Since it was first published in 1998, Viola Shafik’s Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history—economic, ideological, and aesthetic—with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry’s development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of “cultural repackaging.” Now updated to reflect cultural shifts in the last two decades, this revised edition contains a new afterword highlighting the latest developments in popular and in art-house filmmaking, with a special focus on Iraq, Lebanon, Palestine, and the Gulf States. While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decades.
History and Cultural Identity: Revised and Updated Edition
5 January 2017
50 b/w illus.
For sale worldwide
Gardens of Sand
Nineteenth-Century Photographs of Egypt, Arabia, Turkey, and the Levant
Issam Nassar Patricia Almárcegui Clark Worswick
Nineteenth-Century Photographs of Egypt, Arabia, Turkey, and the LevantIssam Nassar
Between 1859 and 1905, a number of photographers working in Damascus, Mecca, Cairo, Istanbul, and northern Africa captured their landscapes, towns, and monuments, bequeathing an unprecedented visual documentation of the Middle East. Gardens of Sand brings together 100 original photographs, masterpieces mostly hitherto unpublished, taken between 1859 and 1905. The archive illustrates the themes of the expatriate photographers of the second half of the nineteenth century—study portraits, royal commissions, landscapes, inventories of significant monuments and buildings, orientalist scenes, steeped in classical European imagination—but also explores the confrontation between western imagination and the visual reality of the Middle East, a meeting that gave rise to a local photography, gradually moving further away from western stereotypes, and includes a critical analysis of orientalism and of photography as a means of conveying a reality of prejudices....read more
The Churches of Egypt
From the Journey of the Holy Family to the Present Day
Edited by Carolyn Ludwig Gertrud J.M. van Loon Gawdat Gabra Photographs by Sherif Sonbol
From the Journey of the Holy Family to the Present DayEdited by Carolyn Ludwig
Gertrud J.M. van Loon
Photographs by Sherif Sonbol
With over 300 full-color photographs, this is the first fully illustrated book devoted to Christian houses of worship in Egypt. The text incorporates the latest research to complement the broad geographic scope covering nearly all significant Coptic sites throughout the country, from the ancient Coptic churches in Old Cairo to the churches in the monasteries of Wadi al-Natrun, the Red Sea, and Upper Egypt. Churches associated with the Holy Family’s sojourn in Egypt, including Gabal al-Tayr and Dayr al-Muharraq, enrich the volume. Churches of all other Christian denominations in Egypt are also described and beautifully illustrated here. A number of Greek Orthodox churches, Evangelical Coptic, Catholic, Armenian, and Anglican churches are included. Introductory chapters on the history of Christianity in Egypt, the architecture of the Coptic Church, and Coptic wall paintings help readers to appreciate fully the great cultural, artistic, and architectural heritage of Egypt’s Christians....read more
1 November 2012
350 color illus.
Art and Architecture
Edited by Markus Hattstein Peter Delius
Art and ArchitectureEdited by Markus Hattstein
The rapid expansion of Islam in its early days encouraged a unique absorption and integration of disparate cultural forms and traditions. This book follows the historical development of the Islamic regions and their ruling dynasties, and illustrates their greatly varied forms of artistic expression from the birth of the religion to the present day. Basic architectural elements demonstrate, in their diverse modes of execution, the independence of regional building traditions. In the restrained yet inventive brick and tile ornamentation of Uzbekistan, just as in the bright, naturalistic arabesque of India or Iran, and in the ubiquitous geometrical ornamentation of Spain and the Maghreb, clear forms of expression are manifest, celebrating the riches and beauty of God’s creation. This impulse also inspires the colorful and fantastical book illustrations and calligraphy, sumptuous tapestries, extravagant metalwork, ceramics, and jewelry produced by all Islamic cultures. Contributors: Mukaddima Aschrafi, Marianne Barrucand, Sheila Blair, Jonathan Bloom, Sergej Chmelnizkij, Volkmar Enderlein, Joachim Gierlichs, Almut von Gladiss, Julia Gonnella, Oleg Grabar, Annette Hagedorn, Markus Hattstein, Wolfgang Holzwarth, Natascha Kubisch, Jesús Bermúdez López, Sibylle Mazot, Viktoria Meinecke-Berg, Elke Niewöhner-Ederhard, Peter W. Schienerl, Philippa Vaughan....read more
Over 900 color illus.
Hassan Fathy and Continuity in Islamic Arts and Architecture
The Birth of a New Modern
The Birth of a New ModernAhmad Hamid
Hassan Fathy, the Egyptian architect known for his recognition of the potential of vernacular forms as a vital force in contemporary architectural design, sought to integrate the traditions of Islamic art with his modern visions for living. Guided by Fathy’s principles, Ahmad Hamid, an architect who collaborated with Hassan Fathy in the Institute for Appropriate Technology, identifies questions about the nature of Islamic art and its building culture, as well as the origins of modern architecture. This richly illustrated book provides new insights into Hassan Fathy’s profuse, pathbreaking design documents and built projects, while exploring the socioeconomic, environmental, psychological, and esthetic components of Fathy’s work in the light of a quest for a new universal modernity for the twenty-first century....read more
15 December 2010
100 b/w photographs and drawings