Palmyra Reviews

Arts of the City Victorious is the first book-length study of the art and architecture of the Fatimids, the Shi‘ite dynasty that ruled in North Africa and Egypt from 909 to 1171. The Fatimids are most famous for founding the walled city of Cairo in 969, and their art—particularly textiles and luster ceramics, but also metalwork and carved rock-crystal, ivory, and woodwork—has been admired for nearly a millennium. Fatimid art is known for its strongly figural imagery, and its elegant and inventive use of Arabic calligraphy, particularly the angular Kufic script. Highlighting surviving examples of Fatimid art and architecture, this volume also draws on an unusual wealth of medieval sources that provide written evidence for the rich visual culture shared among the Muslim, Christian, and Jewish inhabitants of the Fatimid realm. Whereas earlier studies treated the two and a half centuries of Fatimid art and architecture as a single category, this book is the first to show how they grew and evolved over time. Written in an engaging and accessible style, this book focuses on key works of art, copiously illustrated with photographs, many in color. With this volume, art historian Jonathan Bloom synthesizes the findings of many scholars in many languages, to offer a rich portrait of a vibrant artistic period in Islamic civilization.

Since the seventh century, the Hajj, or Great Pilgrimage to Mecca, has been a lifelong goal of devout Muslims throughout the world. Egyptian pilgrims traditionally celebrate their sacred journey by commissioning a local artist to depict their religious odyssey on the walls of their homes. Hajj Paintings is the first visual record of the richness and variety of this naive art form. Photographer Ann Parker and writer Avon Neal spent a decade exploring towns, villages, and isolated farm communities along the Nile, across the Delta, down the Red Sea coast, and into Sinai. On the walls of buildings ranging from alabaster factories to mud-brick farmhouses they found brilliant murals illuminated by the desert sun, portraying beloved icons of the pilgrims’ faith and scenes from the Qur’an. Their nearly 150 color photographs and accompanying descriptions record the radiant palette of the mostly self-taught artists.