This expansive book reveals the great diversity and range of art of the Arab lands, Turkey, Iran, Central Asia, and later South Asia. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum’s Islamic Art Department, it presents nearly three hundred masterpieces from one of the finest collections in the world. The works range chronologically from the origins of Islam in the seventh century through the nineteenth century, and geographically from as far west as Spain and Morocco to as far east as India. Outstanding miniature paintings and illuminated manuscripts, ceramics, textiles, carpets, glass, and metalwork reflect the mutual influence of artistic practice in the sacred and secular realms. Many of these beautiful objects display the rich traditions of calligraphy, vegetal ornament (the arabesque), and geometric patterning that distinguish the arts of the Islamic world. With seven informative essays and almost three hundred catalogue entries—supplemented by introductory essays on the collection and its display—this handsome and comprehensive overview will enlighten the specialist and the general reader alike.
Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art [Arabic Edition]
روائع تحف الفن الإسلامي في متحف المتروبوليتان للفنون
Edited byMariam D. Ekhtiar
Priscilla B. Soucek
Sheila R. Canby
Navina Najat Haidar
19 February 2017
377 color illus.
For sale worldwide
Egypt and Nubia / The Holy Land
Limited Collector’s edition
Drawings by David Roberts, R.A. With historical descriptions by William Brockedon Lithographed by Louis Haghe
Limited Collector’s editionDrawings byDavid Roberts, R.A.
With historical descriptions byWilliam Brockedon
Lithographed byLouis Haghe
The genius and sensitivity of the justly celebrated nineteenth-century Scottish artist David Roberts are fully revealed in this outstanding special three-volume collector’s edition that reproduces in unprecedented print quality all 247 of Roberts’ published drawings of Egypt and the Holy Land. In 1838 and 1839, Roberts spent eleven months traveling and sketching throughout Egypt from Alexandria to Abu Simbel and through Sinai to Petra, Jerusalem, Palestine, and Lebanon. The 247 lithographs that Belgian engraver Louis Haghe then produced at the rate of one a month from the drawings executed during Roberts’ extraordinary trip were published in six volumes by Francis Graham Moon, as The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia (1842–46) and Egypt and Nubia (1846–49). This monumental work assured the artist of a fame that has lasted until the modern day. Once again in this limited collector’s edition, the wonders that Roberts saw on his trip and the style of life in the Middle East in the middle of the nineteenth century are brought vividly to life by the pictures and the original accompanying texts by the Reverend George Croly and William Brockedon. All admirers of David Roberts will want to own this unique and exquisitely produced edition....read more
3 volume boxed set320 + 288 + 32 pp.
247 color plates
Arts of the City Victorious
Islamic Art and Architecture in the Fatimid North Africa and Egypt
Jonathan M. Bloom
Islamic Art and Architecture in the Fatimid North Africa and EgyptJonathan M. Bloom
Arts of the City Victorious is the first book-length study of the art and architecture of the Fatimids, the Shi‘ite dynasty that ruled in North Africa and Egypt from 909 to 1171. The Fatimids are most famous for founding the walled city of Cairo in 969, and their art—particularly textiles and luster ceramics, but also metalwork and carved rock-crystal, ivory, and woodwork—has been admired for nearly a millennium. Fatimid art is known for its strongly figural imagery, and its elegant and inventive use of Arabic calligraphy, particularly the angular Kufic script. Highlighting surviving examples of Fatimid art and architecture, this volume also draws on an unusual wealth of medieval sources that provide written evidence for the rich visual culture shared among the Muslim, Christian, and Jewish inhabitants of the Fatimid realm. Whereas earlier studies treated the two and a half centuries of Fatimid art and architecture as a single category, this book is the first to show how they grew and evolved over time. Written in an engaging and accessible style, this book focuses on key works of art, copiously illustrated with photographs, many in color. With this volume, art historian Jonathan Bloom synthesizes the findings of many scholars in many languages, to offer a rich portrait of a vibrant artistic period in Islamic civilization....read more
150 illus. incl. 50 color
Architecture for the Dead
Cairo’s Medieval Necropolis
Galila El Kadi Alain Bonnamy
Cairo’s Medieval NecropolisGalila El Kadi
The great medieval necropolis of Cairo, comprising two main areas that together stretch twelve kilometers from north to south, constitutes a major feature of the city’s urban landscape. With monumental and smaller-scale mausolea dating from all eras since early medieval times, and boasting some of the finest examples of Mamluk architecture not just in the city but in the region, the necropolis is an unparalleled—and until now largely undocumented—architectural treasure trove. In Architecture for the Dead, architect Galila El Kadi and photographer Alain Bonnamy have produced a comprehensive and visually stunning survey of all areas of the necropolis. Through detailed and painstaking research and remarkable photography, in text, maps, plans, and pictures, they describe and illustrate the astonishing variety of architectural styles in the necropolis: from Mamluk to neo-Mamluk via baroque and neo-pharaonic, from the grandest stone buildings with their decorative domes and minarets to the humblest—but elaborately decorated—wooden structures. The book also documents the modern settlement of the necropolis by families creating a space for the living in and among the tombs and architecture for the dead....read more
7 September 2007
320 b/w illus., 105 maps and plans
Messages of Love and Politics
Messages of Love and PoliticsMia Gröndahl
Graffiti began in Gaza in 1987, during the first Intifada, when there was no Palestinian television or radio in the Gaza Strip, and no newspapers: the messages that spread along the walls became an important means of communication. Over the years, all political groups have had their own graffiti artists. Scrawl is not tolerated—it has to look good. Hamas even offers evening classes in graffiti. Documenting the writings on the walls of Gaza over a period of seven years, celebrated Swedish photojournalist Mia Gröndahl lays before us the many roles that they perform, the colorful and surprising range of their artistic expression, and their reflection of the changing political situation. And apart from political slogans, the walls bear witness too to joy and sadness: the wedding celebrations, the many victims of the conflict, and the ever present hope of peace and freedom. For us on the outside, Mia Gröndahl’s photographs offer an exciting and unexpected view of life in Gaza....read more
15 March 2010
150 color illus.