No Road to Paradise Reviews

This first anthology of its kind gathers work from sixteen Iraqi writers. Shedding a bright light on the rich diversity of Iraqi experience, Shakir Mustafa has included selections by Iraqi women and men from a variety of backgrounds. While each voice is distinct, they are united in writing about a homeland that has suffered under repression, censorship, war, and occupation. Many of the selections mirror these grim realities, forcing the writers to open up new narrative terrains and experiment with traditional forms. Themes range from childhood and family to war, political oppression, and interfaith relationships. Mustafa provides biographical sketches of the writers and an enlightening introduction chronicling the evolution of Iraqi literature. Includes works by: Ibtisam Abdullah, Ibrahim Ahmed, Lutfiyya al-Dulaimi, Mayselun Hadi, Muhammad Khodayyir, Samira Al-Mana, Nasrat Mardan, Shmuel Moreh, Samir Naqqash, Abdul Sattar Nasir, Jalil al-Qaisi, Abdul Rahman Majeed al-Rubaie, Mahmoud Saeed, Salima Salih, Mahdi Isa al-Saqr, Samuel Shimon.

Being plucked from a Baghdad café and deposited in a cell block for political prisoners is a wakeup call for Aziz, the novel’s hero and narrator, a young man who has been living on automatic pilot—as if he were a guest visiting his own life—and he is finally forced to come to terms with the flawed world we inhabit and shape. Although never charged with any offense, he must adjust to a lengthy stay in prison, where he is befriended by Salam the yard boss, Mun‘im an idealistic university student with a beautiful sister named Salwa, Yusuf an idealist dispatched to the ‘Swamp,’ Salman an anarchist schoolteacher, and Mustafa an aged farmer who dreams of an alternative society. While these imprisoned revolutionaries teach Aziz to dream that an ideal city with his name on it may lie just over the horizon, the police supervisor encourages him to think of a simple crime to which he can confess so he can be charged and eventually released. Based on the author’s own incarceration in Iraq, Cell Block Five is a clear-headed, good-humored tribute to the prison’s men—both the inmates and the guards—and an indictment of man’s gratuitous inhumanity to man, pointing out that the transition from abused to abuser, tortured to torturer, can be an easy one. Written in 1971 and published outside Iraq in 1972, Cell Block Five—the first Iraqi prison novel—was later made into a feature film in Syria. Drawing the reader subtly into the political section of an Iraqi prison, this compelling story easily transcends cultural boundaries.