No Knives in the Kitchens of This City Reviews

“How could a good Muslim boy like you be born into a Jewish family!” For Galal, forced to leave Egypt in the 1960s Jewish exodus with his family, the Diaspora has none of the beauty of a rich tapestry of history; it is a day-to-day struggle to fit into his new life in Paris, reconcile the conflicting demands of family and friends, and come to terms with who he is. The quest for belonging and identity is at the heart of this sensitive and tender narrative. Earthy, rambunctious supporting characters burst from the page, spontaneous, emotional, yet, for all their façade of confidence, no less adrift than Galal himself. Ruhayyim’s Paris of the 1960s is startlingly relevant: then, as now, religion offers an illusory source of community and identity for migrants to the west, not fitting in, yet cut off from their roots. Deeply personal, this unusual, uplifting coming-of-age novel takes us into the heart of an ordinary young man in the grip of an unforgiving historical moment.

As a fourteen-year-old, Nasir was entranced by his father’s gift of a camera, finding in it the means both to possess beauty and to assert himself. Now a hack working for state television, Nasir meets Fatin, an independent woman older than himself who has escaped a suffocating marriage and is secure in taking what she wants from life. An affair begins that quickly pulls Nasir into a whirlwind of incandescent erotic and emotional obsession. In a world of superficiality, materialism, violence, and sexual hysteria seen through the unforgiving lens of his camera, Nasir’s life is in limbo. A yearning for escape and a fear of loneliness propel him into a relationship in which he is at once enraptured and non-committal. The resolution of this volatile mix lies in a violent confrontation between repulsion and desire. Black Magic was awarded the prestigious Sawiris Foundation Prize in Egyptian Literature in 2006.