Black Magic Reviews

Taha Hussein (1889-1973), blind from early childhood, rose from humble beginnings to pursue a distinguished career in Egyptian public life (he was at one time Minister of Education). But he was most influential through his voluminous, varied, and controversial writings. He became known by the unofficial title ‘Dean of Arabic Letters,’ and the distinguished Egyptian critic Louis Awad described him as “the greatest single intellectual and cultural influence on the literature of his period.” Based on the true story of a friend of the author, this novel—unfolding between Cairo and Paris and through vivid personal correspondence—draws a picture of a powerful friendship and of a young man’s dilemma: the man of letters of the title finds himself split between—and in love with—two cultures essentially incompatible, East and West. In his desperate struggle to reconcile them his soul is estranged and he is thrown—or escapes—deeper into the backstreet abyss of First World War Paris. In the end it is perhaps the very impracticality of his own morality that destroys him.

During the 1956 Suez War—or the Tripartite Aggression, as it is known in Egypt—life in Alexandria goes on. The railroad workers and their families live in the low-income housing of el-Masakin, along the Mahmudiya Canal, but some of them take us on forays into the other, cosmopolitan Alexandria, whose European denizens, mainly Greeks, Italians, and Jews are departing in droves. This spellbinding novel teems with memorable characters, not a few of whom are themselves storytellers: a budding novelist writing about el-Masakin and its eccentric denizens and about his own improbable love affair with a 12-year-old girl; a spice merchant dreaming of the bygone glory of his ancestors and their trade along the spice road, beginning on the Malabar Coast; a train guard who is a teller of very tall tales; and a would-be filmmaker trying to make a film showing what happened in Port Said during the war. Then there is the cinema aficionado who plays Tarzan in real life along the Mahmudiya Canal; the young boy who leads a group of assorted crazies every afternoon to see ‘God’ at sunset; the singing nurse whose only dream is to perform on the radio; and Arabi, the young man who is in love with all things European, but especially with his employer, Katina the widowed Greek dressmaker. As in his earlier novel, No One Sleeps in Alexandria, Ibrahim Abdel Meguid here combines historical fact with fiction, and the mundane with the fantastical, to weave an engrossing, multilayered story of stories.