Bukhari Reviews

Few Western scholars of the Middle East have exerted such profound influence as Edward William Lane. Lane’s Account of the Manners and Customs of the Modern Egyptians (1836), which has never gone out of print, remains as a highly authoritative study of Middle Eastern society. His annotated translation of the Arabian Nights (1839–41) retains a devoted readership. Lane’s recently recovered and published Description of Egypt (2000) shows that he was a pioneering Egyptologist as well as orientalist. The capstone of his career, the definitive Arabic-English Lexicon (1863–93), is an indispensable reference tool. Yet, despite his extraordinary influence, little was known about Lane and virtually nothing about how he did his work. Now, in the first full-length biography, Lane’s life and accomplishments are examined in full, including his crucial years of field work in Egypt, revealing the life of a great Victorian scholar and presenting a fascinating episode in east–west encounter, interaction, and representation.

“Alexandria is still alive and alters even when one tries to sum her up . . . . Only the climate, only the north wind and the sea remain as pure as when Menelaus, the first visitor, landed three thousand years ago.” In the autumn of 1915, in a “slightly heroic mood”, E.M. Forster arrived in Alexandria, full of lofty ideals as a volunteer for the Red Cross. Yet most of his time was spent exploring “the magic, antiquity and complexity” of the place in order to cope with living in what he saw as a “funk-hole.” With a novelist’s pen, he brings to life the fabled, romantic city of Alexander the Great, capital of Greco-Roman Egypt, beacon of light and culture symbolized by the Pharos, where the doomed love affair of Antony and Cleopatra was played out and the greatest library the world has ever known was built. Threading three thousand years of history with vibrant strands of literature and punctuating the narrative with his own experiences, Forster immortalized Alexandria, painting an incomparable portrait of the great city and, inadvertently, himself.