Until the 1880s, British travelers to Arabia were for the most part wealthy dilettantes who could fund their travels from private means. With the advent of an imperial presence in the region, as the British seized power in Egypt, the very nature of travel to the Middle East changed. Suddenly, ordinary men and women found themselves visiting the region as British influence increased. Missionaries, soldiers, and spies as well as tourists and explorers started to visit the area, creating an even bigger supply of writers, and market for their books. In this elegantly crafted book, James Canton examines over one hundred primary sources, from forgotten gems to the classics of T.E. lawrence, Thesiger, and Philby. He analyzes the relationship between empire and author, showing how the one influenced the other, leading to a vast array of texts that might never have been produced had it not been for the ambitions of imperial Britain.
From Cairo to Baghdad
British Travelers in Arabia
5 b/w illus.
For sale only in the Middle East
Doria Shafik, Egyptian Feminist
A Woman Apart
Cynthia Nelson 14.99
A Woman ApartCynthia Nelson
Cynthia Nelson brings to life a bold and gifted Egyptian of the mid-twentieth century who helped define what it means to be a modern Arab woman. Doria Shafik (1908-1975), an Egyptian feminist, poet, publisher, and political activist, participated in one of her country’s most explosive periods of social and political transformation. During the ’40s she burst onto the public stage in Egypt, openly challenging every social, cultural, and legal barrier that she viewed as oppressive to the full equality of women. As the founder of the Daughters of the Nile Union in 1948, she catalyzed a movement that fought for suffrage and set up programs to combat illiteracy, provide economic opportunities for lower-class urban women, and raise the consciousness of middle-class university students. She also founded and edited two prominent women’s journals, wrote books in both French and Arabic, lectured throughout the world, married, and raised two children. For a decade, she ignited the imagination of the press, where she was variously described as the “perfumed leader,” a “danger to the Muslim nation,” a “traitor to the revolution,” and the “only man in Egypt.” Then, in 1957, following her hunger strike in protest against the populist regime of Gamal Abdul Nasser, she was placed under house arrest. Within months her magazines folded, her name was officially banned from the press, and she entered a long period of seclusion that ended with her suicide in 1975. With the cooperation of Shafik’s daughters, who made available her three impressionistic, unpublished, and sometimes contradictory memoirs, Nelson has uncovered Shafik’s story and brings the life and achievements of this remarkable woman to a Western audience....read more
9 September 2015
14 b/w illus.
This book is only available for purchase from Egypt
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna 19.95
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
28 color illus.
Contesting Antiquity in Egypt
Archaeologies, Museums, and the Struggle for Identities from World War I to Nasser
Donald Malcolm Reid 25
Archaeologies, Museums, and the Struggle for Identities from World War I to NasserDonald Malcolm Reid
The sensational discovery in 1922 of Tutankhamun’s tomb, close on the heels of Britain’s declaration of Egyptian independence, accelerated the growth in Egypt of both Egyptology as a formal discipline and of ‘pharaonism’—popular interest in ancient Egypt—as an inspiration in the struggle for full independence. Emphasizing the three decades from 1922 until Nasser’s revolution in 1952, this compelling follow-up to Whose Pharaohs? looks at the ways in which Egypt developed its own archaeologies—Islamic, Coptic, and Greco-Roman, as well as the more dominant ancient Egyptian. Each of these four archaeologies had given birth to, and grown up around, a major antiquities museum in Egypt. Later, Cairo, Alexandria, and Ain Shams universities joined in shaping these fields. Contesting Antiquity in Egypt brings all four disciplines, as well as the closely related history of tourism, together in a single engaging framework.
Throughout this semi-colonial era, the British fought a prolonged rearguard action to retain control of the country while the French continued to dominate the Antiquities Service, as they had since 1858. Traditional accounts highlight the role of European and American archaeologists in discovering and interpreting Egypt’s long past. Donald Reid redresses the balance by also paying close attention to the lives and careers of often-neglected Egyptian specialists. He draws attention not only to the contests between westerners and Egyptians over the control of antiquities, but also to passionate debates among Egyptians themselves over pharaonism in relation to Islam and Arabism during a critical period of nascent nationalism.
Drawing on rich archival and published sources, extensive interviews, and material objects ranging from statues and murals to photographs and postage stamps, this comprehensive study by one of the leading scholars in the field will make fascinating reading for scholars and students of Middle East history, archaeology, politics, and museum and heritage studies, as well as for the interested lay reader.
To read an excerpt, click here.
For the Table of Contents, click here....read more
31 September 2019
92 integrated b/w illus., 1 map, 7 tables
A Muslim Manual of War
being Tafrij al-kurub fi tadbir al-hurub by ‘Umar ibn Ibrahim al-Awsi al-Ansari
Edited and translated by George T. Scanlon Foreword by Carole Hillenbrand Buy Now
being Tafrij al-kurub fi tadbir al-hurub by ‘Umar ibn Ibrahim al-Awsi al-AnsariEdited and translated by George T. Scanlon
Foreword byCarole Hillenbrand
One of the first three books published by the AUC Press after its founding in 1960 was A Muslim Manual of War, an annotated editing and translation of a hitherto little-known fifteenth-century Arabic manuscript on the art of war, prepared by George Scanlon, then embarking on his career to become one of the most respected scholars in the field of Islamic art, architecture, archaeology, and history. Now, in celebration of 50 years of the AUC Press, and in honor of Professor Scanlon’s recent retirement after an illustrious career, most recently as professor of Islamic art and architecture in the Department of Arab and Islamic Civilizations at the American University in Cairo, the AUC Press is proud to make available once again this long out-of-print book, as a freely accessible scanned facsimile with a new Introduction by the author and a Foreword by eminent scholar Carole Hillenbrand, a former student of Professor Scanlon. Click here to download the free PDF....read more
Free e-book246 pp.