Menorahs and Minarets Reviews

Cairo, Mother of the World, embraces millions—but some of her children make their home in the streets, junked up and living in the shadows of wealth and among the monuments that the tourists flock to see. Mustafa, a former student radical who never believed in the slogans, sets out to tell their story, but he has to rely on the help of his American girlfriend, Marcia, who he is not sure he can trust. Meanwhile, his former leftist friends are now all either capitalists or Islamists. Alienated from a corrupt and corrupting society, Mustafa watches as the Cairo he cherishes crumbles around him. The men and women of the city struggle to find lovers worthy of their love and causes worthy of their sacrifice in a country that no longer deserves their loyalty. The children of the streets wait for the adults to take notice. And the foreigners can always leave.

Sex, money, and politics are the driving forces of society in this new novel from bestselling author Alaa Al Aswany. A medley of Egyptian and American lives collides on the campus of the University of Illinois Medical Center in a post-9/11 Chicago, and crises of identity abound. Among the players are an atheistic antiestablishment American professor of the sixties generation, whose relationship with a younger African-American woman becomes a moving target for intolerance; a veiled Ph.D. candidate whose conviction in the code of her traditional upbringing is shaken by her exposure to American society; an émigré who has fervently embraced his new American identity, but who cannot escape his Egyptian roots when faced with the issue of his daughter’s ‘honor’; an Egyptian State Security informant who spouts religious doctrines while hankering after money and power; and a dissident student poet who comes to America with the sole aim of financing his literary aspirations, but whose experience in Chicago turns out to be more than he bargained for. This tightly plotted page-turner is set far from the downtown Cairo of Al Aswany’s The Yacoubian Building, but is no less unflinching an examination of contemporary Egyptian lives.