Since the turn of the twentieth century the dramatic rise of mass media has profoundly transformed music practices in the Arab world. Music has adapted to successive forms of media dissemination—from phonograph cylinders to MP3s—each subjected to the political and economic forces of its particular era and region. Carried by mass media, the broader culture of Arab music has been thoroughly transformed as well. Simultaneously, mass mediated music has become a powerful social force. While parallel processes have unfolded worldwide, their implications in the Arabic-speaking world have thus far received little scholarly attention. This provocative volume features sixteen new essays examining these issues, especially televised music and the controversial new genre of the music video. Perceptive voices—both emerging and established—represent a wide variety of academic disciplines. Incisive essays by Egyptian critics display the textures of public Arabic discourse to an English readership. Authors address the key issues of contemporary Arab society—gender and sexuality, Islam, class, economy, power, and nation—as refracted through the culture of mediated music. Interconnected by a web of recurrent concepts, this collection transcends music to become an important resource for the study of contemporary Arab society and culture. Contributors: Wael Abdel Fattah, Yasser Abdel-Latif, Moataz Abdel Aziz, Tamim Al-Barghouti, Mounir Al Wassimi, Walter Armbrust, Elisabeth Cestor, Hani Darwish, Walid El Khachab, Abdel-Wahab Elmessiri, James Grippo, Patricia Kubala, Katherine Meizel, Zein Nassar, Ibrahim Saleh, Laith Ulaby.
Music and Media in the Arab World
15 November 2010
27 b/w illus.
For sale worldwide
The History and Religious Heritage of Old Cairo
Its Fortress, Churches, Synagogue, and Mosque
Edited by Carolyn Ludwig Morris Jackson Photographs by Sherif Sonbol
Its Fortress, Churches, Synagogue, and MosqueEdited by Carolyn Ludwig
Photographs by Sherif Sonbol
Just to the south of modern Cairo stands the historic enclave known as Old Cairo, which grew up in and around the Roman fortress of Babylon, and which today hosts a unique collection of monuments that attest to the shared cultural heritage of ancient Egyptians, Christians, Jews, and Muslims. In this lavishly illustrated celebration of a very special place, renowned photographer Sherif Sonbol’s remarkable images of the fortress, churches, synagogue, and mosque illuminate the living fabric of the ancient and medieval stones, while the text describes the history of Old Cairo from the time of the ancient Egyptians and the Romans to the founding of the first Muslim city of al-Fustat, focusing on the Jewish history of the area (exploring the famous Genizah documents found in the Ben Ezra Synagogue that tell so much about everyday life in medieval Egypt), the early Coptic Christian churches, some of the oldest in the world, and the arrival of the Muslims in the seventh century, their establishment of al-Fustat on the edge of Old Cairo, and the building of the oldest mosque in Africa....read more
1 March 2017
370 color illus.
Hassan Fathy and Continuity in Islamic Arts and Architecture
The Birth of a New Modern
The Birth of a New ModernAhmad Hamid
Hassan Fathy, the Egyptian architect known for his recognition of the potential of vernacular forms as a vital force in contemporary architectural design, sought to integrate the traditions of Islamic art with his modern visions for living. Guided by Fathy’s principles, Ahmad Hamid, an architect who collaborated with Hassan Fathy in the Institute for Appropriate Technology, identifies questions about the nature of Islamic art and its building culture, as well as the origins of modern architecture. This richly illustrated book provides new insights into Hassan Fathy’s profuse, pathbreaking design documents and built projects, while exploring the socioeconomic, environmental, psychological, and esthetic components of Fathy’s work in the light of a quest for a new universal modernity for the twenty-first century....read more
15 December 2010
100 b/w photographs and drawings
Film in the Middle East and North Africa
Edited by Josef Gugler
Creative DissidenceEdited by Josef Gugler
Nine essays presenting the major national cinemas, from Iran to Morocco, are complemented by in-depth discussions of eighteen films that have been selected for both their excellence and their critical engagement with pressing current issues. The introduction provides a comprehensive overview of filmmaking throughout the region, including important films produced outside the national cinemas. The long history of Iranian cinema, its international renown, and the politics of directors confronting the state, earns it a special place in this volume. The other major emphasis is on the Israel/Palestine conflict, featuring films by Palestinian directors, Israelis, and an Egyptian working in Syria. Twenty contributors, from film and literary scholars to film directors and a novelist, bring to this unique volume differences in disciplinary orientation and variation in the perspectives that inform their writing. Together they offer an illuminating range of approaches to the cinemas of the region....read more
55 b/w illus.
Architecture for the Poor
An Experiment in Rural Egypt
An Experiment in Rural EgyptHassan Fathy
In this now classic work, Hassan Fathy, Egypt’s greatest twentieth-century architect, describes in detail his plan for building the village of New Gourna on the west bank of the Nile at Luxor, employing both the traditional building material, mud brick, and such traditional Egyptian architectural features as enclosed courtyards and domed and vaulted roofing. Fathy worked closely with the people to tailor his designs to their needs; he taught them how to work with the mud bricks, supervised the erection of the buildings, and encouraged the revival of ancient techniques, such as the use of claustra (mud-brick latticework) to adorn the buildings. Although bureaucratic red tape and other problems prevented the completion of New Gourna, Fathy’s ideas have since commanded widespread attention both inside and outside Egypt, and Architecture for the Poor remains a testament to his vision as an architect of conscience. “Fathy demonstrates very powerfully that it is possible to build for the poor … cheaply and humanly by the use of earth for building and by teaching people to build for themselves. There is no other book quite like this.” —Choice...read more
132 b/w illus.