From 1964 onward much of the ancient land of Nubia sank forever in the waters of Lake Nasser, behind the new Aswan High Dam. Margo Veillon had been fascinated by the vibrancy, color, and movement of the life of ordinary people in Nubia since the 1930s. In the company of friends and fellow artists she made numerous extended visits to capture in her artwork a lifestyle that has now vanished. This book is a record of her journeys. Presenting the Nile as this beautiful land’s thoroughfare, her drawings and photographs reflect the impact of this world upon her. Veillon’s diaries, notes, and pictures vividly illuminate one of the world’s most visually oriented cultures in a style that is as expressive as its subject, thus offering not only an image captured at a particular moment in time, which will never be seen again, but the sensitivity and skill of brain, eye, and hand that made that capture possible. Also available: Margo Veillon: The Bursting Movement edited by Charlotte Hug (AUC Press, 1996) Margo Veillon: Egyptian Harvests edited by Charlotte Hug (AUC Press, 2000) Margo Veillon: Egyptian Festivals edited by Bruno Ronfard (AUC Press, 2002) Margo Veillon: Painting Egypt: The Masterpiece Collection at the American University in Cairo edited by Bruno Ronfard (AUC Press, 2003)
Margo Veillon: Nubia
Sketches, Notes, and Photographs
48 photographs, 117 drawings, 78 color illus.
For sale worldwide
The History and Religious Heritage of Old Cairo
Its Fortress, Churches, Synagogue, and Mosque
Edited by Carolyn Ludwig Morris Jackson Photographs by Sherif Sonbol 34.99
Its Fortress, Churches, Synagogue, and MosqueEdited by Carolyn Ludwig
Photographs by Sherif Sonbol
Just to the south of modern Cairo stands the historic enclave known as Old Cairo, which grew up in and around the Roman fortress of Babylon, and which today hosts a unique collection of monuments that attest to the shared cultural heritage of ancient Egyptians, Christians, Jews, and Muslims. In this lavishly illustrated celebration of a very special place, renowned photographer Sherif Sonbol’s remarkable images of the fortress, churches, synagogue, and mosque illuminate the living fabric of the ancient and medieval stones, while the text describes the history of Old Cairo from the time of the ancient Egyptians and the Romans to the founding of the first Muslim city of al-Fustat, focusing on the Jewish history of the area (exploring the famous Genizah documents found in the Ben Ezra Synagogue that tell so much about everyday life in medieval Egypt), the early Coptic Christian churches, some of the oldest in the world, and the arrival of the Muslims in the seventh century, their establishment of al-Fustat on the edge of Old Cairo, and the building of the oldest mosque in Africa....read more
18 September 2016
370 color illus.
Egypt and Nubia / The Holy Land
Limited Collector’s edition
Drawings by David Roberts, R.A. With historical descriptions by William Brockedon Lithographed by Louis Haghe 250.00
Limited Collector’s editionDrawings byDavid Roberts, R.A.
With historical descriptions byWilliam Brockedon
Lithographed byLouis Haghe
The genius and sensitivity of the justly celebrated nineteenth-century Scottish artist David Roberts are fully revealed in this outstanding special three-volume collector’s edition that reproduces in unprecedented print quality all 247 of Roberts’ published drawings of Egypt and the Holy Land. In 1838 and 1839, Roberts spent eleven months traveling and sketching throughout Egypt from Alexandria to Abu Simbel and through Sinai to Petra, Jerusalem, Palestine, and Lebanon. The 247 lithographs that Belgian engraver Louis Haghe then produced at the rate of one a month from the drawings executed during Roberts’ extraordinary trip were published in six volumes by Francis Graham Moon, as The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia (1842–46) and Egypt and Nubia (1846–49). This monumental work assured the artist of a fame that has lasted until the modern day. Once again in this limited collector’s edition, the wonders that Roberts saw on his trip and the style of life in the Middle East in the middle of the nineteenth century are brought vividly to life by the pictures and the original accompanying texts by the Reverend George Croly and William Brockedon. All admirers of David Roberts will want to own this unique and exquisitely produced edition....read more
3 volume boxed set320 + 288 + 32 pp.
247 color plates
Architecture for the Poor
An Experiment in Rural Egypt
Hassan Fathy 18.95
An Experiment in Rural EgyptHassan Fathy
In this now classic work, Hassan Fathy, Egypt’s greatest twentieth-century architect, describes in detail his plan for building the village of New Gourna on the west bank of the Nile at Luxor, employing both the traditional building material, mud brick, and such traditional Egyptian architectural features as enclosed courtyards and domed and vaulted roofing. Fathy worked closely with the people to tailor his designs to their needs; he taught them how to work with the mud bricks, supervised the erection of the buildings, and encouraged the revival of ancient techniques, such as the use of claustra (mud-brick latticework) to adorn the buildings. Although bureaucratic red tape and other problems prevented the completion of New Gourna, Fathy’s ideas have since commanded widespread attention both inside and outside Egypt, and Architecture for the Poor remains a testament to his vision as an architect of conscience. “Fathy demonstrates very powerfully that it is possible to build for the poor … cheaply and humanly by the use of earth for building and by teaching people to build for themselves. There is no other book quite like this.” —Choice...read more
8 December 2016
132 b/w illus.
Creating Medieval Cairo
Empire, Religion, and Architectural Preservation in Nineteenth-Century Egypt
Paula Sanders 24.95
Empire, Religion, and Architectural Preservation in Nineteenth-Century EgyptPaula Sanders
This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo’s architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comité) within the history of religious life in nineteenth-century Cairo. Offering fresh perspectives and keen historical analysis, this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo....read more
36 b/w photographs