through its early centuries. Plans, drawings, and maps complement the history, while striking modern color photographs showcase the elegant simplicity of the building’s architecture and decoration. This definitive and generously illustrated book will appeal to scholars and students of Islamic art history, as well as to anyone interested in or inspired by the beauty of early mosque architecture....read more
13 December 2015
120 illus., including color photos, computer drawings, archival prints
Folk Art of the Great Pilgrimage
Ann Parker Avon Neal
Folk Art of the Great PilgrimageAnn Parker
Since the seventh century, the Hajj, or Great Pilgrimage to Mecca, has been a lifelong goal of devout Muslims throughout the world. Egyptian pilgrims traditionally celebrate their sacred journey by commissioning a local artist to depict their religious odyssey on the walls of their homes. Hajj Paintings is the first visual record of the richness and variety of this naive art form. Photographer Ann Parker and writer Avon Neal spent a decade exploring towns, villages, and isolated farm communities along the Nile, across the Delta, down the Red Sea coast, and into Sinai. On the walls of buildings ranging from alabaster factories to mud-brick farmhouses they found brilliant murals illuminated by the desert sun, portraying beloved icons of the pilgrims’ faith and scenes from the Qur’an. Their nearly 150 color photographs and accompanying descriptions record the radiant palette of the mostly self-taught artists....read more
1 March 2009
130 color illus.