Margo Veillon, one of Egypt’s best known and best loved artists, was born in Cairo in 1907 to a Swiss father and an Austrian mother and died in the same city in 2003. For most of her 96 years she painted and drew Egypt, from north to south, from countryside to city, as well as Paris, London, and other parts of the world. As a witness to a century of enormous change in Egypt as much as elsewhere, she produced a huge, rich, and varied body of work that includes work from across the decades of her career as well as across a variety of media. Although Margo lived part of her life in Europe, it was clearly Egypt that held her imagination through all those long years of artistic innovation. One strand of her work is characterized by an ability to capture and depict the energy of a specific moment in time, be it a toss of wheat in the air to separate the chaff, the stoic bride in a wedding procession, or a horse dancing in a tent at a mulid. The stones, sands, and constantly changing light of the desert were the inspiration for many years for another major line of artistic expression. And a third strand was her exploration of all that can be seen, not seen, and sensed in one place, in her remarkable series of Global Perspectives. These threads and others no less individual and innovative make up the extraordinarily rich tapestry of Margo Veillon’s artistic career over nearly one hundred years.
Witness of a Century
30 May 2007
214 color illus.
For sale worldwide
Also available by this author
Egyptian FestivalsEdited by Bruno Ronfard
Essay by John Rodenbeck
Margo Veillon, one of Egypt’s best known and best loved artists, returns to enchant us again with a collection of paintings and drawings depicting the festivals of Egypt. The cycle of Egyptian life is marked by festivals and celebrations: those for births, weddings, saints’ mulids, national holidays, and closing the circle, funerals. Margo Veillon draws us in to the joy, exuberance, and occasional sorrow that mark the seasons of Egyptian festivals. This remarkable collection of images fills the viewer with the music and dance that punctuate these events and allows us to participate vicariously through the pages in a swirl of colors, smells, sounds, and exultation....read more
11 October 2004
83 color, 19 b/w illus.
Painting Egypt: The Masterpiece Collection at the American University in CairoEdited by Bruno Ronfard
Margo Veillon, one of Egypt’s best loved artists, here presents a sampling of her work from throughout her career, as represented in a legacy bequeathed to the American University in Cairo. The collection includes work from across the decades of her career as well as across a variety of media. Although Margo has lived part of her life in Europe, it is clearly Egypt that has held her imagination in all these long years of artistic innovation. One strand of her work is characterized by an ability to capture and depict the energy of a specific moment in time, be it a toss of wheat in the air to separate the chaff, the stoic bride in a wedding procession, or a horse dancing in a tent at a mulid. The stones, sands, and constantly changing light of the desert have been the inspiration for many years for another major line of artistic expression. And a third strand has been her exploration of all that can be seen, not seen, and sensed in one place, in her remarkable series of Global Perspectives. These threads and others no less individual and innovative make up the extraordinarily rich tapestry of Margo Veillon’s artistic career, as brought together in the AUC Permanent Collection....read more
29 October 2004
100 color illus.
Drawing EgyptEdited by Bruno Ronfard
Born in 1907, Margo Veillon was one of Egypt’s best-loved artists. Presented here is a sampling of her work spanning seventy-five years of her productive career, in a variety of graphic media—pen and ink, watercolor, pencil, and crayon, as represented in a legacy bequeathed to the American University in Cairo. Although she lived part of her life in Europe, it is clearly Egypt that held her imagination and inspired her artistic innovation. Possessed with an ability to capture the energy of a specific moment in time, Margo Veillon drew people and animals, landscapes and street scenes with her characteristic sly humor and gift for depicting a lively vignette or serene visual moment in just a few strokes. These threads and others no less individual and innovative make up the extraordinarily rich tapestry of Margo Veillon’s artistic career, brought together in the AUC Permanent Collection....read more
15 April 2013
220 color illus.
Egypt and Nubia / The Holy Land
Deluxe Gift edition
Drawings by David Roberts, R.A. With historical descriptions by William Brockedon Lithographed by Louis Haghe
Deluxe Gift editionDrawings byDavid Roberts, R.A.
With historical descriptions byWilliam Brockedon
Lithographed byLouis Haghe
The genius and sensitivity of the justly celebrated nineteenth-century Scottish artist David Roberts are fully revealed in this outstanding new two-volume edition that reproduces for the first time since the original editions of the 1840s all 247 of Roberts’ published drawings of Egypt and the Holy Land. In 1838 and 1839, Roberts spent eleven months traveling and sketching throughout Egypt from Alexandria to Abu Simbel and through Sinai to Petra, Jerusalem, Palestine, and Lebanon. The 247 lithographs that Belgian engraver Louis Haghe then produced at the rate of one a month from the drawings executed during Roberts’ extraordinary trip were published in six volumes by Francis Graham Moon, as The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia (1842–46) and Egypt and Nubia (1846–49). This monumental work assured the artist of a fame that has lasted until the modern day. Once again in this new edition, the wonders that Roberts saw on his trip and the style of life in the Middle East in the middle of the nineteenth century are brought vividly to life by the pictures and the original accompanying texts by the Reverend George Croly and William Brockedon. All admirers of David Roberts will want to own this very special boxed edition....read more
3 volume boxed set320 + 288 + 32 pp.
247 color plates
Creswell Photographs Re-examined
New Perspectives on Islamic Architecture
Edited by Bernard O’Kane
New Perspectives on Islamic ArchitectureEdited by Bernard O’Kane
The Creswell photographic archive at the American University in Cairo is an invaluable resource of over 12,000 printed images of Islamic architecture, mainly in Cairo, but also including buildings in other important cities such as Córdoba and Baghdad. Creswell’s own photographs constitute the majority of the collection, but he also assembled work by photographers active in the decades before he began his systematic recording in the 1920s. This volume of collected studies seeks to highlight the value of this collection for scholars, who can examine the visual evidence of architecture now destroyed or altered in order to better understand various aspects of these significant buildings. Contributors discuss such issues as epigraphy in domestic and religious architecture, the use of early photographs as guides for modern restoration, and military architecture. Contributors: Tarek Galal Abdel-Hamid, Noha Abou-Khatwa, Conchita Añorve-Tschirgi, Dina Ishak Bakhoum, Nairy Hampikian, May al-Ibrashy, Hani Hamza, Chahinda Karim, Dina Montasser, Bernard O’Kane, Seif El-Rashidi, Ola Seif, Nicholas Warner....read more
1 July 2009
125 illus. incl. 25 color
Hassan Fathy and Continuity in Islamic Arts and Architecture
The Birth of a New Modern
The Birth of a New ModernAhmad Hamid
Hassan Fathy, the Egyptian architect known for his recognition of the potential of vernacular forms as a vital force in contemporary architectural design, sought to integrate the traditions of Islamic art with his modern visions for living. Guided by Fathy’s principles, Ahmad Hamid, an architect who collaborated with Hassan Fathy in the Institute for Appropriate Technology, identifies questions about the nature of Islamic art and its building culture, as well as the origins of modern architecture. This richly illustrated book provides new insights into Hassan Fathy’s profuse, pathbreaking design documents and built projects, while exploring the socioeconomic, environmental, psychological, and esthetic components of Fathy’s work in the light of a quest for a new universal modernity for the twenty-first century....read more
15 December 2010
100 b/w photographs and drawings
Architecture for the Dead
Cairo’s Medieval Necropolis
Galila El Kadi Alain Bonnamy
Cairo’s Medieval NecropolisGalila El Kadi
The great medieval necropolis of Cairo, comprising two main areas that together stretch twelve kilometers from north to south, constitutes a major feature of the city’s urban landscape. With monumental and smaller-scale mausolea dating from all eras since early medieval times, and boasting some of the finest examples of Mamluk architecture not just in the city but in the region, the necropolis is an unparalleled—and until now largely undocumented—architectural treasure trove. In Architecture for the Dead, architect Galila El Kadi and photographer Alain Bonnamy have produced a comprehensive and visually stunning survey of all areas of the necropolis. Through detailed and painstaking research and remarkable photography, in text, maps, plans, and pictures, they describe and illustrate the astonishing variety of architectural styles in the necropolis: from Mamluk to neo-Mamluk via baroque and neo-pharaonic, from the grandest stone buildings with their decorative domes and minarets to the humblest—but elaborately decorated—wooden structures. The book also documents the modern settlement of the necropolis by families creating a space for the living in and among the tombs and architecture for the dead....read more
7 September 2007
320 b/w illus., 105 maps and plans