Luxor Illustrated Reviews

Cairo is an exploding modern metropolis of eighteen million people that nevertheless preserves within its heart the finest medieval city in the world, its alleys, mosques, and caravanserais the original setting for the Arabian Nights, whose atmosphere is palpable still for the visitor wandering through its bazaars, while at sunset the Pyramids glow gold against the Western Desert as they have done for one million seven hundred thousand evenings past. The monuments of pharaohs and sultans lie within the city’s reach, making Cairo and its environs an unequaled storehouse of human achievement. In this guide to the largest city in Africa and the political and cultural fulcrum of the Arab world, Michael Haag explores Cairo’s past and present in word and picture, from Saqqara to the Citadel of Saladin, from the ancient synagogue and churches of Old Cairo to the skyscrapers along the Nile, from Khan al-Khalili, the vast bazaar as intricate as inlay work, to the Belle Epoque façades of the downtown streets, and introduces you to the treasures of three great civilizations at the Islamic, Coptic, and Egyptian Antiquities museums. Beautifully illustrated with 150 color photographs, this is a fascinating armchair tour of Cairo in all its variety.

Using vintage photographs from the second half of the nineteenth century and first half of the twentieth, many of them from private family albums, this book brings to life the world of that vanished Alexandria, a vibrant, stylish, and cosmopolitan city, the largest port in the Mediterranean, that was the prosperous gateway between Egypt and the world. Seen here in the setting of their homes and gardens, and on the city’s streets and beaches, the faces of those forgotten Alexandrians come to life: the Greeks, Italians, Jews, and all those others from around the Mediterranean whose energy and expertise helped modernize and develop Egypt, and who planted their family roots in the city. This was the luxuriant and evocative city celebrated by Constantine Cavafy, E.M. Forster, and Lawrence Durrell, and they too are included in these pages along with photographs of scenes and people that were familiar to them. Vintage Alexandria traces the development and growth of the city, follows its story through the dramatic events of two world wars, and above all provides a background to the city’s place in twentieth-century cultural history, through the eyes of Alexandria’s cosmopolitan citizens themselves. Those citizens and others who passed through the city and appear in these pages included Antony Benaki (the Greek cotton trader whose collection formed the basis of the famous Benaki Museum in Athens), Robert Koch (who isolated the cholera virus and developed a vaccine in an Alexandria laboratory), the Greek children’s writer Penelope Delta, Claude Vincendon (the third wife of Lawrence Durrell), King Victor Emanuel III of Italy, Eve Cohen (the second wife of Lawrence Durrell, and the model for “Justine”), Safinaz Zulfikar (later married to King Farouk as Queen Farida), Rudolph Hess (Hitler’s deputy, who attended school in Alexandria), Jean de Menasce (the “best translator” of T.S. Eliot), Manfred von Richthofen (the Red Baron), the Egyptian film director Youssef Chahine, the Egyptian and international film star Omar Sharif, King Hussein of Jordan, Rhona Haszard (the post-impressionist painter), Ahmed Hassanein Pasha (the Egyptian explorer and diplomat), and Noel Coward (the English writer and wit, who sang at the Fleet Club in Alexandria and was mobbed by sailors).

In the decades before Nasser’s seizure of power and the Suez crisis, Alexandria was a magnet for the wealthy, the gifted, and the glamorous from around the world. The whole city looked seaward, its port one of the busiest in the Mediterranean, its spirit ecumenical, its life luxuriant and sensual. Alexandria was barely an Egyptian city, and the Egyptians who live there now inhabit the gently crumbling remains of a foreign world, whose palatial villas, Venetian apartments, art-nouveau cafes, Moorish hotels, and cinemas conceived in thirties deco, are haunted by a departed cast. “I lived a great, extravagant, and colorful life in wartime Alexandria,” recalled Lawrence Durrell, whose Alexandria Quartet is one of the greatest protraits of a city in modern literature. Michael Haag, who has lived in Alexandria, and has known Durrell and others who lived there during its cosmopolitan heyday, has retraced their footsteps to present an absorbing account of the places and the people of this most remarkable of cities. ‘’Michael Haag mixes memory and biography, politics and cultural studies in clear and seamless prose.’’—The New York Review of Books