In this groundbreaking work, film scholar Viola Shafik examines popular and commercial movies from Egypt’s film industry, including a number of the biggest box-office hits widely distributed in Egypt and the Arab world. Turning a critical eye on a major player in Egyptian cultural life, Shafik examines these films against the backdrop of the country’s overall socio-political development, from the emergence of the film industry in the 1930s, through the Nasser and Sadat eras, up to the era of globalization. In unearthing the largely contradictory meanings conveyed by different films, Popular Egyptian Cinema examines a broad array of themes, from gender relations to feminism, Islamism and popular ideas about sexuality and morality. Focusing on representations of religious and ethnic minorities—primarily Copts, Jews, and Nubians—Shafik draws out issues such as the formation of the Egyptian nation, cinematic stereotyping, and political and social taboos. Shafik also considers pivotal genres, such as melodrama, realism, and action film, in relation to public debates over highbrow and lowbrow culture and in light of local and international film criticism.
Popular Egyptian Cinema
Gender, Class, and Nation
60 b/w illus.
For sale worldwide
The Churches of Egypt
From the Journey of the Holy Family to the Present Day
Edited by Carolyn Ludwig Gertrud J.M. van Loon Gawdat Gabra Photographs by Sherif Sonbol 35.00
From the Journey of the Holy Family to the Present DayEdited by Carolyn Ludwig
Gertrud J.M. van Loon
Photographs by Sherif Sonbol
With over 300 full-color photographs, this is the first fully illustrated book devoted to Christian houses of worship in Egypt. The text incorporates the latest research to complement the broad geographic scope covering nearly all significant Coptic sites throughout the country, from the ancient Coptic churches in Old Cairo to the churches in the monasteries of Wadi al-Natrun, the Red Sea, and Upper Egypt. Churches associated with the Holy Family’s sojourn in Egypt, including Gabal al-Tayr and Dayr al-Muharraq, enrich the volume. Churches of all other Christian denominations in Egypt are also described and beautifully illustrated here. A number of Greek Orthodox churches, Evangelical Coptic, Catholic, Armenian, and Anglican churches are included. Introductory chapters on the history of Christianity in Egypt, the architecture of the Coptic Church, and Coptic wall paintings help readers to appreciate fully the great cultural, artistic, and architectural heritage of Egypt’s Christians....read more
350 color illus.
Messages of Love and Politics
Mia Gröndahl 16.95
Messages of Love and PoliticsMia Gröndahl
Graffiti began in Gaza in 1987, during the first Intifada, when there was no Palestinian television or radio in the Gaza Strip, and no newspapers: the messages that spread along the walls became an important means of communication. Over the years, all political groups have had their own graffiti artists. Scrawl is not tolerated—it has to look good. Hamas even offers evening classes in graffiti. Documenting the writings on the walls of Gaza over a period of seven years, celebrated Swedish photojournalist Mia Gröndahl lays before us the many roles that they perform, the colorful and surprising range of their artistic expression, and their reflection of the changing political situation. And apart from political slogans, the walls bear witness too to joy and sadness: the wedding celebrations, the many victims of the conflict, and the ever present hope of peace and freedom. For us on the outside, Mia Gröndahl’s photographs offer an exciting and unexpected view of life in Gaza....read more
150 color illus.
His Lost City and Great Mosque
Tarek Swelim 39.95
His Lost City and Great MosqueTarek Swelim
Ahmad Ibn Tulun (835–84), the son of a Turkic slave in the Abbasid court of Baghdad, became the founder of the first independent state in Egypt since antiquity, and builder of Egypt’s short-lived third capital of the Islamic era, al-Qata’i‘ and its great congregational mosque. After recounting the story of Ibn Tulun and his successors, architectural historian Tarek Swelim presents a topographic survey of al-Qata’i‘, a city lost since its complete destruction in 905. He then provides a detailed architectural analysis of the Mosque of Ibn Tulun, which was spared the destruction and is now the oldest surviving mosque in Egypt and Africa, from the time of its completion until today. Rare archival illustrations and early photographs document the changing appearance and uses of the mosque in modern times, while extraordinary 3D computer renderings take us back in time to recreate its architectural development through its early centuries. Plans, drawings, and maps complement the history, while striking modern color photographs showcase the elegant simplicity of the building’s architecture and decoration. This definitive and generously illustrated book will appeal to scholars and students of Islamic art history, as well as to anyone interested in or inspired by the beauty of early mosque architecture....read more
29 November 2015
120 illus., including color photos, computer drawings, archival prints
Gardens of Sand
Nineteenth-Century Photographs of Egypt, Arabia, Turkey, and the Levant
Issam Nassar Patricia Almárcegui Clark Worswick 24.95
Nineteenth-Century Photographs of Egypt, Arabia, Turkey, and the LevantIssam Nassar
Between 1859 and 1905, a number of photographers working in Damascus, Mecca, Cairo, Istanbul, and northern Africa captured their landscapes, towns, and monuments, bequeathing an unprecedented visual documentation of the Middle East. Gardens of Sand brings together 100 original photographs, masterpieces mostly hitherto unpublished, taken between 1859 and 1905. The archive illustrates the themes of the expatriate photographers of the second half of the nineteenth century—study portraits, royal commissions, landscapes, inventories of significant monuments and buildings, orientalist scenes, steeped in classical European imagination—but also explores the confrontation between western imagination and the visual reality of the Middle East, a meeting that gave rise to a local photography, gradually moving further away from western stereotypes, and includes a critical analysis of orientalism and of photography as a means of conveying a reality of prejudices....read more