Margo Veillon, one of Egypt’s best known and best loved artists, returns to enchant us again with a collection of paintings and drawings depicting the festivals of Egypt. The cycle of Egyptian life is marked by festivals and celebrations: those for births, weddings, saints’ mulids, national holidays, and closing the circle, funerals. Margo Veillon draws us in to the joy, exuberance, and occasional sorrow that mark the seasons of Egyptian festivals. This remarkable collection of images fills the viewer with the music and dance that punctuate these events and allows us to participate vicariously through the pages in a swirl of colors, smells, sounds, and exultation.
11 October 2004
83 color, 19 b/w illus.
For sale worldwide
Also available by this author
Painting Egypt: The Masterpiece Collection at the American University in CairoEdited by Bruno Ronfard
Margo Veillon, one of Egypt’s best loved artists, here presents a sampling of her work from throughout her career, as represented in a legacy bequeathed to the American University in Cairo. The collection includes work from across the decades of her career as well as across a variety of media. Although Margo has lived part of her life in Europe, it is clearly Egypt that has held her imagination in all these long years of artistic innovation. One strand of her work is characterized by an ability to capture and depict the energy of a specific moment in time, be it a toss of wheat in the air to separate the chaff, the stoic bride in a wedding procession, or a horse dancing in a tent at a mulid. The stones, sands, and constantly changing light of the desert have been the inspiration for many years for another major line of artistic expression. And a third strand has been her exploration of all that can be seen, not seen, and sensed in one place, in her remarkable series of Global Perspectives. These threads and others no less individual and innovative make up the extraordinarily rich tapestry of Margo Veillon’s artistic career, as brought together in the AUC Permanent Collection....read more
29 October 2004
100 color illus.
Witness of a CenturyEdited by Bruno Ronfard
Margo Veillon, one of Egypt’s best known and best loved artists, was born in Cairo in 1907 to a Swiss father and an Austrian mother and died in the same city in 2003. For most of her 96 years she painted and drew Egypt, from north to south, from countryside to city, as well as Paris, London, and other parts of the world. As a witness to a century of enormous change in Egypt as much as elsewhere, she produced a huge, rich, and varied body of work that includes work from across the decades of her career as well as across a variety of media. Although Margo lived part of her life in Europe, it was clearly Egypt that held her imagination through all those long years of artistic innovation. One strand of her work is characterized by an ability to capture and depict the energy of a specific moment in time, be it a toss of wheat in the air to separate the chaff, the stoic bride in a wedding procession, or a horse dancing in a tent at a mulid. The stones, sands, and constantly changing light of the desert were the inspiration for many years for another major line of artistic expression. And a third strand was her exploration of all that can be seen, not seen, and sensed in one place, in her remarkable series of Global Perspectives. These threads and others no less individual and innovative make up the extraordinarily rich tapestry of Margo Veillon’s artistic career over nearly one hundred years....read more
30 May 2007
214 color illus.
Drawing EgyptEdited by Bruno Ronfard
Born in 1907, Margo Veillon was one of Egypt’s best-loved artists. Presented here is a sampling of her work spanning seventy-five years of her productive career, in a variety of graphic media—pen and ink, watercolor, pencil, and crayon, as represented in a legacy bequeathed to the American University in Cairo. Although she lived part of her life in Europe, it is clearly Egypt that held her imagination and inspired her artistic innovation. Possessed with an ability to capture the energy of a specific moment in time, Margo Veillon drew people and animals, landscapes and street scenes with her characteristic sly humor and gift for depicting a lively vignette or serene visual moment in just a few strokes. These threads and others no less individual and innovative make up the extraordinarily rich tapestry of Margo Veillon’s artistic career, brought together in the AUC Permanent Collection....read more
15 April 2013
220 color illus.
An Artist’s Journey
An Artist’s JourneyAnna Boghiguian
Anna Boghiguian, one of Egypt’s foremost contemporary artists, has traveled the globe and recorded her artistic reaction to each new place in drawings and paintings in the notebooks she carries everywhere. But her roads through India or Cambodia, Canada or France always come back to the land of her birth, Egypt. Her drawings of Egypt reflect her instinctive and emotional responses to the country’s many layers of history and myth, and to the people, ancient and modern, grand and everyday, who populate those histories and myths with such entrancing spirit. In this very personal presentation of Egypt, Anna Boghiguian shares both her visual and her verbal thoughts, as she leads us on a tour of this incredible land of fact and fiction, across space and in and out of time, through her words that paint pictures and her drawings that tell stories. This truly unique book is as much about the artist as it is about the land, and a treasure on both counts....read more
Cairo of the Mamluks
A History of the Architecture and Its Culture
A History of the Architecture and Its CultureDoris Behrens-Abouseif
During two and a half centuries of rule by Mamluk sultans, Cairo acquired some of its most impressive medieval architecture, including the historical monuments that today define the city’s architectural heritage. In this comprehensive work of analysis and description, Islamic art historian Doris Behrens-Abouseif highlights the most important factors in the evolution of Mamluk urban architecture, along with the social and political reasons for their patronage as builders of mosques, schools, hospitals, and mausolea. Copiously illustrated with color photographs and architectural plans, Cairo of the Mamluks highlights sixty of the most important Mamluk buildings in Cairo, in chronological order, from the mausoleum built by Shagar al-Durr, in honor of her late husband, the last Ayyubid ruler, to the magnificent madrasa of Sultan Hasan and the funerary complex of al-Ghuri, the last powerful Mamluk sultan. Long a scholar of Cairo’s historic architecture, Doris Behrens-Abouseif draws on Arabic chronicles as well as the latest in contemporary scholarship to offer a remarkably complete history of Cairo’s justly-famous monuments....read more
258 color illus., 63 line drawings and maps
Architecture for the Dead
Cairo’s Medieval Necropolis
Galila El Kadi Alain Bonnamy
Cairo’s Medieval NecropolisGalila El Kadi
The great medieval necropolis of Cairo, comprising two main areas that together stretch twelve kilometers from north to south, constitutes a major feature of the city’s urban landscape. With monumental and smaller-scale mausolea dating from all eras since early medieval times, and boasting some of the finest examples of Mamluk architecture not just in the city but in the region, the necropolis is an unparalleled—and until now largely undocumented—architectural treasure trove. In Architecture for the Dead, architect Galila El Kadi and photographer Alain Bonnamy have produced a comprehensive and visually stunning survey of all areas of the necropolis. Through detailed and painstaking research and remarkable photography, in text, maps, plans, and pictures, they describe and illustrate the astonishing variety of architectural styles in the necropolis: from Mamluk to neo-Mamluk via baroque and neo-pharaonic, from the grandest stone buildings with their decorative domes and minarets to the humblest—but elaborately decorated—wooden structures. The book also documents the modern settlement of the necropolis by families creating a space for the living in and among the tombs and architecture for the dead....read more
7 September 2007
320 b/w illus., 105 maps and plans
Baghdad Arts Deco
Architectural Brickwork, 1920–1950
Architectural Brickwork, 1920–1950Caecilia Pieri
Despite dictatorship, international sanctions, and the ravages of war, Baghdad endures with a surprisingly exceptional modern architectural heritage. This beautifully illustrated study reveals the splendors of early twentieth-century architecture that still stand on the streets of Iraq’s capital. Caecilia Pieri’s documentation foregrounds the physical reality of modern Baghdad, very different from the image that we normally receive from the media. She draws on a number of unpublished sources and documents to present Baghdad’s architecture in a historical perspective, and her striking photographs taken between 2003 and 2006 document the residential areas of the twentieth-century city, providing an unprecedented resource for historians, urban planners, and general readers interested in discovering a new face of a world capital. With essays by Rifat Chadirji, Ihsan Fethi, and Naïm Kattan....read more
1 March 2011