No Knives in the Kitchens of This City Reviews

Sex, money, and politics are the driving forces of society in this new novel from bestselling author Alaa Al Aswany. A medley of Egyptian and American lives collides on the campus of the University of Illinois Medical Center in a post-9/11 Chicago, and crises of identity abound. Among the players are an atheistic antiestablishment American professor of the sixties generation, whose relationship with a younger African-American woman becomes a moving target for intolerance; a veiled Ph.D. candidate whose conviction in the code of her traditional upbringing is shaken by her exposure to American society; an émigré who has fervently embraced his new American identity, but who cannot escape his Egyptian roots when faced with the issue of his daughter’s ‘honor’; an Egyptian State Security informant who spouts religious doctrines while hankering after money and power; and a dissident student poet who comes to America with the sole aim of financing his literary aspirations, but whose experience in Chicago turns out to be more than he bargained for. This tightly plotted page-turner is set far from the downtown Cairo of Al Aswany’s The Yacoubian Building, but is no less unflinching an examination of contemporary Egyptian lives.

In this prize-winning novel, Nahid is a woman determined to go on a journey of self discovery and understanding. As we accompany her in her sometimes delirious, sometimes lucid journey, we are given rare glimpses of the inner thoughts and feelings of a woman confronting questions of love and intimacy within and outside of marriage. It is a story of one woman’s quest for liberation, not from a repressive society or a male-dominated world—that is easy and has been done many times before—but from self-imposed taboos that inhibit a woman’s ability to find fulfillment and to confront the many imponderables surrounding sexuality, desire, and love. Stuck—by conscious choice to keep up the genteel appearances of her middle-class family—in a loveless marriage to Mustafa, the forty-something Nahid finds love and sex with novelist and journalist Omar—himself trapped in a loveless, but not sexless, marriage to Maggie. Although their love story is at the very heart of the novel, we are given broad glimpses of the larger picture of the world outside through Nahid’s work as an archaeologist and Omar’s as a journalist. The novel was well received by women readers, critics, and reviewers and by a majority of the male audience, while a vociferous minority of male critics felt scandalized by it, finding it unseemly that such issues should be raised by a woman. Now English readers can judge for themselves.