Sayyid Qutb (1906–66) was an influential Egyptian ideologue credited with establishing the theoretical basis for radical Islamism in the post-colonial Sunni Muslim world. lacking a pure understanding of his life and work, the popular media have conflated Qutb’s moral purpose with the aims of Bin Laden and al-Qaeda. He is often portrayed as a terrorist, Islamo-Fascist, and advocate of murder. This book rescues Qutb from misrepresentation, tracing the evolution of his thought within the context of his time, recounting Qutb’s life from the small village in which he was raised to his execution at the behest of Abd al-Nasser’s regime. His study remains sensitive to the cultural, political, social, and economic circumstances that shaped Qutb’s thought—major developments that composed one of the most eventful periods in Egyptian history. Only in response to his harrowing experience in prison did Qutb come to regard Islam and kufr (infidelity) as oppositional, antithetical, and therefore mutually exclusive. Calvert shows how Qutb repackaged and reformulated the Islamic heritage to pose a challenge to authority, including those who claimed (falsely, he believed) to be Muslim.
and the Origins of Radical Islam
For sale only in the Middle East
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.
Description of Egypt
Notes and Views in Egypt and Nubia
Edward William Lane Edited and with an introduction Jason Thompson
Notes and Views in Egypt and NubiaEdward William Lane
Edited and with an introduction Jason Thompson
The launching of this hitherto unpublished book by the great nineteenth-century British traveler Edward William Lane (1801–76), a name known to almost everyone in all the many fields of Middle East studies, is a major publishing event. Lane was the author of a number of highly influential works: An Account of the Manners and Customs of the Modern Egyptians (1836), his translation of The Thousand and One Nights (1839–41), Selections from the Kur-an (1843), and the Arabic–English Lexicon (1863–93). Yet one of his greatest works was never published: after years of labor and despite an enthusiastic reception by the publishing firm of John Murray in 1831, publication of his first book, Description of Egypt, was delayed and eventually dropped, mainly for financial reasons. The manuscript was sold to the British Library by Lane’s widow in 1891, and has only now been salvaged for publication by Dr. Jason Thompson, nearly 170 years after its completion. This enormously important book, which takes the form of a journey through Egypt from north to south, with descriptions of all the ancient monuments and contemporary life that Lane explored along the way, will be of immense interest to both ancient and modern historians of Egypt, and will become an essential companion to his Manners and Customs....read more
1 October 2000
158 b/w illus.
A History of Egypt
From Earliest Times to the Present
From Earliest Times to the PresentJason Thompson
This cohesive account of Egypt’s millennia-long past offers readers a sure guide through the sometimes labyrinthine corridors of Egypt’s past, from the mysterious predynastic kingdoms to the nation-state of the twenty-first century. The author addresses central scholarly issues such as how Egyptian history can be treated as a whole and how the west has shaped prevailing images of it, both through direct contact and through the lens of western scholarship. Drawing on current historical scholarship as well as his own research, Jason Thompson has written a remarkable work of synthesis and concision, offering students, travelers, and general readers alike an engaging one-volume narrative of the extraordinarily long course of human history by the Nile. This updated paperback edition contains new material on the 25 January Revolution and the fall of the Mubarak regime....read more
80 b/w illus.
A History and a Guide
E.M. Forster Introduction by Lawrence Durrell
A History and a GuideE.M. Forster
Introduction byLawrence Durrell
“Alexandria is still alive and alters even when one tries to sum her up . . . . Only the climate, only the north wind and the sea remain as pure as when Menelaus, the first visitor, landed three thousand years ago.” In the autumn of 1915, in a “slightly heroic mood”, E.M. Forster arrived in Alexandria, full of lofty ideals as a volunteer for the Red Cross. Yet most of his time was spent exploring “the magic, antiquity and complexity” of the place in order to cope with living in what he saw as a “funk-hole.” With a novelist’s pen, he brings to life the fabled, romantic city of Alexander the Great, capital of Greco-Roman Egypt, beacon of light and culture symbolized by the Pharos, where the doomed love affair of Antony and Cleopatra was played out and the greatest library the world has ever known was built. Threading three thousand years of history with vibrant strands of literature and punctuating the narrative with his own experiences, Forster immortalized Alexandria, painting an incomparable portrait of the great city and, inadvertently, himself....read more