When in the early years of the twentieth century the Belgian businessman Edouard Empain began to turn his dream of building an entirely new satellite city in the desert outside Cairo into a reality, he followed the then novel urban-planning concept of the “garden city.” But in naming his creation, he turned back to one of the most ancient sites in Egypt, the solar temple of Heliopolis, the biblical On, and in its architecture he sought inspiration in the heritage of Cairo’s Islamic tradition. When the city, known as “New Egypt” in Arabic, was completed, a half-hour tram ride through the desert was needed to reach it. Today, Heliopolis has been enveloped within the huge and ever-growing metropolis of Cairo. However, despite rapid development, overpopulation, and increasing traffic, Heliopolis has retained much of its original character and charm, and the captivating atmosphere of Egypt’s Belle Epoque is still tangible. Its houses, mosques, and churches, designed to imitate various styles of the past, have become historic buildings in their own right. This fully illustrated book introduces the reader to the history and development of Heliopolis through its architecture and its inhabitants past and present.
Rebirth of the City of the Sun
1 November 2006
150 illus. incl. 100 in color
For sale worldwide
Also available by this author
An Imperial Story of Cairo, Istanbul, and AmsterdamAgnieszka Dobrowolska
The small sabil–kuttab (a charitable foundation particular to Cairo that combines a public water dispensary with a Quranic school) built in 1760 opposite the venerated Sayida Zeinab Mosque is almost unique in Cairo: it is one of only two dedicated by a reigning Ottoman sultan, and—astonishingly—it is decorated inside with blue-and-white tiles from Amsterdam depicting happy scenes from the Dutch countryside. Why did the sultan, Mustafa III, cloistered in his Istanbul palace, decide to build a sabil in Cairo? Why did he choose this site for it? How did it come to be adorned with Dutch tiles? What were the connections between Cairo, Istanbul, and Amsterdam in the middle of the eighteenth century? The authors answer these questions and many more in this entertaining and beautifully illustrated history of an extraordinary building, describing also the recent conservation efforts to preserve it for posterity....read more
15 March 2012
220 color illus.
Art and Architecture
Edited by Markus Hattstein Peter Delius
Art and ArchitectureEdited by Markus Hattstein
The rapid expansion of Islam in its early days encouraged a unique absorption and integration of disparate cultural forms and traditions. This book follows the historical development of the Islamic regions and their ruling dynasties, and illustrates their greatly varied forms of artistic expression from the birth of the religion to the present day. Basic architectural elements demonstrate, in their diverse modes of execution, the independence of regional building traditions. In the restrained yet inventive brick and tile ornamentation of Uzbekistan, just as in the bright, naturalistic arabesque of India or Iran, and in the ubiquitous geometrical ornamentation of Spain and the Maghreb, clear forms of expression are manifest, celebrating the riches and beauty of God’s creation. This impulse also inspires the colorful and fantastical book illustrations and calligraphy, sumptuous tapestries, extravagant metalwork, ceramics, and jewelry produced by all Islamic cultures. Contributors: Mukaddima Aschrafi, Marianne Barrucand, Sheila Blair, Jonathan Bloom, Sergej Chmelnizkij, Volkmar Enderlein, Joachim Gierlichs, Almut von Gladiss, Julia Gonnella, Oleg Grabar, Annette Hagedorn, Markus Hattstein, Wolfgang Holzwarth, Natascha Kubisch, Jesús Bermúdez López, Sibylle Mazot, Viktoria Meinecke-Berg, Elke Niewöhner-Ederhard, Peter W. Schienerl, Philippa Vaughan....read more
Over 900 color illus.
An Artist’s Journey
An Artist’s JourneyAnna Boghiguian
Anna Boghiguian, one of Egypt’s foremost contemporary artists, has traveled the globe and recorded her artistic reaction to each new place in drawings and paintings in the notebooks she carries everywhere. But her roads through India or Cambodia, Canada or France always come back to the land of her birth, Egypt. Her drawings of Egypt reflect her instinctive and emotional responses to the country’s many layers of history and myth, and to the people, ancient and modern, grand and everyday, who populate those histories and myths with such entrancing spirit. In this very personal presentation of Egypt, Anna Boghiguian shares both her visual and her verbal thoughts, as she leads us on a tour of this incredible land of fact and fiction, across space and in and out of time, through her words that paint pictures and her drawings that tell stories. This truly unique book is as much about the artist as it is about the land, and a treasure on both counts....read more
Hassan Fathy and Continuity in Islamic Arts and Architecture
The Birth of a New Modern
The Birth of a New ModernAhmad Hamid
Hassan Fathy, the Egyptian architect known for his recognition of the potential of vernacular forms as a vital force in contemporary architectural design, sought to integrate the traditions of Islamic art with his modern visions for living. Guided by Fathy’s principles, Ahmad Hamid, an architect who collaborated with Hassan Fathy in the Institute for Appropriate Technology, identifies questions about the nature of Islamic art and its building culture, as well as the origins of modern architecture. This richly illustrated book provides new insights into Hassan Fathy’s profuse, pathbreaking design documents and built projects, while exploring the socioeconomic, environmental, psychological, and esthetic components of Fathy’s work in the light of a quest for a new universal modernity for the twenty-first century....read more
15 December 2010
100 b/w photographs and drawings
Messages of Love and Politics
Messages of Love and PoliticsMia Gröndahl
Graffiti began in Gaza in 1987, during the first Intifada, when there was no Palestinian television or radio in the Gaza Strip, and no newspapers: the messages that spread along the walls became an important means of communication. Over the years, all political groups have had their own graffiti artists. Scrawl is not tolerated—it has to look good. Hamas even offers evening classes in graffiti. Documenting the writings on the walls of Gaza over a period of seven years, celebrated Swedish photojournalist Mia Gröndahl lays before us the many roles that they perform, the colorful and surprising range of their artistic expression, and their reflection of the changing political situation. And apart from political slogans, the walls bear witness too to joy and sadness: the wedding celebrations, the many victims of the conflict, and the ever present hope of peace and freedom. For us on the outside, Mia Gröndahl’s photographs offer an exciting and unexpected view of life in Gaza....read more
15 March 2010
150 color illus.