Based on the personal journals of Robert Grenville Gayer-Anderson (1881–1945), Egyptologist, poet, surgeon, soldier, psychic, and noted collector, this candid and charming historical biography tells of Gayer-Anderson’s strange and eclectic life in the final days of the British empire. As a child, he crossed an unforgiving America with his entrepreneurial and eccentric Irish parents. As a man, he immersed himself in the Arab way of life as colonials seldom did; he saw ghosts and witches, sailed the Nile, wrestled Turks and crocodiles, fought at Gallipoli, smoked opium, performed surgery in the desert, gathered and cared for artefacts and boys in his Cairene home, survived an assassination attempt and, in the name of science and Henry Wellcome, in flowery glades he boiled the flesh from the skulls of Nuba warriors. His personal journals are filled with frank accounts of his exploits and of the illustrious and colorful people who wandered by: Lawrence of Arabia, Gordon, Kitchener, Conan-Doyle, Eric Gill, and Stephen Spender, among others. Drugs, race, class, family, sex, and selfhood are vividly mixed in this tale of two wars, colonial life, medicine, anthropology, and psychic phenomena. The stiff-upper-lipped ritual of a very British upbringing vied with his Romantic and consuming love of beauty, vividly embodied in the Gayer-Anderson Museum in Cairo, which to this day houses his vast collection of carpets, furniture, glassware, and other curios.
The Life and Afterlife of the Irish Pasha
3 December 2016
29 b/w illus.
For sale worldwide
Coptic Identity and Ayyubid Politics in Egypt, 1218–1250
Kurt J. Werthmuller 24.95
Using the life and writings of Cyril III Ibn Laqlaq, 75th patriarch of the Coptic Orthodox Church, along with a variety of Christian and Muslim chroniclers, this study explores the identity and context of the Christian community of Egypt and its relations with the leadership of the Ayyubid dynasty in the early thirteenth century. Kurt Werthmuller introduces new scholarship that illuminates the varied relationships between medieval Christians of Egypt and their Muslim neighbors. Demonstrating that the Coptic community was neither passive nor static, the author discusses the active role played by the Copts in the formation and evolution of their own identity within the wider political and societal context of this period. In particular, he examines the boundaries between Copts and the wider Egyptian society in the Ayyubid period in three “in-between spaces”: patriarchal authority, religious conversion, and monasticism....read more
8 color illus.
Dividing the Nile
Egypt’s Economic Nationalists in the Sudan 1918–56
David E. Mills 39.95
Egypt’s Economic Nationalists in the Sudan 1918–56David E. Mills
Most scholarship has attributed Sudanese independence in 1956 to British dominance of the Condominium, historical animosity toward Egypt, or the emergence of Sudanese nationalism. Dividing the Nile counters that Egyptian entrepreneurs failed to develop a united economy or shared economic interests, guaranteeing Egypt’s ‘loss’ of the Sudan. It argues that British dominance of the Condominium may have stymied initial Egyptian efforts, but that after the First World War Egypt became increasingly interested in and capable of economic ventures in the Sudan. However, early Egyptian financial assistance and the seemingly successful resolution of Nile waters disputes actually divided the regions, while later concerted efforts to promote commerce and acquire Sudanese lands failed dismally. Egyptian nationalists simply missed opportunities of aligning their economic future with that of their Sudanese brethren, resulting in a divided Nile valley. Dividing the Nile will appeal to historians, social scientists, and international relations theorists, among those interested in Nile valley developments, but its focused economic analysis will also contribute to broader scholarship on nationalism and nationalist theory....read more
A History of Egypt
From Earliest Times to the Present
Jason Thompson 18.95
From Earliest Times to the PresentJason Thompson
This cohesive account of Egypt’s millennia-long past offers readers a sure guide through the sometimes labyrinthine corridors of Egypt’s past, from the mysterious predynastic kingdoms to the nation-state of the twenty-first century. The author addresses central scholarly issues such as how Egyptian history can be treated as a whole and how the west has shaped prevailing images of it, both through direct contact and through the lens of western scholarship. Drawing on current historical scholarship as well as his own research, Jason Thompson has written a remarkable work of synthesis and concision, offering students, travelers, and general readers alike an engaging one-volume narrative of the extraordinarily long course of human history by the Nile. This updated paperback edition contains new material on the 25 January Revolution and the fall of the Mubarak regime....read more
80 b/w illus.
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna 19.95
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
28 color illus.