One night in the year 411/1021, the powerful ruler of the Fatimid empire, al-Hakim bi-Amr Allah, rode out of the southern gates of Cairo and was never seen again. Was the caliph murdered, or could he have decided to abandon his royal life, wandering off to live alone and anonymous? Whatever the truth, the fact was that al-Hakim had literally vanished into the desert. Yet al-Hakim, though shrouded in mystery, has never been forgotten. To the Druze, he was (and is) God, and his disappearance merely indicated his reversion to non-human form. For Ismailis, al-Hakim was the sixteenth imam, descended from the Prophet, and infallible. Jews and Christians, by contrast, long remembered him as their persecutor, who ordered the destruction of many of their synagogues and churches. Using all the tools of modern scholarship, Paul Walker offers the most balanced and engaging biography yet to be published of this endlessly fascinating individual. To some, al-Hakim was God incarnate, to others an infallible imam, to still others he was a capricious tyrant. This book examines myth and fact, document and opinion, to present the most complete and detailed history yet written of the life and times of one of the medieval Islamic world’s most controversial figures.
Caliph of Cairo
Al-Hakim bi-Amr Allah, 996–1021
15 December 2012
For sale worldwide
Artisan Entrepreneurs in Cairo and Early Modern Capitalism 1600–1800
While historians have mined archives and court documents to create a picture of the commercial activities, networks, and infrastructure of merchants in Egypt prior to its incorporation into the European capitalist economy, few have documented a similar picture of the artisans and craftspeople. Artisans outnumbered merchants and their economic weight was considerable, yet details about their lives, the way they carried out their work, and their role or position in the economy is largely unknown. Nelly Hanna seeks to redress this gap by locating and exploring the role of artisans in the historical process. These artisans developed a variety of capitalist practices, both as individuals and collectively in their guilds. Hanna details how they defied the constraints of the guilds and actively engaged in the markets of Europe, demonstrating how Egyptian artisan production was able to compete and survive in a landscape of growing European trade. Deftly synthesizing a wide range of economic and historical theory, Hanna reinvigorates the current scholarship on early Ottoman history and provides a persuasive challenge to the largely shallow perception of artisans’ role in Egypt’s economy....read more
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.
City of Memory
City of MemoryMichael Haag
In the decades before Nasser’s seizure of power and the Suez crisis, Alexandria was a magnet for the wealthy, the gifted, and the glamorous from around the world. The whole city looked seaward, its port one of the busiest in the Mediterranean, its spirit ecumenical, its life luxuriant and sensual. Alexandria was barely an Egyptian city, and the Egyptians who live there now inhabit the gently crumbling remains of a foreign world, whose palatial villas, Venetian apartments, art-nouveau cafes, Moorish hotels, and cinemas conceived in thirties deco, are haunted by a departed cast. “I lived a great, extravagant, and colorful life in wartime Alexandria,” recalled Lawrence Durrell, whose Alexandria Quartet is one of the greatest protraits of a city in modern literature. Michael Haag, who has lived in Alexandria, and has known Durrell and others who lived there during its cosmopolitan heyday, has retraced their footsteps to present an absorbing account of the places and the people of this most remarkable of cities. ‘’Michael Haag mixes memory and biography, politics and cultural studies in clear and seamless prose.’’—The New York Review of Books...read more
80 b/w illus.
A Topographical Study
Neil D. MacKenzie
A Topographical StudyNeil D. MacKenzie
This comprehensive study, first published by the AUC Press in 1992 examines the structure of the Ayyubid administration in Cairo and the associated military, religious, and commercial milieux. It goes on to survey in detail the changes in the general layout of Cairo–in defenses, governmental and private buildings, water resources, religious institutions and cemetery areas, and markets and commercial establishments. Click here to download the free PDF....read more
Free e-book208 pp.