Being plucked from a Baghdad café and deposited in a cell block for political prisoners is a wakeup call for Aziz, the novel’s hero and narrator, a young man who has been living on automatic pilot—as if he were a guest visiting his own life—and he is finally forced to come to terms with the flawed world we inhabit and shape. Although never charged with any offense, he must adjust to a lengthy stay in prison, where he is befriended by Salam the yard boss, Mun‘im an idealistic university student with a beautiful sister named Salwa, Yusuf an idealist dispatched to the ‘Swamp,’ Salman an anarchist schoolteacher, and Mustafa an aged farmer who dreams of an alternative society. While these imprisoned revolutionaries teach Aziz to dream that an ideal city with his name on it may lie just over the horizon, the police supervisor encourages him to think of a simple crime to which he can confess so he can be charged and eventually released. Based on the author’s own incarceration in Iraq, Cell Block Five is a clear-headed, good-humored tribute to the prison’s men—both the inmates and the guards—and an indictment of man’s gratuitous inhumanity to man, pointing out that the transition from abused to abuser, tortured to torturer, can be an easy one. Written in 1971 and published outside Iraq in 1972, Cell Block Five—the first Iraqi prison novel—was later made into a feature film in Syria. Drawing the reader subtly into the political section of an Iraqi prison, this compelling story easily transcends cultural boundaries.
Cell Block Five
An Iraqi Novel
Fadhil al-Azzawi
Translated byWilliam M. Hutchins
116 pp.
12.5X20cm
ISBN 9789774166075
Not for sale in the UK
9.99
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The Last of the Angels
An Iraqi Novel
Fadhil al-AzzawiTranslated byWilliam M. Hutchins
Set in the northern Iraqi city of Kirkuk during the 1950s, The Last of the Angels tells the slyly humorous tale of three strikingly different people in one small neighborhood. During a labor strike against the British-run Iraq Petroleum Company, Hameed Nylon becomes a labor organizer and later a revolutionary, like his hero, Mao Tse-Tung. His brother-in-law, the sheep butcher Khidir Musa, travels to the Soviet Union to find his long-lost brothers, and returns home to great acclaim (and personal fortune) in an airship. Meanwhile, a young boy named Burhan Abdullah discovers an old chest in the attic of his family’s house that lets him talk to angels. By turns satiric, picaresque, and apocalyptic, The Last of the Angels paints a loving, panoramic, and elegiac portrait of Kirkuk in the final years of Iraq’s monarchy. But as the grim reality of modern Iraqi history catches up with the novel’s events, we come to learn the depth and complexity of Hameed Nylon, Khidir Musa, and Burhan Abdullah, and al-Azzawi’s comic novel becomes a moving tale of growing up in a dangerous world.
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The Traveler and the Innkeeper
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This timely, elegant novel’s hero is an Iraqi secret police inspector who routinely uses enhanced interrogation techniques, which even he considers torture. Convinced that he is protecting society from anarchy, he is at peace with the world until ordered to interrogate a childhood friend, a journalist with possible links to violent subversives. Then he falls in love with his friend’s wife. The plot of this novel, which was written in Iraq in 1976 and published in Arabic in Germany in 1989, is further complicated by street protests in Baghdad following the Six-Day Arab–Israeli War of June 1967. Despite the grim subject matter of this novel, it is at heart a love story, lyrically narrated.
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