For Nobel laureate Naguib Mahfouz, Cairo has always been a place of special resonance. As the place in which he was born and has lived his whole life, it is a city he loves passionately and has visited and revisited in his writing. It is the setting for nearly all his novels and short stories, not merely as a backdrop but as an integral part of his fiction, playing its own role in the dramas. The old streets of the Cairo Trilogy and the microcosmic cul-de-sac of Midaq Alley become fictional characters as fascinating as the human ones for Naguib Mahfouz. A longtime admirer of the novels of Naguib Mahfouz, photographer Britta Le Va discovered old Cairo through his works. Here, she guides us through his pages, and treads his streets and alleys, to produce a collection of outstanding visual images of the historic city. Each complements a verbal image selected from Mahfouz’s writings. In his introduction, novelist Gamal al-Ghitani describes a walking tour with the great man around the streets of Gamaliya, that historic heart of the old city where both of them—more than thirty years apart—were born and grew up. Along the way, Mahfouz reminisces and remarks on what had changed and what had not in eight decades.
The Cairo of Naguib Mahfouz
Photographs by
Britta Le Va
Text by
Gamal al-Ghitani
Foreword by
Naguib Mahfouz
15 September 2012
112 pp.
80 color photographs
21X21cm
ISBN 9789774165528
For sale worldwide
$29.95
Britta Le Va is a photographer based in New York.
To read an interview with German-born photographer about her book, The Cairo of Naguib Mahfouz (AUC Press, 2012), click here.
Naguib Mahfouz
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At a Cairo café, a cross-section of Egyptian society, young and old, rich and poor, are drawn together by the quality of its coffee and the allure of its owner, legendary former dancer Qurunfula. When three of the young patrons disappear for prolonged periods, the older customers display varying reactions to the news. On their return, they recount horrific stories of arrest and torture at the hands of the secret police, and the habitués of the café begin to withdraw from each other in fear, suspecting that there is an informer among them. With the nighttime arrests and the devastation of the country’s defeat in the 1967 War, the café is transformed from a haven of camaraderie and bright-eyed idealism to an atmosphere charged with mounting suspicion, betrayal, and crushing disillusionment. Exposing the dark underbelly of ideology, and delving into the idea of the ‘necessary evils’ of social upheaval, Karnak Café remains one of the Nobel laureate’s most pointedly critical works, as relevant and incisive today as it was when it was first published in 1974.
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