Nobody has done more for modern Arabic literature in translation than Denys Johnson-Davies, described by the late Edward Said as “the leading Arabic–English translator of our time.” With more than twenty-five volumes of translated Arabic novels, short stories, plays, and poetry to his name, and a career spanning some sixty years, he has brought the works of a host of writers from across the Arab world to an ever-widening English readership. Here he tells the story of a life in translation, and gives intimate glimpses of many of the Arab writers who are becoming increasingly known in the west. In the 1940s, while teaching at Cairo University, he came to know such iconic figures as Yahya Hakki, Tewfik al-Hakim, Yusuf Idris, and of course Naguib Mahfouz. Later when he lived in Beirut, that other great literary center of the Arab world, he spent time with such poets as Tawfic Sayigh, Badr Shakir al-Sayyab, and Boland al-Haydari. He was already a close friend of Jabra Ibrahim Jabra from his college days at Cambridge, and later of another well-known Palestinian writer, Ghassan Kanafani. In the 1960s he started an influential Arabic literary magazine, Aswat, which published the leading avant-garde writers of the time, and in 1967 he put together the first representative volume of short stories from the Arab world. Then he really put Arabic writing on the international literary map with the establishment of the Heinemann Arab Authors series. Since then he has continued to select and translate the best of Arabic fiction, most recently the classic novella by Yahya Hakki, The Lamp of Umm Hashim (AUC Press 2004). He has also translated three books of Islamic Hadith (with Ezzeddin Ibrahim) and other books of Islamic thought, and has written a large number of children’s books of Middle Eastern history and folktales.
Memories in Translation
A Life between the Lines of Arabic Literature
15 March 2006
25 b/w photographs
For sale worldwide
Also available by this author
Modern Writing from the United Arab EmiratesSelected and translated by Denys Johnson-Davies
Here, for the first time, is a volume of short stories from this commercially and culturally vital and vibrant center of the Arab world. Life before oil in this region was harsh, and many of the stories in this collection—by both men and women from all corners of the country—tell of those times and the almost unbelievable changes that have come about in the space of two generations. Some tell of the struggles faced in the early days, while others bring the immediate past and the present together, revealing that the past, with all its difficulties and dangers, nonetheless possesses a certain nostalgia. Contributors: Abdul Hamid Ahmed, Roda al-Baluchi, Hareb al-Dhaheri, Nasser Al-Dhaheri, Maryam Jumaa Faraj, Jumaa al-Fairuz, Nasser Jubran, Saleh Karama, Lamees Faris al-Marzuqi, Mohamed al-Mazroui, Ebtisam Abdullah Al-Mu’alla, Ibrahim Mubarak, Mohamed al-Murr, Sheikha al-Nakhy, Mariam Al Saedi, Omniyat Salem, Salma Matar Seif, Ali Abdul Aziz al-Sharhan, Muhsin Soleiman, ‘A’ishaa al-Za‘aby....read more
1 March 2009
Great Egyptian WritersEdited by Denys Johnson-Davies
The importance of Tawfiq al-Hakim (1898–1987) to the emergence of a modern Arabic literature is second only to that of Naguib Mahfouz. If the latter put the novel among the genres of writing that are an accepted part of literary production in the Arab world today, Tawfiq al-Hakim is recognized as the undisputed creator of a literature of the theater. In this volume, Tawfiq al-Hakim’s fame as a playwright is given prominence. Of the more than seventy plays he wrote, The Sultan’s Dilemma, dealing with a historical subject in an appealingly light-hearted manner, is perhaps the best known; it appears in the extended edition of Norton’s World Masterpieces and was broadcast on the old Home Service of the BBC. The other full-length play included here, The Tree Climber, is one that reveals al-Hakim’s openness to outside influences—in this case, the absurdist mode of writing. Of the two one-act plays in this collection, The Donkey Market shows his deftness at turning a traditional folk tale into a hilarious stage comedy. Tawfiq al-Hakim produced several of the earliest examples of the novel in Arabic; included in this volume is an extract from his best known work in that genre, the delightful Diary of a Country Prosecutor, in which he draws on his own experience as a public prosecutor in the Egyptian countryside. Three of the many short stories he published are also included, as well as an extract from The Prison of Life, an autobiography in which Tawfiq al-Hakim writes with commendable frankness about himself....read more
15 March 2013
Naguib Mahfouz, the first and only writer of Arabic to be awarded the Nobel prize for literature, wrote prolifically from the 1930s until shortly before his death in 2006, in a variety of genres: novels, short stories, plays, screenplays, a regular weekly newspaper column, and in later life his intensely brief and evocative Dreams. His Cairo Trilogy achieved the status of a world classic, and the Swedish Academy of Letters in awarding him the 1988 Nobel prize for literature noted that Mahfouz “through works rich in nuance—now clear-sightedly realistic, now evocatively ambiguous—has formed an Arabic narrative art that applies to all mankind.” Here Denys Johnson-Davies, described by Edward Said as “the leading Arabic–English translator of our time,” makes an essential selection of short stories and extracts from novels and other writings, to present a cross-section through time of the very best of the work of Egypt’s Nobel literature laureate....read more
1 May 2016
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.
Contesting Antiquity in Egypt
Archaeologies, Museums, and the Struggle for Identities from World War I to Nasser
Donald Malcolm Reid
Archaeologies, Museums, and the Struggle for Identities from World War I to NasserDonald Malcolm Reid
The sensational discovery in 1922 of Tutankhamun’s tomb, close on the heels of Britain’s declaration of Egyptian independence, accelerated the growth in Egypt of both Egyptology as a formal discipline and of ‘pharaonism’—popular interest in ancient Egypt—as an inspiration in the struggle for full independence. Emphasizing the three decades from 1922 until Nasser’s revolution in 1952, this compelling follow-up to Whose Pharaohs? looks at the ways in which Egypt developed its own archaeologies—Islamic, Coptic, and Greco-Roman, as well as the more dominant ancient Egyptian. Each of these four archaeologies had given birth to, and grown up around, a major antiquities museum in Egypt. Later, Cairo, Alexandria, and Ain Shams universities joined in shaping these fields. Contesting Antiquity in Egypt brings all four disciplines, as well as the closely related history of tourism, together in a single engaging framework.
Throughout this semi-colonial era, the British fought a prolonged rearguard action to retain control of the country while the French continued to dominate the Antiquities Service, as they had since 1858. Traditional accounts highlight the role of European and American archaeologists in discovering and interpreting Egypt’s long past. Donald Reid redresses the balance by also paying close attention to the lives and careers of often-neglected Egyptian specialists. He draws attention not only to the contests between westerners and Egyptians over the control of antiquities, but also to passionate debates among Egyptians themselves over pharaonism in relation to Islam and Arabism during a critical period of nascent nationalism.
Drawing on rich archival and published sources, extensive interviews, and material objects ranging from statues and murals to photographs and postage stamps, this comprehensive study by one of the leading scholars in the field will make fascinating reading for scholars and students of Middle East history, archaeology, politics, and museum and heritage studies, as well as for the interested lay reader.
To read an excerpt, click here.
For the Table of Contents, click here....read more
3 September 2019
92 integrated b/w illus., 1 map, 7 tables
A Topographical Study
Neil D. MacKenzie
A Topographical StudyNeil D. MacKenzie
This comprehensive study, first published by the AUC Press in 1992 examines the structure of the Ayyubid administration in Cairo and the associated military, religious, and commercial milieux. It goes on to survey in detail the changes in the general layout of Cairo–in defenses, governmental and private buildings, water resources, religious institutions and cemetery areas, and markets and commercial establishments. Click here to download the free PDF....read more
Free e-book208 pp.
Egypt from Alexander to the Copts
An Archaeological and Historical Guide
Edited by Roger S. Bagnall Dominic W. Rathbone
An Archaeological and Historical GuideEdited by Roger S. Bagnall
Dominic W. Rathbone
After its conquest by Alexander the Great in 332 bc, Egypt was ruled for the next 300 years by the Ptolemaic dynasty founded by Ptolemy I, one of Alexander’s generals. With the defeat of Cleopatra VII in 30 bc, Egypt became a province of the Roman Empire, and later of the Byzantine Empire. For a millennium it was one of the wealthiest, most populous and important lands of the multicultural Mediterranean civilization under Greek and Roman rule. The thousand years from Alexander to the Arab conquest in ad 641 are rich in archaeological interest and well documented by 50,000 papyri in Greek, Egyptian, Latin, and other languages. But travelers and others interested in the remains of this period are ill-served by most guides to Egypt, which concentrate on the pharaonic buildings. This book redresses the balance, with clear and concise descriptions related to documents and historical background that enable us to appreciate the fascinating cities, temples, tombs, villages, churches, and monasteries of the Hellenistic, Roman, and Late Antique periods. Written by a dozen leading specialists and reflecting the latest discoveries and research, it provides an expert visitor’s guide to the principal cities, many off the well-worn tourist paths. It also offers a vivid picture of Egyptian society at differing economic and social levels....read more
100 illus. incl. 25 color