After 5,000 years of continuous habitation, Cairo remains the greatest metropolis in its quarter of the globe. The seat of pharaohs and sultans, the prize of conquerors from Alexander to Napoleon, the city has never stopped reinventing itself. ‘The Victorious’ is what the Arabs called Cairo, and the indomitable spirit of the place still merits the name. Max Rodenbeck’s richly textured biography combines a sweeping timescale with a keen eye for telling detail. It traces the life of Cairo from birth—the ancient Egyptians believed Creation itself took place there—through the heights of medieval splendor, and on to the present day. Modern Cairo is a place of stark contrasts. Skyscrapers abut ancient tombs and genteel colonial mansions. Pulled between the cultural poles of Paris and Mecca, the city’s population struggles under a double load as they cope with the burden of an incomparably rich past as well as the challenges of the future. Cairo: The City Victorious is a cultural excavation of one of the world’s great cities. Fusing the excitement of travel with the stimulation of history, it is an epic, resonant work.
An Arab Philosophy of History
Selections from the Prolegomena of Ibn Khaldun of Tunis (1332–1406)
Translated and arranged by Charles Issawi
Selections from the Prolegomena of Ibn Khaldun of Tunis (1332–1406)Translated and arranged by Charles Issawi
The Prolegomena of Ibn Khaldun of Tunis (A.D. 1332–1406) are in many ways the most remarkable product of Islamic thought. Not only did Ibn Khaldun sum up the accumulated knowledge and leading doctrines of his civilization, but in many fields he broke new ground and anticipated the findings of Western social scientists of the last two centuries. The passages have been grouped to illustrate Ibn Khaldun’s views on historical method, geography, economics, public finance, population, society and state, and the theory of being and theory of knowledge. This selection is intended for students of thought, rather than specialized Arabic scholars, and for those interested in the intellectual background of the Arab world....read more
A History and a Guide
E.M. Forster Introduction by Lawrence Durrell
A History and a GuideE.M. Forster
Introduction byLawrence Durrell
“Alexandria is still alive and alters even when one tries to sum her up . . . . Only the climate, only the north wind and the sea remain as pure as when Menelaus, the first visitor, landed three thousand years ago.” In the autumn of 1915, in a “slightly heroic mood”, E.M. Forster arrived in Alexandria, full of lofty ideals as a volunteer for the Red Cross. Yet most of his time was spent exploring “the magic, antiquity and complexity” of the place in order to cope with living in what he saw as a “funk-hole.” With a novelist’s pen, he brings to life the fabled, romantic city of Alexander the Great, capital of Greco-Roman Egypt, beacon of light and culture symbolized by the Pharos, where the doomed love affair of Antony and Cleopatra was played out and the greatest library the world has ever known was built. Threading three thousand years of history with vibrant strands of literature and punctuating the narrative with his own experiences, Forster immortalized Alexandria, painting an incomparable portrait of the great city and, inadvertently, himself....read more
Doria Shafik, Egyptian Feminist
A Woman Apart
A Woman ApartCynthia Nelson
Cynthia Nelson brings to life a bold and gifted Egyptian of the mid-twentieth century who helped define what it means to be a modern Arab woman. Doria Shafik (1908-1975), an Egyptian feminist, poet, publisher, and political activist, participated in one of her country’s most explosive periods of social and political transformation. During the ’40s she burst onto the public stage in Egypt, openly challenging every social, cultural, and legal barrier that she viewed as oppressive to the full equality of women. As the founder of the Daughters of the Nile Union in 1948, she catalyzed a movement that fought for suffrage and set up programs to combat illiteracy, provide economic opportunities for lower-class urban women, and raise the consciousness of middle-class university students. She also founded and edited two prominent women’s journals, wrote books in both French and Arabic, lectured throughout the world, married, and raised two children. For a decade, she ignited the imagination of the press, where she was variously described as the “perfumed leader,” a “danger to the Muslim nation,” a “traitor to the revolution,” and the “only man in Egypt.” Then, in 1957, following her hunger strike in protest against the populist regime of Gamal Abdul Nasser, she was placed under house arrest. Within months her magazines folded, her name was officially banned from the press, and she entered a long period of seclusion that ended with her suicide in 1975. With the cooperation of Shafik’s daughters, who made available her three impressionistic, unpublished, and sometimes contradictory memoirs, Nelson has uncovered Shafik’s story and brings the life and achievements of this remarkable woman to a Western audience....read more
14 b/w illus.
This book is only available for purchase from Egypt
From Cairo to Baghdad
British Travelers in Arabia
British Travelers in ArabiaJames Canton
Until the 1880s, British travelers to Arabia were for the most part wealthy dilettantes who could fund their travels from private means. With the advent of an imperial presence in the region, as the British seized power in Egypt, the very nature of travel to the Middle East changed. Suddenly, ordinary men and women found themselves visiting the region as British influence increased. Missionaries, soldiers, and spies as well as tourists and explorers started to visit the area, creating an even bigger supply of writers, and market for their books. In this elegantly crafted book, James Canton examines over one hundred primary sources, from forgotten gems to the classics of T.E. lawrence, Thesiger, and Philby. He analyzes the relationship between empire and author, showing how the one influenced the other, leading to a vast array of texts that might never have been produced had it not been for the ambitions of imperial Britain....read more
5 b/w illus.