In Egypt, Muhammad Abduh (1849–1905) is now generally remembered as a great scholar and a patriot, a great renewer of Islam, one of those who awakened the nation—though the details of this greatness have grown somewhat fuzzy with time. Among scholars, in the Muslim world and the west, he is known as Islam’s leading modernist. For some, his modernism consisted of creating a synthesis of Islam and modern thought; for others, it consisted of the bridge he built between the old world and the new. Some see him as having revived true Islam, some as having proposed an alternative to true Islam. One question that this new biography addresses, then, is quite what his modernism consisted of. Another question is where his modernism came from. And a final question is what happened to it after his death.
A History of Egypt
From Earliest Times to the Present
Jason Thompson 18.95
From Earliest Times to the PresentJason Thompson
This cohesive account of Egypt’s millennia-long past offers readers a sure guide through the sometimes labyrinthine corridors of Egypt’s past, from the mysterious predynastic kingdoms to the nation-state of the twenty-first century. The author addresses central scholarly issues such as how Egyptian history can be treated as a whole and how the west has shaped prevailing images of it, both through direct contact and through the lens of western scholarship. Drawing on current historical scholarship as well as his own research, Jason Thompson has written a remarkable work of synthesis and concision, offering students, travelers, and general readers alike an engaging one-volume narrative of the extraordinarily long course of human history by the Nile. This updated paperback edition contains new material on the 25 January Revolution and the fall of the Mubarak regime....read more
80 b/w illus.
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna 19.95
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
28 color illus.
A History and a Guide
E.M. Forster Introduction by Lawrence Durrell 19.95
A History and a GuideE.M. Forster
Introduction byLawrence Durrell
“Alexandria is still alive and alters even when one tries to sum her up . . . . Only the climate, only the north wind and the sea remain as pure as when Menelaus, the first visitor, landed three thousand years ago.” In the autumn of 1915, in a “slightly heroic mood”, E.M. Forster arrived in Alexandria, full of lofty ideals as a volunteer for the Red Cross. Yet most of his time was spent exploring “the magic, antiquity and complexity” of the place in order to cope with living in what he saw as a “funk-hole.” With a novelist’s pen, he brings to life the fabled, romantic city of Alexander the Great, capital of Greco-Roman Egypt, beacon of light and culture symbolized by the Pharos, where the doomed love affair of Antony and Cleopatra was played out and the greatest library the world has ever known was built. Threading three thousand years of history with vibrant strands of literature and punctuating the narrative with his own experiences, Forster immortalized Alexandria, painting an incomparable portrait of the great city and, inadvertently, himself....read more
Coptic Identity and Ayyubid Politics in Egypt, 1218–1250
Kurt J. Werthmuller 24.95
Using the life and writings of Cyril III Ibn Laqlaq, 75th patriarch of the Coptic Orthodox Church, along with a variety of Christian and Muslim chroniclers, this study explores the identity and context of the Christian community of Egypt and its relations with the leadership of the Ayyubid dynasty in the early thirteenth century. Kurt Werthmuller introduces new scholarship that illuminates the varied relationships between medieval Christians of Egypt and their Muslim neighbors. Demonstrating that the Coptic community was neither passive nor static, the author discusses the active role played by the Copts in the formation and evolution of their own identity within the wider political and societal context of this period. In particular, he examines the boundaries between Copts and the wider Egyptian society in the Ayyubid period in three “in-between spaces”: patriarchal authority, religious conversion, and monasticism....read more
8 color illus.