Neslishah Reviews

This new collection of studies presents fresh insights into a war fought over unusually difficult terrain and with exceptional supply demands. From the ongoing Italian geomorphic study of the Alamein arena to individual memories of non-combatant Alexandrians, from the Free French to the seasoned colonial forces of Australia, India, New Zealand, and South Africa, and from vital naval engagements and the siege of Malta to the study of Rommel’s leadership and the Churchill–Montgomery duo, this book presents the reader with a detailed yet broad reassessment of the complexities of the war in North Africa between 1941 and 1943, its technology, philosophy, military doctrine, strategy, tactics, logistics, and the associated local and international politics. Writing from the perspectives of some of the many nations whose armies were involved in the conflict, fifteen historians bring to their work the precision of their national historical archival sources in clear and spritely narratives.

Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history.