In Egypt, Muhammad Abduh (1849–1905) is now generally remembered as a great scholar and a patriot, a great renewer of Islam, one of those who awakened the nation—though the details of this greatness have grown somewhat fuzzy with time. Among scholars, in the Muslim world and the west, he is known as Islam’s leading modernist. For some, his modernism consisted of creating a synthesis of Islam and modern thought; for others, it consisted of the bridge he built between the old world and the new. Some see him as having revived true Islam, some as having proposed an alternative to true Islam. One question that this new biography addresses, then, is quite what his modernism consisted of. Another question is where his modernism came from. And a final question is what happened to it after his death.
City of MemoryMichael Haag
In the decades before Nasser’s seizure of power and the Suez crisis, Alexandria was a magnet for the wealthy, the gifted, and the glamorous from around the world. The whole city looked seaward, its port one of the busiest in the Mediterranean, its spirit ecumenical, its life luxuriant and sensual. Alexandria was barely an Egyptian city, and the Egyptians who live there now inhabit the gently crumbling remains of a foreign world, whose palatial villas, Venetian apartments, art-nouveau cafes, Moorish hotels, and cinemas conceived in thirties deco, are haunted by a departed cast. “I lived a great, extravagant, and colorful life in wartime Alexandria,” recalled Lawrence Durrell, whose Alexandria Quartet is one of the greatest protraits of a city in modern literature. Michael Haag, who has lived in Alexandria, and has known Durrell and others who lived there during its cosmopolitan heyday, has retraced their footsteps to present an absorbing account of the places and the people of this most remarkable of cities. ‘’Michael Haag mixes memory and biography, politics and cultural studies in clear and seamless prose.’’—The New York Review of Books...read more
80 b/w illus.
Edward William Lane, 1801–1876
The Life of the Pioneering Egyptologist and Orientalist
Jason Thompson 24.95
The Life of the Pioneering Egyptologist and OrientalistJason Thompson
Few Western scholars of the Middle East have exerted such profound influence as Edward William Lane. Lane’s Account of the Manners and Customs of the Modern Egyptians (1836), which has never gone out of print, remains as a highly authoritative study of Middle Eastern society. His annotated translation of the Arabian Nights (1839–41) retains a devoted readership. Lane’s recently recovered and published Description of Egypt (2000) shows that he was a pioneering Egyptologist as well as orientalist. The capstone of his career, the definitive Arabic-English Lexicon (1863–93), is an indispensable reference tool. Yet, despite his extraordinary influence, little was known about Lane and virtually nothing about how he did his work. Now, in the first full-length biography, Lane’s life and accomplishments are examined in full, including his crucial years of field work in Egypt, revealing the life of a great Victorian scholar and presenting a fascinating episode in east–west encounter, interaction, and representation....read more
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna 19.95
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
28 color illus.
American Travelers on the Nile
Early U.S. Visitors to Egypt, 1774–1839
Andrew Oliver 29.95
Early U.S. Visitors to Egypt, 1774–1839Andrew Oliver
The Treaty of Ghent signed in 1814, ending the War of 1812, allowed Americans once again to travel abroad. Medical students went to Paris, artists to Rome, academics to Göttingen, and tourists to all European capitals. More intrepid Americans ventured to Athens, to Constantinople, and even to Egypt. Beginning with two eighteenth-century travelers, this book then turns to the 25-year period after 1815 that saw young men from East Coast cities, among them graduates of Harvard, Yale, and Columbia, traveling to the lands of the Bible and of the Greek and Latin authors they had first known as teenagers. Naval officers off ships of the Mediterranean squadron visited Cairo to see the pyramids. Two groups went on business, one importing steam-powered rice and cotton mills from New York, the other exporting giraffes from the Kalahari Desert for wild animal shows in New York. Drawing on unpublished letters and diaries together with previously neglected newspaper accounts, as well as a handful of published accounts, this book offers a new look at the early American experience in Egypt and the eastern Mediterranean world. More than thirty illustrations complement the stories told by the travelers themselves....read more
34 color illus.