After 5,000 years of continuous habitation, Cairo remains the greatest metropolis in its quarter of the globe. The seat of pharaohs and sultans, the prize of conquerors from Alexander to Napoleon, the city has never stopped reinventing itself. ‘The Victorious’ is what the Arabs called Cairo, and the indomitable spirit of the place still merits the name. Max Rodenbeck’s richly textured biography combines a sweeping timescale with a keen eye for telling detail. It traces the life of Cairo from birth—the ancient Egyptians believed Creation itself took place there—through the heights of medieval splendor, and on to the present day. Modern Cairo is a place of stark contrasts. Skyscrapers abut ancient tombs and genteel colonial mansions. Pulled between the cultural poles of Paris and Mecca, the city’s population struggles under a double load as they cope with the burden of an incomparably rich past as well as the challenges of the future. Cairo: The City Victorious is a cultural excavation of one of the world’s great cities. Fusing the excitement of travel with the stimulation of history, it is an epic, resonant work.
Crowds and Sultans
Urban Protest in Late Medieval Egypt and Syria
Urban Protest in Late Medieval Egypt and SyriaAmina Elbendary
During the fifteenth century, the Mamluk sultanate that had ruled Egypt and Syria since 1249–50 faced a series of sustained economic and political challenges to its rule, from the effects of recurrent plagues to changes in international trade routes. Both these challenges and the policies and behaviors of rulers and subjects in response to them left profound impressions on Mamluk state and society, precipitating a degree of social mobility and resulting in new forms of cultural expression. These transformations were also reflected in the frequent reports of protests during this period, and led to a greater diffusion of power and the opening up of spaces for political participation by Mamluk subjects and negotiations of power between ruler and ruled. Rather than tell the story of this tumultuous century solely from the point of view of the Mamluk dynasty, Crowds and Sultans places the protests within the framework of long-term transformations, arguing for a more nuanced and comprehensive narrative of Mamluk state and society in late medieval Egypt and Syria. Reports of urban protest and the ways in which alliances between different groups in Mamluk society were forged allow us glimpses into how some medieval Arab societies negotiated power, showing that rather than stoically endure autocratic governments, populations often resisted and renegotiated their positions in response to threats to their interests. This rich and thought-provoking study will appeal to specialists in Mamluk history, Islamic studies, and Arab history, as well as to students and scholars of Middle East politics and government and modern history....read more
1 May 2016
A History of Egypt
From Earliest Times to the Present
From Earliest Times to the PresentJason Thompson
This cohesive account of Egypt’s millennia-long past offers readers a sure guide through the sometimes labyrinthine corridors of Egypt’s past, from the mysterious predynastic kingdoms to the nation-state of the twenty-first century. The author addresses central scholarly issues such as how Egyptian history can be treated as a whole and how the west has shaped prevailing images of it, both through direct contact and through the lens of western scholarship. Drawing on current historical scholarship as well as his own research, Jason Thompson has written a remarkable work of synthesis and concision, offering students, travelers, and general readers alike an engaging one-volume narrative of the extraordinarily long course of human history by the Nile. This updated paperback edition contains new material on the 25 January Revolution and the fall of the Mubarak regime....read more
80 b/w illus.
From Cairo to Baghdad
British Travelers in Arabia
British Travelers in ArabiaJames Canton
Until the 1880s, British travelers to Arabia were for the most part wealthy dilettantes who could fund their travels from private means. With the advent of an imperial presence in the region, as the British seized power in Egypt, the very nature of travel to the Middle East changed. Suddenly, ordinary men and women found themselves visiting the region as British influence increased. Missionaries, soldiers, and spies as well as tourists and explorers started to visit the area, creating an even bigger supply of writers, and market for their books. In this elegantly crafted book, James Canton examines over one hundred primary sources, from forgotten gems to the classics of T.E. lawrence, Thesiger, and Philby. He analyzes the relationship between empire and author, showing how the one influenced the other, leading to a vast array of texts that might never have been produced had it not been for the ambitions of imperial Britain....read more
5 b/w illus.
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.