In this now classic work, Hassan Fathy, Egypt’s greatest twentieth-century architect, describes in detail his plan for building the village of New Gourna on the west bank of the Nile at Luxor, employing both the traditional building material, mud brick, and such traditional Egyptian architectural features as enclosed courtyards and domed and vaulted roofing. Fathy worked closely with the people to tailor his designs to their needs; he taught them how to work with the mud bricks, supervised the erection of the buildings, and encouraged the revival of ancient techniques, such as the use of claustra (mud-brick latticework) to adorn the buildings. Although bureaucratic red tape and other problems prevented the completion of New Gourna, Fathy’s ideas have since commanded widespread attention both inside and outside Egypt, and Architecture for the Poor remains a testament to his vision as an architect of conscience. “Fathy demonstrates very powerfully that it is possible to build for the poor … cheaply and humanly by the use of earth for building and by teaching people to build for themselves. There is no other book quite like this.” —Choice
Architecture for the Poor
An Experiment in Rural Egypt
132 b/w illus.
For sale only in the Middle East
Rebirth of the City of the Sun
Agnieszka Dobrowolska Jaroslaw Dobrowolski
Rebirth of the City of the SunAgnieszka Dobrowolska
When in the early years of the twentieth century the Belgian businessman Edouard Empain began to turn his dream of building an entirely new satellite city in the desert outside Cairo into a reality, he followed the then novel urban-planning concept of the “garden city.” But in naming his creation, he turned back to one of the most ancient sites in Egypt, the solar temple of Heliopolis, the biblical On, and in its architecture he sought inspiration in the heritage of Cairo’s Islamic tradition. When the city, known as “New Egypt” in Arabic, was completed, a half-hour tram ride through the desert was needed to reach it. Today, Heliopolis has been enveloped within the huge and ever-growing metropolis of Cairo. However, despite rapid development, overpopulation, and increasing traffic, Heliopolis has retained much of its original character and charm, and the captivating atmosphere of Egypt’s Belle Epoque is still tangible. Its houses, mosques, and churches, designed to imitate various styles of the past, have become historic buildings in their own right. This fully illustrated book introduces the reader to the history and development of Heliopolis through its architecture and its inhabitants past and present....read more
1 November 2006
150 illus. incl. 100 in color
Architecture for the Dead
Cairo’s Medieval Necropolis
Galila El Kadi Alain Bonnamy
Cairo’s Medieval NecropolisGalila El Kadi
The great medieval necropolis of Cairo, comprising two main areas that together stretch twelve kilometers from north to south, constitutes a major feature of the city’s urban landscape. With monumental and smaller-scale mausolea dating from all eras since early medieval times, and boasting some of the finest examples of Mamluk architecture not just in the city but in the region, the necropolis is an unparalleled—and until now largely undocumented—architectural treasure trove. In Architecture for the Dead, architect Galila El Kadi and photographer Alain Bonnamy have produced a comprehensive and visually stunning survey of all areas of the necropolis. Through detailed and painstaking research and remarkable photography, in text, maps, plans, and pictures, they describe and illustrate the astonishing variety of architectural styles in the necropolis: from Mamluk to neo-Mamluk via baroque and neo-pharaonic, from the grandest stone buildings with their decorative domes and minarets to the humblest—but elaborately decorated—wooden structures. The book also documents the modern settlement of the necropolis by families creating a space for the living in and among the tombs and architecture for the dead....read more
7 September 2007
320 b/w illus., 105 maps and plans
Egypt and Nubia / The Holy Land
Deluxe Gift edition
Drawings by David Roberts, R.A. With historical descriptions by William Brockedon Lithographed by Louis Haghe
Deluxe Gift editionDrawings byDavid Roberts, R.A.
With historical descriptions byWilliam Brockedon
Lithographed byLouis Haghe
The genius and sensitivity of the justly celebrated nineteenth-century Scottish artist David Roberts are fully revealed in this outstanding new two-volume edition that reproduces for the first time since the original editions of the 1840s all 247 of Roberts’ published drawings of Egypt and the Holy Land. In 1838 and 1839, Roberts spent eleven months traveling and sketching throughout Egypt from Alexandria to Abu Simbel and through Sinai to Petra, Jerusalem, Palestine, and Lebanon. The 247 lithographs that Belgian engraver Louis Haghe then produced at the rate of one a month from the drawings executed during Roberts’ extraordinary trip were published in six volumes by Francis Graham Moon, as The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia (1842–46) and Egypt and Nubia (1846–49). This monumental work assured the artist of a fame that has lasted until the modern day. Once again in this new edition, the wonders that Roberts saw on his trip and the style of life in the Middle East in the middle of the nineteenth century are brought vividly to life by the pictures and the original accompanying texts by the Reverend George Croly and William Brockedon. All admirers of David Roberts will want to own this very special boxed edition....read more
3 volume boxed set320 + 288 + 32 pp.
247 color plates
Film in the Middle East and North Africa
Edited by Josef Gugler
Creative DissidenceEdited by Josef Gugler
Nine essays presenting the major national cinemas, from Iran to Morocco, are complemented by in-depth discussions of eighteen films that have been selected for both their excellence and their critical engagement with pressing current issues. The introduction provides a comprehensive overview of filmmaking throughout the region, including important films produced outside the national cinemas. The long history of Iranian cinema, its international renown, and the politics of directors confronting the state, earns it a special place in this volume. The other major emphasis is on the Israel/Palestine conflict, featuring films by Palestinian directors, Israelis, and an Egyptian working in Syria. Twenty contributors, from film and literary scholars to film directors and a novelist, bring to this unique volume differences in disciplinary orientation and variation in the perspectives that inform their writing. Together they offer an illuminating range of approaches to the cinemas of the region....read more
55 b/w illus.