The exceptional beauty of Egypt’s monuments and landscapes has thrilled visitors for centuries.
From the beaches of the Red Sea Coast to the lush palm groves of Egypt’s oases, from the heritage of the Roman and Coptic periods to the architectural riches that followed the arrival of Islam, from the magnificent tombs and temples of ancient Egypt to medieval souks to Cairo’s bustling energy today, there is just so much to feast on in Egypt.
Featuring 165 color photographs and captions explaining the stories behind each image, Egypt is a stunning visual journey through an astonishing country.
Trevor Naylor is the author of Egypt Inside Out (AUC Press, 2020) and Cairo Inside Out (AUC Press, 2016, hardbound; AUC Press, 2020, paperback) and co-author of A Roving Eye: Head to Toe in Egyptian Arabic Expressions (AUC Press, 2014). He has been a visitor to, and resident of, Egypt since 1986.
David Roberts, born in 1796 near Edinburgh, was one of the most acclaimed landscape painters of the nineteenth century. In 1838 he left Europe for Egypt, where he drew all the main archaeological sites and Islamic monuments. These superb lithographs taken from his sketches and first published in London between 1842 and 1849 are a fine essay on his virtuosity and represent an unforgettable journey through time along the Nile Valley and across the Sinai peninsula.
Cairo is a city of splendor and spectacle, long celebrated as much for its warmth and bustling street life as for the legacy of its tumultuous past. Yet for the countless visitors who fall under its spell, the prolonged din of its crowds and traffic can seem overwhelming at times, tempting them out of the city’s open spaces into its shadow light, the cooler, quieter interiors of restaurants, homes, hotels, and terraces. Cairo Inside Out evokes the light and moods of this great metropolis with stunning photographs shot from the city’s indoor havens. We observe it through and from nostalgic haunts, such as Café Riche and the Windsor Hotel, and look out onto its great sights—the Nile, the Red Pyramid at Dahshur, Ibn Tulun mosque—from the most intimate urban interiors, homes, and watersides. For those who may have lived in Cairo, this is a reminder of a city that moves and yet remains wonderfully unchanged. For visitors and residents, this evocative collection, an unabashed homage to Cairo’s persistent color and allure, will inspire them to visit those places once more.
From the earliest resthouses serving travelers on the Overland Route between Britain and Bombay to the grand Edwardian palaces on the Nile that made Egypt the exotic alternative to wintering on the Riviera, the hotels of Alexandria, Cairo, Luxor, and Aswan were always about far more than just bed and board. As bridgeheads for African exploration, neutral territories for conducting diplomacy, headquarters for armies, providers of home comforts for writers, painters, scholars, and archaeologists in the field, and social hubs for an international elite, more of importance happened in Egypt’s hotels than in any other setting. It was through the hotels that visitors from the west—the earliest adventurers, then the travelers and, finally, the tourists—experienced the Orient. This book tells the stories of Egypt’s historic hotels (including the Cecil, Shepheard’s, the Mena House, Gezira Palace, Semiramis, Winter Palace, and Cataract) and some of the people who stayed in them, from Amelia Edwards, Lucie Duff Gordon and Florence Nightingale to Agatha Christie, Conan Doyle, Winston Churchill, and TE Lawrence.
Cairo has long been recognized as one of the great cities of the world, and many travelers have recorded their descriptions of it over the centuries—from the early eye-witness account of Herodotus to the reflections of Sir Richard Burton, Florence Nightingale, and Mark Twain.
A Cairo Anthology gathers together the impressions of many of these writers: with them we experience the excitement of exploring the great city, through its crowded streets and colorful bazaars, we enter the hotels, hire donkeys, ascend to the historic Citadel, and look out across the Nile toward the Sphinx and the Pyramids, and we visit those vast monuments that are in reality always larger and more extraordinary than one can believe, and climb to their summits to gaze back at Cairo, the Mother of the World.
