In 2019, the American University in Cairo (AUC) celebrates its centenary. Founded on Tahrir Square, the university has been at the center of the intellectual, social, and cultural life of Cairo and Egypt for the last one hundred years, and is hailed as one of the leading academic institutions in the Middle East. AUC’s alumni have included diplomats, business leaders, statesmen and stateswomen, Pulitzer Prize–winning journalists, media personalities, filmmakers, revolutionaries, and even a queen. In that time, the university has experienced wars, revolutions, attempted nationalization, bombings, and, in recent times, a wholesale move to a new purpose-built campus in the desert. Utilizing a rich array of photographs, documents, and objects, this book presents one hundred short stories about the life and legacy of this unique and remarkable institution.
The American University in Cairo
100 Years, 100 Stories
4 February 2020
250 color and 50 b&w
For sale worldwide
Artisan Entrepreneurs in Cairo and Early Modern Capitalism 1600–1800
While historians have mined archives and court documents to create a picture of the commercial activities, networks, and infrastructure of merchants in Egypt prior to its incorporation into the European capitalist economy, few have documented a similar picture of the artisans and craftspeople. Artisans outnumbered merchants and their economic weight was considerable, yet details about their lives, the way they carried out their work, and their role or position in the economy is largely unknown. Nelly Hanna seeks to redress this gap by locating and exploring the role of artisans in the historical process. These artisans developed a variety of capitalist practices, both as individuals and collectively in their guilds. Hanna details how they defied the constraints of the guilds and actively engaged in the markets of Europe, demonstrating how Egyptian artisan production was able to compete and survive in a landscape of growing European trade. Deftly synthesizing a wide range of economic and historical theory, Hanna reinvigorates the current scholarship on early Ottoman history and provides a persuasive challenge to the largely shallow perception of artisans’ role in Egypt’s economy....read more
Contesting Antiquity in Egypt
Archaeologies, Museums, and the Struggle for Identities from World War I to Nasser
Donald Malcolm Reid
Archaeologies, Museums, and the Struggle for Identities from World War I to NasserDonald Malcolm Reid
The sensational discovery in 1922 of Tutankhamun’s tomb, close on the heels of Britain’s declaration of Egyptian independence, accelerated the growth in Egypt of both Egyptology as a formal discipline and of ‘pharaonism’—popular interest in ancient Egypt—as an inspiration in the struggle for full independence. Emphasizing the three decades from 1922 until Nasser’s revolution in 1952, this compelling follow-up to Whose Pharaohs? looks at the ways in which Egypt developed its own archaeologies—Islamic, Coptic, and Greco-Roman, as well as the more dominant ancient Egyptian. Each of these four archaeologies had given birth to, and grown up around, a major antiquities museum in Egypt. Later, Cairo, Alexandria, and Ain Shams universities joined in shaping these fields. Contesting Antiquity in Egypt brings all four disciplines, as well as the closely related history of tourism, together in a single engaging framework.
Throughout this semi-colonial era, the British fought a prolonged rearguard action to retain control of the country while the French continued to dominate the Antiquities Service, as they had since 1858. Traditional accounts highlight the role of European and American archaeologists in discovering and interpreting Egypt’s long past. Donald Reid redresses the balance by also paying close attention to the lives and careers of often-neglected Egyptian specialists. He draws attention not only to the contests between westerners and Egyptians over the control of antiquities, but also to passionate debates among Egyptians themselves over pharaonism in relation to Islam and Arabism during a critical period of nascent nationalism.
Drawing on rich archival and published sources, extensive interviews, and material objects ranging from statues and murals to photographs and postage stamps, this comprehensive study by one of the leading scholars in the field will make fascinating reading for scholars and students of Middle East history, archaeology, politics, and museum and heritage studies, as well as for the interested lay reader.
To read an excerpt, click here.
For the Table of Contents, click here....read more
3 September 2019
92 integrated b/w illus., 1 map, 7 tables
An Arab Philosophy of History
Selections from the Prolegomena of Ibn Khaldun of Tunis (1332–1406)
Translated and arranged by Charles Issawi
Selections from the Prolegomena of Ibn Khaldun of Tunis (1332–1406)Translated and arranged by Charles Issawi
The Prolegomena of Ibn Khaldun of Tunis (A.D. 1332–1406) are in many ways the most remarkable product of Islamic thought. Not only did Ibn Khaldun sum up the accumulated knowledge and leading doctrines of his civilization, but in many fields he broke new ground and anticipated the findings of Western social scientists of the last two centuries. The passages have been grouped to illustrate Ibn Khaldun’s views on historical method, geography, economics, public finance, population, society and state, and the theory of being and theory of knowledge. This selection is intended for students of thought, rather than specialized Arabic scholars, and for those interested in the intellectual background of the Arab world....read more
City of MemoryMichael Haag
In the decades before Nasser’s seizure of power and the Suez crisis, Alexandria was a magnet for the wealthy, the gifted, and the glamorous from around the world. The whole city looked seaward, its port one of the busiest in the Mediterranean, its spirit ecumenical, its life luxuriant and sensual. Alexandria was barely an Egyptian city, and the Egyptians who live there now inhabit the gently crumbling remains of a foreign world, whose palatial villas, Venetian apartments, art-nouveau cafes, Moorish hotels, and cinemas conceived in thirties deco, are haunted by a departed cast. “I lived a great, extravagant, and colorful life in wartime Alexandria,” recalled Lawrence Durrell, whose Alexandria Quartet is one of the greatest protraits of a city in modern literature. Michael Haag, who has lived in Alexandria, and has known Durrell and others who lived there during its cosmopolitan heyday, has retraced their footsteps to present an absorbing account of the places and the people of this most remarkable of cities. ‘’Michael Haag mixes memory and biography, politics and cultural studies in clear and seamless prose.’’—The New York Review of Books...read more
80 b/w illus.