After 5,000 years of continuous habitation, Cairo remains the greatest metropolis in its quarter of the globe. The seat of pharaohs and sultans, the prize of conquerors from Alexander to Napoleon, the city has never stopped reinventing itself. ‘The Victorious’ is what the Arabs called Cairo, and the indomitable spirit of the place still merits the name. Max Rodenbeck’s richly textured biography combines a sweeping timescale with a keen eye for telling detail. It traces the life of Cairo from birth—the ancient Egyptians believed Creation itself took place there—through the heights of medieval splendor, and on to the present day. Modern Cairo is a place of stark contrasts. Skyscrapers abut ancient tombs and genteel colonial mansions. Pulled between the cultural poles of Paris and Mecca, the city’s population struggles under a double load as they cope with the burden of an incomparably rich past as well as the challenges of the future. Cairo: The City Victorious is a cultural excavation of one of the world’s great cities. Fusing the excitement of travel with the stimulation of history, it is an epic, resonant work.
The City Victorious
For sale only in the Middle East
A History of Egypt
From Earliest Times to the Present
From Earliest Times to the PresentJason Thompson
This cohesive account of Egypt’s millennia-long past offers readers a sure guide through the sometimes labyrinthine corridors of Egypt’s past, from the mysterious predynastic kingdoms to the nation-state of the twenty-first century. The author addresses central scholarly issues such as how Egyptian history can be treated as a whole and how the west has shaped prevailing images of it, both through direct contact and through the lens of western scholarship. Drawing on current historical scholarship as well as his own research, Jason Thompson has written a remarkable work of synthesis and concision, offering students, travelers, and general readers alike an engaging one-volume narrative of the extraordinarily long course of human history by the Nile. This updated paperback edition contains new material on the 25 January Revolution and the fall of the Mubarak regime....read more
80 b/w illus.
Contesting Antiquity in Egypt
Archaeologies, Museums, and the Struggle for Identities from World War I to Nasser
Donald Malcolm Reid
Archaeologies, Museums, and the Struggle for Identities from World War I to NasserDonald Malcolm Reid
The sensational discovery in 1922 of Tutankhamun’s tomb, close on the heels of Britain’s declaration of Egyptian independence, accelerated the growth in Egypt of both Egyptology as a formal discipline and of ‘pharaonism’—popular interest in ancient Egypt—as an inspiration in the struggle for full independence. Emphasizing the three decades from 1922 until Nasser’s revolution in 1952, this compelling follow-up to Whose Pharaohs? looks at the ways in which Egypt developed its own archaeologies—Islamic, Coptic, and Greco-Roman, as well as the more dominant ancient Egyptian. Each of these four archaeologies had given birth to, and grown up around, a major antiquities museum in Egypt. Later, Cairo, Alexandria, and Ain Shams universities joined in shaping these fields. Contesting Antiquity in Egypt brings all four disciplines, as well as the closely related history of tourism, together in a single engaging framework.
Throughout this semi-colonial era, the British fought a prolonged rearguard action to retain control of the country while the French continued to dominate the Antiquities Service, as they had since 1858. Traditional accounts highlight the role of European and American archaeologists in discovering and interpreting Egypt’s long past. Donald Reid redresses the balance by also paying close attention to the lives and careers of often-neglected Egyptian specialists. He draws attention not only to the contests between westerners and Egyptians over the control of antiquities, but also to passionate debates among Egyptians themselves over pharaonism in relation to Islam and Arabism during a critical period of nascent nationalism.
Drawing on rich archival and published sources, extensive interviews, and material objects ranging from statues and murals to photographs and postage stamps, this comprehensive study by one of the leading scholars in the field will make fascinating reading for scholars and students of Middle East history, archaeology, politics, and museum and heritage studies, as well as for the interested lay reader....read more
3 September 2019
92 integrated b/w illus., 1 map, 7 tables
A Muslim Manual of War
being Tafrij al-kurub fi tadbir al-hurub by ‘Umar ibn Ibrahim al-Awsi al-Ansari
Edited and translated by George T. Scanlon Foreword by Carole Hillenbrand
being Tafrij al-kurub fi tadbir al-hurub by ‘Umar ibn Ibrahim al-Awsi al-AnsariEdited and translated by George T. Scanlon
Foreword byCarole Hillenbrand
One of the first three books published by the AUC Press after its founding in 1960 was A Muslim Manual of War, an annotated editing and translation of a hitherto little-known fifteenth-century Arabic manuscript on the art of war, prepared by George Scanlon, then embarking on his career to become one of the most respected scholars in the field of Islamic art, architecture, archaeology, and history. Now, in celebration of 50 years of the AUC Press, and in honor of Professor Scanlon’s recent retirement after an illustrious career, most recently as professor of Islamic art and architecture in the Department of Arab and Islamic Civilizations at the American University in Cairo, the AUC Press is proud to make available once again this long out-of-print book, as a freely accessible scanned facsimile with a new Introduction by the author and a Foreword by eminent scholar Carole Hillenbrand, a former student of Professor Scanlon. Click here to download the free PDF....read more
Free e-book246 pp.
A History and a Guide
E.M. Forster Introduction by Lawrence Durrell
A History and a GuideE.M. Forster
Introduction byLawrence Durrell
“Alexandria is still alive and alters even when one tries to sum her up . . . . Only the climate, only the north wind and the sea remain as pure as when Menelaus, the first visitor, landed three thousand years ago.” In the autumn of 1915, in a “slightly heroic mood”, E.M. Forster arrived in Alexandria, full of lofty ideals as a volunteer for the Red Cross. Yet most of his time was spent exploring “the magic, antiquity and complexity” of the place in order to cope with living in what he saw as a “funk-hole.” With a novelist’s pen, he brings to life the fabled, romantic city of Alexander the Great, capital of Greco-Roman Egypt, beacon of light and culture symbolized by the Pharos, where the doomed love affair of Antony and Cleopatra was played out and the greatest library the world has ever known was built. Threading three thousand years of history with vibrant strands of literature and punctuating the narrative with his own experiences, Forster immortalized Alexandria, painting an incomparable portrait of the great city and, inadvertently, himself....read more