Salman Abu Sitta was just ten years old when the Nakba—the mass expulsion of Palestinians in 1948—happened, forcing him from his home near Beersheba. Like many Palestinians of his generation, this traumatic loss and his enduring desire to return would be the defining features of his life from that moment on. Abu Sitta vividly evokes the vanished world of his family and home on the eve of the Nakba, giving a personal and very human face to the dramatic events of 1930s and 1940s Palestine as Zionist ambitions and militarization expanded under the British mandate. He chronicles his life in exile, from his family’s flight to Gaza, his teenage years as a student in Nasser’s Egypt, his formative years in 1960s London, his life as a family man and academic in Canada, to several sojourns in Kuwait. Abu Sitta’s long and winding journey has taken him through many of the seismic events of the era, from the 1956 Suez War to the 1991 Gulf War. This rich and moving memoir is imbued throughout with a burning sense of justice and a determination to recover and document what rightfully belongs to his people, given expression in his groundbreaking mapping work on his homeland. Abu Sitta, with warmth and wit, tells his story and that of Palestine.
Mapping My Return
A Palestinian Memoir
20 December 2016
19 bw4 maps
For sale worldwide
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.
An Arab Philosophy of History
Selections from the Prolegomena of Ibn Khaldun of Tunis (1332–1406)
Translated and arranged by Charles Issawi
Selections from the Prolegomena of Ibn Khaldun of Tunis (1332–1406)Translated and arranged by Charles Issawi
The Prolegomena of Ibn Khaldun of Tunis (A.D. 1332–1406) are in many ways the most remarkable product of Islamic thought. Not only did Ibn Khaldun sum up the accumulated knowledge and leading doctrines of his civilization, but in many fields he broke new ground and anticipated the findings of Western social scientists of the last two centuries. The passages have been grouped to illustrate Ibn Khaldun’s views on historical method, geography, economics, public finance, population, society and state, and the theory of being and theory of knowledge. This selection is intended for students of thought, rather than specialized Arabic scholars, and for those interested in the intellectual background of the Arab world....read more
Artisan Entrepreneurs in Cairo and Early Modern Capitalism 1600–1800
While historians have mined archives and court documents to create a picture of the commercial activities, networks, and infrastructure of merchants in Egypt prior to its incorporation into the European capitalist economy, few have documented a similar picture of the artisans and craftspeople. Artisans outnumbered merchants and their economic weight was considerable, yet details about their lives, the way they carried out their work, and their role or position in the economy is largely unknown. Nelly Hanna seeks to redress this gap by locating and exploring the role of artisans in the historical process. These artisans developed a variety of capitalist practices, both as individuals and collectively in their guilds. Hanna details how they defied the constraints of the guilds and actively engaged in the markets of Europe, demonstrating how Egyptian artisan production was able to compete and survive in a landscape of growing European trade. Deftly synthesizing a wide range of economic and historical theory, Hanna reinvigorates the current scholarship on early Ottoman history and provides a persuasive challenge to the largely shallow perception of artisans’ role in Egypt’s economy....read more
City of MemoryMichael Haag
In the decades before Nasser’s seizure of power and the Suez crisis, Alexandria was a magnet for the wealthy, the gifted, and the glamorous from around the world. The whole city looked seaward, its port one of the busiest in the Mediterranean, its spirit ecumenical, its life luxuriant and sensual. Alexandria was barely an Egyptian city, and the Egyptians who live there now inhabit the gently crumbling remains of a foreign world, whose palatial villas, Venetian apartments, art-nouveau cafes, Moorish hotels, and cinemas conceived in thirties deco, are haunted by a departed cast. “I lived a great, extravagant, and colorful life in wartime Alexandria,” recalled Lawrence Durrell, whose Alexandria Quartet is one of the greatest protraits of a city in modern literature. Michael Haag, who has lived in Alexandria, and has known Durrell and others who lived there during its cosmopolitan heyday, has retraced their footsteps to present an absorbing account of the places and the people of this most remarkable of cities. ‘’Michael Haag mixes memory and biography, politics and cultural studies in clear and seamless prose.’’—The New York Review of Books...read more
80 b/w illus.