Margo Veillon, one of Egypt’s best known and best loved artists, was born in Cairo in 1907 to a Swiss father and an Austrian mother and died in the same city in 2003. For most of her 96 years she painted and drew Egypt, from north to south, from countryside to city, as well as Paris, London, and other parts of the world. As a witness to a century of enormous change in Egypt as much as elsewhere, she produced a huge, rich, and varied body of work that includes work from across the decades of her career as well as across a variety of media. Although Margo lived part of her life in Europe, it was clearly Egypt that held her imagination through all those long years of artistic innovation. One strand of her work is characterized by an ability to capture and depict the energy of a specific moment in time, be it a toss of wheat in the air to separate the chaff, the stoic bride in a wedding procession, or a horse dancing in a tent at a mulid. The stones, sands, and constantly changing light of the desert were the inspiration for many years for another major line of artistic expression. And a third strand was her exploration of all that can be seen, not seen, and sensed in one place, in her remarkable series of Global Perspectives. These threads and others no less individual and innovative make up the extraordinarily rich tapestry of Margo Veillon’s artistic career over nearly one hundred years.
Witness of a Century
30 May 2007
214 color illus.
For sale worldwide
Also available by this author
Egyptian FestivalsEdited by Bruno Ronfard
Essay by John Rodenbeck
Margo Veillon, one of Egypt’s best known and best loved artists, returns to enchant us again with a collection of paintings and drawings depicting the festivals of Egypt. The cycle of Egyptian life is marked by festivals and celebrations: those for births, weddings, saints’ mulids, national holidays, and closing the circle, funerals. Margo Veillon draws us in to the joy, exuberance, and occasional sorrow that mark the seasons of Egyptian festivals. This remarkable collection of images fills the viewer with the music and dance that punctuate these events and allows us to participate vicariously through the pages in a swirl of colors, smells, sounds, and exultation....read more
11 October 2004
83 color, 19 b/w illus.
Painting Egypt: The Masterpiece Collection at the American University in CairoEdited by Bruno Ronfard
Margo Veillon, one of Egypt’s best loved artists, here presents a sampling of her work from throughout her career, as represented in a legacy bequeathed to the American University in Cairo. The collection includes work from across the decades of her career as well as across a variety of media. Although Margo has lived part of her life in Europe, it is clearly Egypt that has held her imagination in all these long years of artistic innovation. One strand of her work is characterized by an ability to capture and depict the energy of a specific moment in time, be it a toss of wheat in the air to separate the chaff, the stoic bride in a wedding procession, or a horse dancing in a tent at a mulid. The stones, sands, and constantly changing light of the desert have been the inspiration for many years for another major line of artistic expression. And a third strand has been her exploration of all that can be seen, not seen, and sensed in one place, in her remarkable series of Global Perspectives. These threads and others no less individual and innovative make up the extraordinarily rich tapestry of Margo Veillon’s artistic career, as brought together in the AUC Permanent Collection....read more
29 October 2004
100 color illus.
Drawing EgyptEdited by Bruno Ronfard
Born in 1907, Margo Veillon was one of Egypt’s best-loved artists. Presented here is a sampling of her work spanning seventy-five years of her productive career, in a variety of graphic media—pen and ink, watercolor, pencil, and crayon, as represented in a legacy bequeathed to the American University in Cairo. Although she lived part of her life in Europe, it is clearly Egypt that held her imagination and inspired her artistic innovation. Possessed with an ability to capture the energy of a specific moment in time, Margo Veillon drew people and animals, landscapes and street scenes with her characteristic sly humor and gift for depicting a lively vignette or serene visual moment in just a few strokes. These threads and others no less individual and innovative make up the extraordinarily rich tapestry of Margo Veillon’s artistic career, brought together in the AUC Permanent Collection....read more
15 April 2013
220 color illus.
Folk Art of the Great Pilgrimage
Ann Parker Avon Neal
Folk Art of the Great PilgrimageAnn Parker
Since the seventh century, the Hajj, or Great Pilgrimage to Mecca, has been a lifelong goal of devout Muslims throughout the world. Egyptian pilgrims traditionally celebrate their sacred journey by commissioning a local artist to depict their religious odyssey on the walls of their homes. Hajj Paintings is the first visual record of the richness and variety of this naive art form. Photographer Ann Parker and writer Avon Neal spent a decade exploring towns, villages, and isolated farm communities along the Nile, across the Delta, down the Red Sea coast, and into Sinai. On the walls of buildings ranging from alabaster factories to mud-brick farmhouses they found brilliant murals illuminated by the desert sun, portraying beloved icons of the pilgrims’ faith and scenes from the Qur’an. Their nearly 150 color photographs and accompanying descriptions record the radiant palette of the mostly self-taught artists....read more
1 March 2009
130 color illus.
History and Cultural Identity: Revised and Updated Edition
History and Cultural Identity: Revised and Updated EditionViola Shafik
Since it was first published in 1998, Viola Shafik’s Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history—economic, ideological, and aesthetic—with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry’s development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of “cultural repackaging.” Now updated to reflect cultural shifts in the last two decades, this revised edition contains a new afterword highlighting the latest developments in popular and in art-house filmmaking, with a special focus on Iraq, Lebanon, Palestine, and the Gulf States. While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decades....read more
5 January 2017
50 b/w illus.
Rebirth of the City of the Sun
Agnieszka Dobrowolska Jaroslaw Dobrowolski
Rebirth of the City of the SunAgnieszka Dobrowolska
When in the early years of the twentieth century the Belgian businessman Edouard Empain began to turn his dream of building an entirely new satellite city in the desert outside Cairo into a reality, he followed the then novel urban-planning concept of the “garden city.” But in naming his creation, he turned back to one of the most ancient sites in Egypt, the solar temple of Heliopolis, the biblical On, and in its architecture he sought inspiration in the heritage of Cairo’s Islamic tradition. When the city, known as “New Egypt” in Arabic, was completed, a half-hour tram ride through the desert was needed to reach it. Today, Heliopolis has been enveloped within the huge and ever-growing metropolis of Cairo. However, despite rapid development, overpopulation, and increasing traffic, Heliopolis has retained much of its original character and charm, and the captivating atmosphere of Egypt’s Belle Epoque is still tangible. Its houses, mosques, and churches, designed to imitate various styles of the past, have become historic buildings in their own right. This fully illustrated book introduces the reader to the history and development of Heliopolis through its architecture and its inhabitants past and present....read more
1 November 2006
150 illus. incl. 100 in color
Creating Medieval Cairo
Empire, Religion, and Architectural Preservation in Nineteenth-Century Egypt
Empire, Religion, and Architectural Preservation in Nineteenth-Century EgyptPaula Sanders
This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo’s architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comité) within the history of religious life in nineteenth-century Cairo. Offering fresh perspectives and keen historical analysis, this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo....read more
7 November 2007
36 b/w photographs