In the late nineteenth century, an active slave trade sustained social and economic networks across the Ottoman Empire and throughout Egypt, Sudan, the Caucasus, and Western Europe. Unlike the Atlantic trade, slavery in this region crossed and mixed racial and ethnic lines. Fair-skinned Circassian men and women were as vulnerable to enslavement in the Nile Valley as were teenagers from Sudan or Ethiopia. Tell This in My Memory opens up a new window in the study of slavery in the modern Middle East, taking up personal narratives of slaves and slave owners to shed light on the anxieties and intimacies of personal experience. The framework of racial identity constructed through these stories proves instrumental in explaining how countries later confronted—or not—the legacy of the slave trade. Today, these vocabularies of slavery live on for contemporary refugees whose forced migrations often replicate the journeys and stigmas faced by slaves in the nineteenth century.
Tell This in My Memory
Stories of Enslavement from Egypt, Sudan, and the Ottoman Empire
10 b/w illus., 3 maps
For sale only in the Middle East
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.
American Travelers on the Nile
Early U.S. Visitors to Egypt, 1774–1839
Early U.S. Visitors to Egypt, 1774–1839Andrew Oliver
The Treaty of Ghent signed in 1814, ending the War of 1812, allowed Americans once again to travel abroad. Medical students went to Paris, artists to Rome, academics to Göttingen, and tourists to all European capitals. More intrepid Americans ventured to Athens, to Constantinople, and even to Egypt. Beginning with two eighteenth-century travelers, this book then turns to the 25-year period after 1815 that saw young men from East Coast cities, among them graduates of Harvard, Yale, and Columbia, traveling to the lands of the Bible and of the Greek and Latin authors they had first known as teenagers. Naval officers off ships of the Mediterranean squadron visited Cairo to see the pyramids. Two groups went on business, one importing steam-powered rice and cotton mills from New York, the other exporting giraffes from the Kalahari Desert for wild animal shows in New York. Drawing on unpublished letters and diaries together with previously neglected newspaper accounts, as well as a handful of published accounts, this book offers a new look at the early American experience in Egypt and the eastern Mediterranean world. More than thirty illustrations complement the stories told by the travelers themselves....read more
27 March 2015
34 color illus.
An Account of the Manners and Customs of the Modern Egyptians
Edward William Lane Introduced by Jason Thompson
Introduced by Jason Thompson
Few works about the Middle East have exerted such wide and long-lasting influence as Edward William Lane’s An Account of the Manners and Customs of the Modern Egyptians. First published in 1836, this classic book has never gone out of print, continuously providing material and inspiration for generations of scholars, writers, and travelers, who have praised its comprehensiveness, detail, and perception. Yet the editions in print during most of the twentieth century would not have met Lane’s approval. Lacking parts of Lane’s text and many of his original illustrations (while adding many that were not his), they were based on what should have been ephemeral editions, published long after the author’s death. Meanwhile, the definitive fifth edition of 1860, the result of a quarter century of Lane’s corrections, reconsiderations, and additions, long ago disappeared from bookstore shelves. Now the 1860 edition of Manners and Customs of the Modern Egyptians is available again, with a useful general introduction by Jason Thompson. Lane’s greatest work enters the twenty-first century in precisely the form that he wanted....read more
15 December 2012
131 line drawings
City of MemoryMichael Haag
In the decades before Nasser’s seizure of power and the Suez crisis, Alexandria was a magnet for the wealthy, the gifted, and the glamorous from around the world. The whole city looked seaward, its port one of the busiest in the Mediterranean, its spirit ecumenical, its life luxuriant and sensual. Alexandria was barely an Egyptian city, and the Egyptians who live there now inhabit the gently crumbling remains of a foreign world, whose palatial villas, Venetian apartments, art-nouveau cafes, Moorish hotels, and cinemas conceived in thirties deco, are haunted by a departed cast. “I lived a great, extravagant, and colorful life in wartime Alexandria,” recalled Lawrence Durrell, whose Alexandria Quartet is one of the greatest protraits of a city in modern literature. Michael Haag, who has lived in Alexandria, and has known Durrell and others who lived there during its cosmopolitan heyday, has retraced their footsteps to present an absorbing account of the places and the people of this most remarkable of cities. ‘’Michael Haag mixes memory and biography, politics and cultural studies in clear and seamless prose.’’—The New York Review of Books...read more
80 b/w illus.