Photographed from the sky, Egypt shows the best of itself. The course of the Nile, which cuts the desert in two from north to south, and the enormous Delta provide glorious, lush vegetation sliced by a deep blue band. The white sails that slide over its waters and the spectacular monuments that line its banks, the human ants’ nest of Cairo, the Pyramids and the Sphinx, palm groves and fertile fields, rocky mountains, coral seas, and the ever-changing waves of the dunes in the desert: all of Egypt’s magical panoramas and incomparable light are offered here in this series of five spectacular new books, together constituting the greatest collection of aerial views of the country ever made.
High above Cairo and the Pyramids
Foreword byOmar Sharif
For sale only in the Middle East
Ancient Egypt in Poetry
An Anthology of Nineteenth-Century Verse
Edited by Donald P. Ryan
An Anthology of Nineteenth-Century VerseEdited by Donald P. Ryan
Egypt’s ancient pyramids, temples, and tombs along the Nile, which have inspired artists and writers for centuries, have also inspired poets—and particularly in the nineteenth century when romanticism was at its height. Egyptologist Donald Ryan here collects a wide variety of English verse composed by British, Irish, and North American poets fired up by the magic, the splendor, or the desolation of the pharaonic ruins and their echoes of a distant history. Includes verse by: Robert Browning, Lord Byron, John Keats, Henry Wadsworth Longfellow, Herman Melville, John Ruskin, Percy Bysshe Shelley, Algernon Charles Swinburne, Alfred Tennyson, Lady Wilde, and many more....read more
22 October 2016
13 b/w illus.
David Roberts’ Egypt
Lithographs by David Roberts, R.A.
David Roberts, born in 1796 near Edinburgh, was one of the most acclaimed landscape painters of the nineteenth century. In 1838 he left Europe for Egypt, where he drew all the main archaeological sites and Islamic monuments. These superb lithographs taken from his sketches and first published in London between 1842 and 1849 are a fine essay on his virtuosity and represent an unforgettable journey through time along the Nile Valley and across the Sinai peninsula....read more
266 color illus.
A Photographer on the Hajj
The Travels of Muhammad ‘Ali Effendi Sa‘udi (1904/1908)
Farid Kioumgi Robert Graham
The Travels of Muhammad ‘Ali Effendi Sa‘udi (1904/1908)Farid Kioumgi
The diaries of Muhammad ‘Ali Effendi Sa‘udi, a civil servant and accomplished photographer, offer a rare glimpse of the Hajj through Egyptian eyes at the beginning of the twentieth century when the Ottoman Empire was on the wane and the advance of the Hijaz railway threatened to upset vested interests in the old pattern of pilgrimage.
Sa‘udi twice accompanied the Amir al-Hajj, Ibrahim Rif‘at Pasha, attached to the official Egyptian caravan. His story of these journeys combines the thoughts of a devout Muslim with fine detail on the hardships and health hazards facing pilgrims, the high-level intrigues, and the ever-present dangers of taking photographs.
The authors have compressed the diaries into a highly readable narrative with selected quotations, lavishly illustrated with Sa‘udi’s remarkable photographs....read more
15 November 2009
80 b/w photographs
City of Sand
City of SandMaria Golia
Cairo is a 1,400-year old metropolis whose streets are inscribed with sagas, a place where the pressures of life test people’s equanimity to the limit. Virtually surrounded by desert, sixteen million Cairenes cling to the Nile and each other, proximities that color and shape lives. Packed with incident and anecdote, Cairo: City of Sand describes the city’s given circumstances and people’s attitudes of response. Apart from a brisk historical overview, this book focuses on the present moment of one of the world’s most illustrious and irreducible cities. Cairo steps inside the interactions between Cairenes, examining the roles of family, tradition, and bureaucracy in everyday life. The book explores Cairo’s relationship with its ‘others,’ from the French and British occupations to modern influences like tourism and consumerism. Cairo also discusses characteristic styles of communication, and linguistic memes, including slang, grandiloquence, curses, and jokes. Cairo exists by virtue of these interactions, synergies of necessity, creativity, and the presence or absence of power. Cairo, City of Sand reveals a peerless urban balancing act, and transmits the city’s overriding message: the breadth of the human capacity for loss, astonishment, and delight....read more