Alexandria has had a checkered history since its foundation by Alexander the Great in 331 B.C. From its glorious days as the intellectual center of the Hellenistic and early Christian world, it declined into a near-forgotten backwater with a population of only a few thousand at the time of the French invasion of 1798. Renewed prosperity and commercial growth came in the nineteenth century under Muhammad ‘Ali. Today it is Egypt’s second city and the favorite summer resort of millions of Egyptians.

In this guide to one of the world’s great cities, Michael Haag explores Alexandria’s past and present in word and picture, from the ancient Pharos to the new Bibliotheca Alexandrina, from Anfushi to Montazah. He directs our curiosity not only toward the ancient monuments of the city and its fine Greco-Roman Museum and new National Museum, but also to the ambience of a more modern era, that cosmopolitan Alexandria alive with the literary echoes of Cavafy, Forster, and Durrell. Beautifully illustrated with 125 color photographs, this is a fascinating armchair tour of the pageant that is Alexandria.

Cairo is a 1,400-year old metropolis whose streets are inscribed with sagas, a place where the pressures of life test people’s equanimity to the limit. Virtually surrounded by desert, sixteen million Cairenes cling to the Nile and each other, proximities that color and shape lives. Packed with incident and anecdote, Cairo: City of Sand describes the city’s given circumstances and people’s attitudes of response. Apart from a brisk historical overview, this book focuses on the present moment of one of the world’s most illustrious and irreducible cities. Cairo steps inside the interactions between Cairenes, examining the roles of family, tradition, and bureaucracy in everyday life. The book explores Cairo’s relationship with its ‘others,’ from the French and British occupations to modern influences like tourism and consumerism. Cairo also discusses characteristic styles of communication, and linguistic memes, including slang, grandiloquence, curses, and jokes. Cairo exists by virtue of these interactions, synergies of necessity, creativity, and the presence or absence of power. Cairo, City of Sand reveals a peerless urban balancing act, and transmits the city’s overriding message: the breadth of the human capacity for loss, astonishment, and delight.