During two and a half centuries of rule by Mamluk sultans, Cairo acquired some of its most impressive medieval architecture, including the historical monuments that today define the city’s architectural heritage. In this comprehensive work of analysis and description, Islamic art historian Doris Behrens-Abouseif highlights the most important factors in the evolution of Mamluk urban architecture, along with the social and political reasons for their patronage as builders of mosques, schools, hospitals, and mausolea. Copiously illustrated with color photographs and architectural plans, Cairo of the Mamluks highlights sixty of the most important Mamluk buildings in Cairo, in chronological order, from the mausoleum built by Shagar al-Durr, in honor of her late husband, the last Ayyubid ruler, to the magnificent madrasa of Sultan Hasan and the funerary complex of al-Ghuri, the last powerful Mamluk sultan. Long a scholar of Cairo’s historic architecture, Doris Behrens-Abouseif draws on Arabic chronicles as well as the latest in contemporary scholarship to offer a remarkably complete history of Cairo’s justly-famous monuments.
Cairo of the Mamluks
A History of the Architecture and Its Culture
258 color illus., 63 line drawings and maps
For sale only in the Middle East
Art and Architecture
Edited by Markus Hattstein Peter Delius
Art and ArchitectureEdited by Markus Hattstein
The rapid expansion of Islam in its early days encouraged a unique absorption and integration of disparate cultural forms and traditions. This book follows the historical development of the Islamic regions and their ruling dynasties, and illustrates their greatly varied forms of artistic expression from the birth of the religion to the present day. Basic architectural elements demonstrate, in their diverse modes of execution, the independence of regional building traditions. In the restrained yet inventive brick and tile ornamentation of Uzbekistan, just as in the bright, naturalistic arabesque of India or Iran, and in the ubiquitous geometrical ornamentation of Spain and the Maghreb, clear forms of expression are manifest, celebrating the riches and beauty of God’s creation. This impulse also inspires the colorful and fantastical book illustrations and calligraphy, sumptuous tapestries, extravagant metalwork, ceramics, and jewelry produced by all Islamic cultures. Contributors: Mukaddima Aschrafi, Marianne Barrucand, Sheila Blair, Jonathan Bloom, Sergej Chmelnizkij, Volkmar Enderlein, Joachim Gierlichs, Almut von Gladiss, Julia Gonnella, Oleg Grabar, Annette Hagedorn, Markus Hattstein, Wolfgang Holzwarth, Natascha Kubisch, Jesús Bermúdez López, Sibylle Mazot, Viktoria Meinecke-Berg, Elke Niewöhner-Ederhard, Peter W. Schienerl, Philippa Vaughan....read more
Over 900 color illus.
History and Cultural Identity: Revised and Updated Edition
History and Cultural Identity: Revised and Updated EditionViola Shafik
Since it was first published in 1998, Viola Shafik’s Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history—economic, ideological, and aesthetic—with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry’s development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of “cultural repackaging.” Now updated to reflect cultural shifts in the last two decades, this revised edition contains a new afterword highlighting the latest developments in popular and in art-house filmmaking, with a special focus on Iraq, Lebanon, Palestine, and the Gulf States. While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decades....read more
5 January 2017
50 b/w illus.
An Artist’s Journey
An Artist’s JourneyAnna Boghiguian
Anna Boghiguian, one of Egypt’s foremost contemporary artists, has traveled the globe and recorded her artistic reaction to each new place in drawings and paintings in the notebooks she carries everywhere. But her roads through India or Cambodia, Canada or France always come back to the land of her birth, Egypt. Her drawings of Egypt reflect her instinctive and emotional responses to the country’s many layers of history and myth, and to the people, ancient and modern, grand and everyday, who populate those histories and myths with such entrancing spirit. In this very personal presentation of Egypt, Anna Boghiguian shares both her visual and her verbal thoughts, as she leads us on a tour of this incredible land of fact and fiction, across space and in and out of time, through her words that paint pictures and her drawings that tell stories. This truly unique book is as much about the artist as it is about the land, and a treasure on both counts....read more
Film in the Middle East and North Africa
Edited by Josef Gugler
Creative DissidenceEdited by Josef Gugler
Nine essays presenting the major national cinemas, from Iran to Morocco, are complemented by in-depth discussions of eighteen films that have been selected for both their excellence and their critical engagement with pressing current issues. The introduction provides a comprehensive overview of filmmaking throughout the region, including important films produced outside the national cinemas. The long history of Iranian cinema, its international renown, and the politics of directors confronting the state, earns it a special place in this volume. The other major emphasis is on the Israel/Palestine conflict, featuring films by Palestinian directors, Israelis, and an Egyptian working in Syria. Twenty contributors, from film and literary scholars to film directors and a novelist, bring to this unique volume differences in disciplinary orientation and variation in the perspectives that inform their writing. Together they offer an illuminating range of approaches to the cinemas of the region....read more
55 b/w illus.