When in the early years of the twentieth century the Belgian businessman Edouard Empain began to turn his dream of building an entirely new satellite city in the desert outside Cairo into a reality, he followed the then novel urban-planning concept of the “garden city.” But in naming his creation, he turned back to one of the most ancient sites in Egypt, the solar temple of Heliopolis, the biblical On, and in its architecture he sought inspiration in the heritage of Cairo’s Islamic tradition. When the city, known as “New Egypt” in Arabic, was completed, a half-hour tram ride through the desert was needed to reach it. Today, Heliopolis has been enveloped within the huge and ever-growing metropolis of Cairo. However, despite rapid development, overpopulation, and increasing traffic, Heliopolis has retained much of its original character and charm, and the captivating atmosphere of Egypt’s Belle Epoque is still tangible. Its houses, mosques, and churches, designed to imitate various styles of the past, have become historic buildings in their own right. This fully illustrated book introduces the reader to the history and development of Heliopolis through its architecture and its inhabitants past and present.
Rebirth of the City of the Sun
1 November 2006
150 illus. incl. 100 in color
For sale worldwide
Also available by this author
An Imperial Story of Cairo, Istanbul, and AmsterdamAgnieszka Dobrowolska
The small sabil–kuttab (a charitable foundation particular to Cairo that combines a public water dispensary with a Quranic school) built in 1760 opposite the venerated Sayida Zeinab Mosque is almost unique in Cairo: it is one of only two dedicated by a reigning Ottoman sultan, and—astonishingly—it is decorated inside with blue-and-white tiles from Amsterdam depicting happy scenes from the Dutch countryside. Why did the sultan, Mustafa III, cloistered in his Istanbul palace, decide to build a sabil in Cairo? Why did he choose this site for it? How did it come to be adorned with Dutch tiles? What were the connections between Cairo, Istanbul, and Amsterdam in the middle of the eighteenth century? The authors answer these questions and many more in this entertaining and beautifully illustrated history of an extraordinary building, describing also the recent conservation efforts to preserve it for posterity....read more
15 March 2012
220 color illus.
History and Cultural Identity: Revised and Updated Edition
History and Cultural Identity: Revised and Updated EditionViola Shafik
Since it was first published in 1998, Viola Shafik’s Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history—economic, ideological, and aesthetic—with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry’s development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of “cultural repackaging.” Now updated to reflect cultural shifts in the last two decades, this revised edition contains a new afterword highlighting the latest developments in popular and in art-house filmmaking, with a special focus on Iraq, Lebanon, Palestine, and the Gulf States. While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decades....read more
5 January 2017
50 b/w illus.
Art and Architecture
Edited by Markus Hattstein Peter Delius
Art and ArchitectureEdited by Markus Hattstein
The rapid expansion of Islam in its early days encouraged a unique absorption and integration of disparate cultural forms and traditions. This book follows the historical development of the Islamic regions and their ruling dynasties, and illustrates their greatly varied forms of artistic expression from the birth of the religion to the present day. Basic architectural elements demonstrate, in their diverse modes of execution, the independence of regional building traditions. In the restrained yet inventive brick and tile ornamentation of Uzbekistan, just as in the bright, naturalistic arabesque of India or Iran, and in the ubiquitous geometrical ornamentation of Spain and the Maghreb, clear forms of expression are manifest, celebrating the riches and beauty of God’s creation. This impulse also inspires the colorful and fantastical book illustrations and calligraphy, sumptuous tapestries, extravagant metalwork, ceramics, and jewelry produced by all Islamic cultures. Contributors: Mukaddima Aschrafi, Marianne Barrucand, Sheila Blair, Jonathan Bloom, Sergej Chmelnizkij, Volkmar Enderlein, Joachim Gierlichs, Almut von Gladiss, Julia Gonnella, Oleg Grabar, Annette Hagedorn, Markus Hattstein, Wolfgang Holzwarth, Natascha Kubisch, Jesús Bermúdez López, Sibylle Mazot, Viktoria Meinecke-Berg, Elke Niewöhner-Ederhard, Peter W. Schienerl, Philippa Vaughan....read more
Over 900 color illus.
Architecture for the Dead
Cairo’s Medieval Necropolis
Galila El Kadi Alain Bonnamy
Cairo’s Medieval NecropolisGalila El Kadi
The great medieval necropolis of Cairo, comprising two main areas that together stretch twelve kilometers from north to south, constitutes a major feature of the city’s urban landscape. With monumental and smaller-scale mausolea dating from all eras since early medieval times, and boasting some of the finest examples of Mamluk architecture not just in the city but in the region, the necropolis is an unparalleled—and until now largely undocumented—architectural treasure trove. In Architecture for the Dead, architect Galila El Kadi and photographer Alain Bonnamy have produced a comprehensive and visually stunning survey of all areas of the necropolis. Through detailed and painstaking research and remarkable photography, in text, maps, plans, and pictures, they describe and illustrate the astonishing variety of architectural styles in the necropolis: from Mamluk to neo-Mamluk via baroque and neo-pharaonic, from the grandest stone buildings with their decorative domes and minarets to the humblest—but elaborately decorated—wooden structures. The book also documents the modern settlement of the necropolis by families creating a space for the living in and among the tombs and architecture for the dead....read more
7 September 2007
320 b/w illus., 105 maps and plans
Cairo of the Mamluks
A History of the Architecture and Its Culture
A History of the Architecture and Its CultureDoris Behrens-Abouseif
During two and a half centuries of rule by Mamluk sultans, Cairo acquired some of its most impressive medieval architecture, including the historical monuments that today define the city’s architectural heritage. In this comprehensive work of analysis and description, Islamic art historian Doris Behrens-Abouseif highlights the most important factors in the evolution of Mamluk urban architecture, along with the social and political reasons for their patronage as builders of mosques, schools, hospitals, and mausolea. Copiously illustrated with color photographs and architectural plans, Cairo of the Mamluks highlights sixty of the most important Mamluk buildings in Cairo, in chronological order, from the mausoleum built by Shagar al-Durr, in honor of her late husband, the last Ayyubid ruler, to the magnificent madrasa of Sultan Hasan and the funerary complex of al-Ghuri, the last powerful Mamluk sultan. Long a scholar of Cairo’s historic architecture, Doris Behrens-Abouseif draws on Arabic chronicles as well as the latest in contemporary scholarship to offer a remarkably complete history of Cairo’s justly-famous monuments....read more
258 color illus., 63 line drawings and maps