Since the turn of the twentieth century the dramatic rise of mass media has profoundly transformed music practices in the Arab world. Music has adapted to successive forms of media dissemination—from phonograph cylinders to MP3s—each subjected to the political and economic forces of its particular era and region. Carried by mass media, the broader culture of Arab music has been thoroughly transformed as well. Simultaneously, mass mediated music has become a powerful social force. While parallel processes have unfolded worldwide, their implications in the Arabic-speaking world have thus far received little scholarly attention. This provocative volume features sixteen new essays examining these issues, especially televised music and the controversial new genre of the music video. Perceptive voices—both emerging and established—represent a wide variety of academic disciplines. Incisive essays by Egyptian critics display the textures of public Arabic discourse to an English readership. Authors address the key issues of contemporary Arab society—gender and sexuality, Islam, class, economy, power, and nation—as refracted through the culture of mediated music. Interconnected by a web of recurrent concepts, this collection transcends music to become an important resource for the study of contemporary Arab society and culture. Contributors: Wael Abdel Fattah, Yasser Abdel-Latif, Moataz Abdel Aziz, Tamim Al-Barghouti, Mounir Al Wassimi, Walter Armbrust, Elisabeth Cestor, Hani Darwish, Walid El Khachab, Abdel-Wahab Elmessiri, James Grippo, Patricia Kubala, Katherine Meizel, Zein Nassar, Ibrahim Saleh, Laith Ulaby.
Music and Media in the Arab World
15 November 2010
27 b/w illus.
For sale worldwide
Rebirth of the City of the Sun
Agnieszka Dobrowolska Jaroslaw Dobrowolski
Rebirth of the City of the SunAgnieszka Dobrowolska
When in the early years of the twentieth century the Belgian businessman Edouard Empain began to turn his dream of building an entirely new satellite city in the desert outside Cairo into a reality, he followed the then novel urban-planning concept of the “garden city.” But in naming his creation, he turned back to one of the most ancient sites in Egypt, the solar temple of Heliopolis, the biblical On, and in its architecture he sought inspiration in the heritage of Cairo’s Islamic tradition. When the city, known as “New Egypt” in Arabic, was completed, a half-hour tram ride through the desert was needed to reach it. Today, Heliopolis has been enveloped within the huge and ever-growing metropolis of Cairo. However, despite rapid development, overpopulation, and increasing traffic, Heliopolis has retained much of its original character and charm, and the captivating atmosphere of Egypt’s Belle Epoque is still tangible. Its houses, mosques, and churches, designed to imitate various styles of the past, have become historic buildings in their own right. This fully illustrated book introduces the reader to the history and development of Heliopolis through its architecture and its inhabitants past and present....read more
1 November 2006
150 illus. incl. 100 in color
Creating Medieval Cairo
Empire, Religion, and Architectural Preservation in Nineteenth-Century Egypt
Empire, Religion, and Architectural Preservation in Nineteenth-Century EgyptPaula Sanders
This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo’s architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comité) within the history of religious life in nineteenth-century Cairo. Offering fresh perspectives and keen historical analysis, this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo....read more
7 November 2007
36 b/w photographs
Egypt and Nubia / The Holy Land
Limited Collector’s edition
Drawings by David Roberts, R.A. With historical descriptions by William Brockedon Lithographed by Louis Haghe
Limited Collector’s editionDrawings byDavid Roberts, R.A.
With historical descriptions byWilliam Brockedon
Lithographed byLouis Haghe
The genius and sensitivity of the justly celebrated nineteenth-century Scottish artist David Roberts are fully revealed in this outstanding special three-volume collector’s edition that reproduces in unprecedented print quality all 247 of Roberts’ published drawings of Egypt and the Holy Land. In 1838 and 1839, Roberts spent eleven months traveling and sketching throughout Egypt from Alexandria to Abu Simbel and through Sinai to Petra, Jerusalem, Palestine, and Lebanon. The 247 lithographs that Belgian engraver Louis Haghe then produced at the rate of one a month from the drawings executed during Roberts’ extraordinary trip were published in six volumes by Francis Graham Moon, as The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia (1842–46) and Egypt and Nubia (1846–49). This monumental work assured the artist of a fame that has lasted until the modern day. Once again in this limited collector’s edition, the wonders that Roberts saw on his trip and the style of life in the Middle East in the middle of the nineteenth century are brought vividly to life by the pictures and the original accompanying texts by the Reverend George Croly and William Brockedon. All admirers of David Roberts will want to own this unique and exquisitely produced edition....read more
3 volume boxed set320 + 288 + 32 pp.
247 color plates
Folk Art of the Great Pilgrimage
Ann Parker Avon Neal
Folk Art of the Great PilgrimageAnn Parker
Since the seventh century, the Hajj, or Great Pilgrimage to Mecca, has been a lifelong goal of devout Muslims throughout the world. Egyptian pilgrims traditionally celebrate their sacred journey by commissioning a local artist to depict their religious odyssey on the walls of their homes. Hajj Paintings is the first visual record of the richness and variety of this naive art form. Photographer Ann Parker and writer Avon Neal spent a decade exploring towns, villages, and isolated farm communities along the Nile, across the Delta, down the Red Sea coast, and into Sinai. On the walls of buildings ranging from alabaster factories to mud-brick farmhouses they found brilliant murals illuminated by the desert sun, portraying beloved icons of the pilgrims’ faith and scenes from the Qur’an. Their nearly 150 color photographs and accompanying descriptions record the radiant palette of the mostly self-taught artists....read more
1 March 2009
130 color illus.