Throughout the ages, Egypt has been a key to Africa and the Middle East. That was true in the past and is still true today, although Egypt’s influence and role have varied over time. During the modern period, it was ruled by a series of often dynamic governors, until it fell under the British empire, only to be restored to independence and become once again a regional leader under Gamal Abd al-Nasser. His successors, Anwar al–Sadat, and even more so, Hosni Mubarak, have been more concerned with economic development and internal matters, but this strategically located country with its large population could never be ignored. This Historical Dictionary of Egypt, Third Edition covers Egypt’s past two-and-a-half centuries, and concentrates most on the past half century of independence. Thoroughly updated to include significant events over the past decade, it remains a particularly valuable reference tool for anyone who needs accurate and timely information, with its many entries on significant persons, places, and institutions; a chronology and introduction that reach far back in time; and a substantial bibliography.
Historical Dictionary of Egypt
Arthur Goldschmidt, Jr.
For sale only in the Middle East
A Muslim Manual of War
being Tafrij al-kurub fi tadbir al-hurub by ‘Umar ibn Ibrahim al-Awsi al-Ansari
Edited and translated by George T. Scanlon Foreword by Carole Hillenbrand
being Tafrij al-kurub fi tadbir al-hurub by ‘Umar ibn Ibrahim al-Awsi al-AnsariEdited and translated by George T. Scanlon
Foreword byCarole Hillenbrand
One of the first three books published by the AUC Press after its founding in 1960 was A Muslim Manual of War, an annotated editing and translation of a hitherto little-known fifteenth-century Arabic manuscript on the art of war, prepared by George Scanlon, then embarking on his career to become one of the most respected scholars in the field of Islamic art, architecture, archaeology, and history. Now, in celebration of 50 years of the AUC Press, and in honor of Professor Scanlon’s recent retirement after an illustrious career, most recently as professor of Islamic art and architecture in the Department of Arab and Islamic Civilizations at the American University in Cairo, the AUC Press is proud to make available once again this long out-of-print book, as a freely accessible scanned facsimile with a new Introduction by the author and a Foreword by eminent scholar Carole Hillenbrand, a former student of Professor Scanlon. Click here to download the free PDF....read more
Free e-book246 pp.
El Alamein and the Struggle for North Africa
International Perspectives from the Twenty-first Century
Edited by Jill Edwards
International Perspectives from the Twenty-first CenturyEdited by Jill Edwards
This new collection of studies presents fresh insights into a war fought over unusually difficult terrain and with exceptional supply demands. From the ongoing Italian geomorphic study of the Alamein arena to individual memories of non-combatant Alexandrians, from the Free French to the seasoned colonial forces of Australia, India, New Zealand, and South Africa, and from vital naval engagements and the siege of Malta to the study of Rommel’s leadership and the Churchill–Montgomery duo, this book presents the reader with a detailed yet broad reassessment of the complexities of the war in North Africa between 1941 and 1943, its technology, philosophy, military doctrine, strategy, tactics, logistics, and the associated local and international politics. Writing from the perspectives of some of the many nations whose armies were involved in the conflict, fifteen historians bring to their work the precision of their national historical archival sources in clear and spritely narratives....read more
15 March 2013
55 b/w illus.
Description of Egypt
Notes and Views in Egypt and Nubia
Edward William Lane Edited and with an introduction Jason Thompson
Notes and Views in Egypt and NubiaEdward William Lane
Edited and with an introduction Jason Thompson
The launching of this hitherto unpublished book by the great nineteenth-century British traveler Edward William Lane (1801–76), a name known to almost everyone in all the many fields of Middle East studies, is a major publishing event. Lane was the author of a number of highly influential works: An Account of the Manners and Customs of the Modern Egyptians (1836), his translation of The Thousand and One Nights (1839–41), Selections from the Kur-an (1843), and the Arabic–English Lexicon (1863–93). Yet one of his greatest works was never published: after years of labor and despite an enthusiastic reception by the publishing firm of John Murray in 1831, publication of his first book, Description of Egypt, was delayed and eventually dropped, mainly for financial reasons. The manuscript was sold to the British Library by Lane’s widow in 1891, and has only now been salvaged for publication by Dr. Jason Thompson, nearly 170 years after its completion. This enormously important book, which takes the form of a journey through Egypt from north to south, with descriptions of all the ancient monuments and contemporary life that Lane explored along the way, will be of immense interest to both ancient and modern historians of Egypt, and will become an essential companion to his Manners and Customs....read more
1 October 2000
158 b/w illus.
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.